Programme
Public in Private / Aimé C. Songe
The River - Part 1
the river2
September 27 28 | 18.15
September 29 30 | 18.00
Tickets
Performance
17,17 €

A dreamlike journey on a rowing boat: time to slow down and question the concept of a productive life.

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Thorsten Lensing
Verrückt nach Trost
verrckt-nach-trost-2022-c-sf-armin-smailovic-006
September 30 | 19.00
October 01 02 07 08 09 | 19.00
Tickets
Festsaal | 28/18 €

The children Charlotte and Felix emerge from the sea and play as their dead parents on the beach. It's a ritual the two have been practicing for years. In memory of their parents' wild exuberance, they put sunscreen on their backs and tickle each other until they can hardly breathe. For brief moments,all sadness falls away from them. Again and again, however, the different needs of the two ten- and eleven-year-old siblings break into the game.

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Simone Dede Ayivi und Kompliz*innen
Let‘s J̶u̶s̶t̶ Be Friends
WS_SimoneDedeAyivi_Lets_be_Friends_©DorotheaTuch_7840
October 13 14 15 | 19.00
October 16 | 17.00
Tickets
Performance
Hochzeitssaal | 15/10 €

In Let's Just Be Friends, Simone Dede Ayivi interviews people who live their friendships as a feminist counter-concept to family businesses or marriages: Friends who do projects together or take on responsibilities for each other that are usually attributed to the close family context or romantic relationships between two people.

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James Batchelor & Collaborators
Shortcuts to Familiar Places
Morgan Hickinbotham_4_main visual quer
October 17 18 19 20 | 20.00
Tickets
Festsaal | 15/10 €

In Shortcuts to Familiar Places, James Batchelor creates a personal performance about the body as a site of historical and choreographic inscription.

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Company Christoph Winkler
Radical Minimal
PM_Christop WInkler-Presse final-1
October 20 21 | 19.30
Tickets
15/10 €

With Radical Minimal, the Berlin-based Company Christoph Winkler explores the radical potential of minimal music and contemporary dance. In three choreographies, the team reinterprets three well-known pieces of minimal music: Come Out by Steve Reich, Coming Together by Frederic Rzewski and Stay on it by Julius Eastman.

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Lois Alexander
Yeye
YEYE_Postermotiv_c_Chanel Kah Yin Liang
October 22 25 | 20.00
October 23 | 18.00
Tickets
Hochzeitssaal | 15/10 €

Lois Alexander explores the afterlife of slavery and the reverberations on our present.Yeye explores memory, traces and notions of a motherland, moving through different levels of video, text and performance.

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Lois Alexander
BIPoC-only*: Yeye
BIPOC-ONLY (1)
October 24 | 20.00
Tickets
Hochzeitssaal | 15/10 €

Lois Alexander explores the afterlife of slavery and the reverberations on our present.Yeye explores memory, traces and notions of a motherland, moving through different levels of video, text and performance.

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Anna Natt
Queering Nosferatu
Anna Natt_final-3_Mayra Wallraff
October 27 28 29 | 20.00
October 30 | 18.00
Tickets
Festsaal | 15/10 €

In her new performance, Anna Natt, together with experimental musician Robert Curgenven, examines the vampire figure of Nosferatu for its queerness.

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Hausführung
Hausführung
October 28 | 17.00
Tickets
Various Locations | 5 €

If you want to get to know the history of Sophiensæle, join one of our guided tours. Regular guided tours are in German. English guided tours are available for groups of five people or more.

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TANZTAGE BERLIN 2014 Ahmed Soura / Kareth Schaffer / Jorge Rodolfo de Hoyos Au Prêt du Temps / As Easy as 1, 2, 3 / Departing Things

hp_schafer_soura_de_hoyos
2014 January 04 05 | 20.30
Festsaal

AHMED SOURA: AU PRÊT DU TEMPS

Premiere

With his energetically charged body, this Burkina Faso-born choreographer is a movement poet. In this piece, Ahmed Soura works against the linear progression of time, proposing that it moves in spiraling loops instead. He sees himself grounded in a society that has traditional roots, but which cannot escape the developments of the 21st century. It is an attempt to break out, which ultimately only helps to speed up progress.

The names in Soura’s multi-faceted résumé demonstrate his ability to engage in all kinds of different settings: Irène Tassembedo, Konstantin Tsakalidis, Christoph Schlingensief, Christoph Winkler and the Deutsche Oper Berlin. In discussion as well as when performing, it is clear that he can elaborately articulate his intentions as well as his body.


"The performance “Au prêt du Temps” draws the spectator's attention to the center of the stage. It lets the spectator live the cause and effects of Man in a modern, yet traditionally rooted, society.Through use of an undulating body in spiral, and by expanding and dilating within a circle limited by images of revolution." - Ahmed Soura

CONCEPT / CHOREOGRAPHY Ahmed Soura PERFORMANCE Ahmed Soura COSTUME Kerstin Junge LIGHT DESIGN Michael Dietze LIVEMUSIC Johannes Lauer COPRODUCTION Tanztage Berlin / Sophiensæle, Ahmed Soura Kompanie THANKS TO Jozi.tv und Studio Katakomben


KARETH SCHAFFER: AS EASY AS 1, 2, 3

Kareth Schaffer wants to be a mover and shaker (and shake things up!), and she asks herself how achieve this. No wonder this BA graduate from the Inter-University Centre for Dance Berlin (HZT) is committed to cultural-political issues (“Artists pledge!”). We value her for this commitment, as we think it remains important for emerging artists to be invested in cultural politics.


"‘As Easy as 1, 2, 3’ explores the bare minimum needed to tell a story of love born and lost on the stage—a minimum amount of light (1 light on the floor) , a minimum amount of images (6 images), a minimum amount of time (3 minutes), and a minimum amount of movement." -Kareth Schaffer

CONCEPT / CHOREOGRAPHY Kareth Schaffer DANCE / PERFORMANCE Anna Lena Lehr, Kareth Schaffer COSTUME Stine Frandsen LIGHT DESIGN Max Stelzl THANKS TO HZT Berlin, Ana Laura Lozza

JORGE RODOLFO DE HOYOS: DEPARTING THINGS

Premiere

Jorge Rodolfo De Hoyos arrived from San Francisco just last year, a city known for an arts community that confidently engages its sexuality, gender and identity. Therefore works that are driven by larger political questions and take radical positions are no rarity. Under the title “How to move to Berlin”, De Hoyos has worked out a 12-point plan for himself that addresses the economic and creative challenges of existence as an artist on the move. We are looking forward to seeing what his relocation to Berlin set in motion.

He self-identifies as a pirate or Robin Hood, and has been influenced by his collaborations with Keith Hennessy and Meg Stuart. He has also worked with Sara Shelton Mann, with whom he learned to access physical states via energy work. This current, hugely popular work has become better known in Berlin through Meg Stuart.


"A dance of constant departures and arrivals. Bodies dis-integrating- traveling between density and beings of light."- Jorge Rodolfo De Hoyos

CONCEPT / DIRECTION Jorge Rodolfo De Hoyos CHOREOGRAPHY / PERFORMANCE Anna Lena Lehr, Asaf Aharonson, Jorge Rodolfo De Hoyos, Thomas Proksch COPRODUCTION Tanztage Berlin / Sophiensæle HZT Berlin, Ponderosa THANKS TO Emily Leap, Kai Eng, Kevin O‘Connor, Una Little, Zinzi Minott


photo © Kerstin Junge