News
Angela Alves: NO LIMIT

JUNE 16 17 18 | 8 PM

It's show time! In the remote performance NO LIMIT, audience and performers will meet in a webinar format to take a closer look at the concept of norm: To which norm do we actually want to return after this "exceptional situation"? And do we want to continue glorifying strategies of self-exploitation in the norm of the future?

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PAF @home: Introducing…

...presents: Instructions for Those at Home: Between NO FUTURE and THE FUTURE IS NOW! - the newcomer’s platform Introducing… asks questions about the future and creates safe spaces for experimentation and exchange.

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NetzKantine: Kieze gegen rechts

MAY 04 05 06 07 08

Part of the DAYS OF SHINING ACTION is an online edition of our regular series KiezKantine. Under the motto Kieze gegen rechts, from May 04 - 08, we will stream five interviews right into your home. The Podcast presents five projects and initiatives from Berlin that are actively engaged in civil society and show how to stand up against discrimination and for an open society on a small scale.

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Theatertreffen: Artist talk with Florentina Holzinger

For the first time, the Theatertreffen will take place online. Florentina Holzinger, who has been invited to the Theatertreffen 2020 with her work TANZ, can be experienced in an artist talk with Beatrice Cordua and Renée Copraij on May 05, as part of the TT-Context programme UnBoxing Stages – Digital Practice in the Theatre.

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Programme

Angela Alves NO LIMIT

nolimit
June 16 17 18 | 20.00 Remote-Performance

It's show time! In the remote performance NO LIMIT, audience and performers will meet in a webinar format to take a closer look at the concept of norm: To which norm do we actually want to return after this "exceptional situation"? And do we want to continue glorifying strategies of self-exploitation in the norm of the future?

» more

Specials

News

Angela Alves: NO LIMIT

nolimit
© Philippe Krueger

JUNE 16 17 18 | 8 PM

It's show time! In the remote performance NO LIMIT, audience and performers will meet in a webinar format to take a closer look at the concept of norm: To which norm do we actually want to return after this "exceptional situation"? And do we want to continue glorifying strategies of self-exploitation in the norm of the future?

» more

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          Queer Darlings 2 Joana Tischkau BEING PINK AIN'T EASY

          190807_BPAE_Website_3_150
          © Justus Gelberg
          BeingPink_©DorotheaTuch_5082_HP
          © Dorothea Tuch
          BeingPink_©DorotheaTuch_HP
          © Dorothea Tuch
          BeingPink_©DorotheaTuch_4926_HP
          © Dorothea Tuch

          Dance

          2020 March 24 25 26 | 19.00
          Hochzeitssaal

          In English

          Pink people wanna know if other pink people like hip-hop 
          how can it still be hip-hop? 
          That’s like asking, if Black people like 
          Dirty Harry 
          is he still Clint Eastwood? (Greg Tate)

          Gangstas, Pimps and Hoes: The US rap world is filled with hyper masculine images. When Black artists such as Cam‘ron and Kanye West launched a fashion trend of pink fur and velourin the early 2000s, they proved that even Barbie’s favorite color could not damage their image of heterosexual hypermasculinity. Joana Tischkau draws on these events to expose the fragility of social constructs such as race and gender: How are bodies of color used to consolidate the structural power of white Cis-men?

          JOANA TISCHKAU dances. Her first dancing memory goes back to Kaoma’s 1989 Hit Lambada which she moved to at a children's birthday party. This experience led her to enroll at her neighborhood dance school for training in Jazzdance, Hip Hop and Videoclip Dancing. In 2010 she decided to make it official so she went on to study contemporary dance and theatre at Coventry University in the UK and choreography and performance at the Institute for Applied Theatre Studies in Giessen. Her artistic practice is a hybrid mash-up where the writings of bell hooks meet beatboxing, whiteness is turned into a work-out, youtube tutorials become here only source material and where Roberto Blanco is hailed as an afro-german hero, subversively distorting socio-cultural practices, codes and meanings inscribed onto bodies of color within the context of pop culture, western art and dance history. Joana works independently as a choreographer, dancer and community dance artist and in teaching. One of her recent productions, PLAYBLACK is a copy of the 1990 Kids Television program Mini Playback Show and was invited to the Tanzplattform Deutschland in 2020. PLAYBLACK formed the conceptual breeding ground for BEING PINK AIN'T EASY.

          CONCEPT, CHOREOGRAPHY Joana Tischkau PERFORMANCE Rudi Natterer DRAMATURGY, ARTISTIC SUPPORT Nuray Demir, Elisabeth Hampe SOUNDDESIGN Frieder Blume STAGE Inga Danysz LIGHT Juri Rendler COSTUME Nadine Bakota DIRECTION MANAGEMENT Lisa Gehring

          A production by Joana Tischkau in co-production with SOPHIENSÆLE, Münchner Kammerspiele and Künstlerhaus Mousonturm as part of the Tanzplattform Rhein-Main. The Tanzplattform Rhein-Main, a project of Künstlerhaus Mousonturm and the Hessisches Staatsballett is made possible by the Kulturfonds Frankfurt RheinMain and supported by the Kulturamt der Stadt Frankfurt am Main, the The Hessen State Ministry for Higher Education, Research and the Arts and the Stiftungsallianz [Aventis Foundation, BHF BANK Stiftung, Crespo Foundation, Dr. Marschner-Stiftung, Stiftung Polytechnische Gesellschaft Frankfurt am Main]. Supported by the Cultural Office of the City of Frankfurt. Supported by the NATIONALE PERFORMANCE NETZ Koproduktionsförderung Tanz, supported by the Federal Government Commissioner for Culture and the Media. Media partner: Siegessäule.