Today | 19:00
Caroline Creutzburg + René Alejandro Huari Mateus
Die Vielhundertjährigen
November 29 30 | 19.00
Hochzeitssaal | 15/10 €

Back to the future: In Die Vielhundertjährigen, the audience is contacted by the only contemporary witnesses of a long-gone division between the biological and the digital. These people, several hundred years old, are now inhabitants of a post-digital world. Based on fantasies and wishes for the world, the ensemble, ranging in age from 65 to 87, create their own science fiction narrative.

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Tomi Paasonen
Pas de Q
Tomi Paasonen-final-15
December 01 02 03 | 20.00
December 04 | 18.00
Festsaal | 15/10 €

Pas de Q enters the classical ballet world to turn choreographic forms and traditions upside down and reinvent them. A queer ensemble of male and non-binary dancers
pushes movement, dance and queer aesthetics to the extreme. In a utopian science fiction world, the team fuses drag art and pointe dance into a labyrinth of imaginative perversions, beyond morality and shame. 

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Enad Marouf
In My Hand a Word
8U4A4888 landscape
December 09 10 | 20.00
December 10 | 17.00
December 11 | 18.00
Hochzeitssaal | 15/10 €

In the scenic adaptation of his own text, the Syrian-German performance and video artist Enad Marouf deals with loss from a queer perspective: the loss of family, home and relationships, but also that of meaning and language. The audience enters a place where fragments overlap. Two figures move through scenes whose internal coherence continues to unravel through memories, anecdotes, and associative references.

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Jelena Stefanoska & Saša Asentić
Жизела / Giselle
PM_Sasa Asentic_Giselle_Foto_Marija Erdelji_4026
December 17 18 | 18.00
Festsaal | 15/10 €

Жизела / Giselle uses dance and language to explore the similarities and differences between the artist Jelena Stefanoska and the tragic ballet character Giselle. The piece tells of the need to love and be loved – and, above all, of the desire and feeling to live a life with dignity.

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Tanztage Berlin 2023
© Jan Grygoriew

Hey, why do you look so tired? "Urgency culture" expects us to be connected and responsive constantly. There is little to no time left to imagine the world otherwise. Tanztage Berlin – a yearly festival highlighting the work of the city's emerging dance makers – is back to diagnose the present and predict the future. Its 32nd edition investigates our daily overstimulation and chronic fatigue by reflecting on how we move to the rhythm of today's high-speed, social media-driven reality and its challenges.

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Nordwind-Festival Anna von Hausswolff The Miraculous - A presentation of the new record

2015 December 06 | 20.00
Suitable for Non-German Speakers

Three years ago, Anna von Hausswolff opened a stirring chasm of church organ, drone bass and elegiac song: her album “Ceremony” was one of the musical highlights of 2012. However, those who thought that the then 26-year old Swede had thereby exhausted the pop intensity of the church organ is now face with her new album  “The Miraculous”. The first single “Come Wander With Me/Deliverance” is an almost 11-minute long excursion into a world of dark drones, a 9000 pipe organ from a church in Piteå in northern Sweden, drum crescendi, zombie-esque Pink Floyd prog-rock guitars and Hausswolff’s celestial voice. This sounds as if the monstrous sound of the Swans had a tryst with Kate Busch.
With “The Miraculous” Anna von Hausswolff describes an actual place, both origin of Swedish folk music and backdrop to a bloody war: magic and darkness, history and mystery are combined here, musically interpreted by an artist who fuses styles, musical periods and emotions to a new whole.

organ(synth)+vocal Anna von Hausswolff Guitar Karl Vento, Joel Fabiansson Drums Ulrik Ording Synthesizers Filip Leyman Sound engineer Justin Grealy

A production by Anna von Hausswolff. Media partners: Spex, taz.die tageszeitung

Foto © Artwork