Programme
Tomorrow | 20:00
Olympia Bukkakis
replay
klein_Olympia Bukkakis-Presse final-19
February 02 03 04 | 20.00
February 05 | 18.00
Tickets
Drag/Music/Dance
Festsaal | 15/10 €

replay investigates the formal relationships between movement and sound in pop, classical music, opera and drag. Drawing on her own biography, Olympia Bukkakis and her rebellious back up dancers raise questions about class and cultural hierarchies.

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Hausführung
Hausführung
February 03 | 17.00
Tickets
Various Locations | 5 €

If you want to get to know the history of Sophiensæle, join one of our guided tours. Regular guided tours are in German. English guided tours are available for groups of five people or more.

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Cora Frost/Rudy van Dongen/Peter Frost & Friends
Insel der Orgeln
Peter Frost_Presse_final-1237
February 11 | 20.00
February 12 | 18.00
Tickets
Hochzeitssaal | 15/10 €

Insel der Orgeln (Island of Organs) is a happening of dance, music, performance and installation and searches for experienced, repressed and dreamed concepts of life and survival. On the island, travelers bring together terrible and promising life stories to the polyphony of the organs in order to invoke the question of the healing power of the social family of choice.

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Alexandre Achour, Angela Alves, Diana Anselmo, Saša Asentić, Marko Bašica, Rita Mazza, Auro Orso, Perel & Dalibor Šandor
Dis Contact
February 15 17 19 | 19.00
Tickets
Festsaal | 15/10 €

Kontakthof by Pina Bausch is one of the most famous works of contemporary dance. In 2018, artist Dalibor Šandor wondered why Bausch never actually made a version with disabled artists. Dis Contact is a new work by artists belonging to communities and cultures that are systematically oppressed in the world where Kontakthof has a prominent status.

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Eva Meyer-Keller
OUT OF MIND
Eva Meyer-Keller_01_Foto_Harry Weber_quer
February 26 | 18.00
February 27 28 | 20.00
March 01 | 20.00
Tickets
Festsaal | 15/10 €

In OUT OF MIND Eva Meyer-Keller and her accomplices develop choreographic approaches to what we call consciousness and experience. She takes neuroscientific approaches as a starting point to undertake a dive into a slippery terrain of uncertainties and turns the theater space into an experimental laboratory in which more-thanhuman performers enter the scene as well.

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Jule Flierl
Time out of Joint
Web2_Time.out.of.Joint_Derin Cankaya
March 08 09 10 11 | 20.00
Tickets
Festsaal | 15/10 €

Time out of Joint is a grotesque variety show of political speeches and a virtuously cacophonous concert of feminist struggles of the 20th century. Applying the tactic of tactlessness, utterances by historically influential female* speakers are dissected, distorted and recomposed. Dancing bodies explore rhetorical strategies as questions of rhythmic (re)arrangement and make voice audible as the battlefield of political representation.

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Ist die deutsche Theaterwissenschaft (post)kolonial?
Titel Theaterwissenschaft Postkolonial
March 11 | 18.00
Kantine | Eintritt frei

What does the demand for a “decolonization of the University” mean for German-language theater studies? What could a post- or decolonial Theater Science look like in research and teaching? Together with contributors from the anthology Theaterwissenschaft postkolonial/decolonial, the editors Azadeh Sharifi and Lisa Skwirblies want to explore these questions.

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Vanessa Stern & Team
ToFuR® – Theater ohne Furcht und Reichweite
Vanessa Stern_Foto_Dietmar Schmidt_Presse
March 16 18 | 20.00
March 19 | 18.00
Tickets
Hochzeitssaal | 15/10 €

Vanessa Stern has lost her way. She cried out bravely: “Social media, you are my enemy!” and founded a knighthood (complete with cute ponies) to go into battle against the dark forces of Reach and Attention. Theater without clicks and shares and likes! Be there when no one is following us! Another world is possible.

» more

Claire Vivianne Sobottke
à mort – Ein choreografischer Liederzyklus für drei Stimmen
Claire Vivianne Sobottke-Foto_MayraWallraff_Presse_final-
March 22 23 24 25 | 19.00
Tickets
Festsaal | 15/10 €

à mort is a performative-musical exploration of processes of domination, dying and killing. Excessive scenes of destruction emerge in a memento mori inspired installation of natural and artificial materials. The female voice emerges as a powerful physical presence in a dying world, challenging the grotesque human desire for dominance.

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Hendrik Quast
Spill your guts
HendrikQuast_SYG_Foto_Florian_Krauss-0644
March 31 | 19.00
April 01 | 19.00
Tickets
Performance
Festsaal | 15/10 €

For his project, Hendrik Quast learns the art of ventriloquism in order to approach the chronic inflammatory bowel disease ulcerative colitis artistically. In conversation with the disease, new ways of speaking and images of chronic illness emerge, opening up unusual spaces of humor for the ill and healthy audience.

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Specials
Festival
Tanztage Berlin 2023
SOP_TATA23_1200x900_SILBER_Typo
© Jan Grygoriew

JANUAR 05 – 21

Hey, why do you look so tired? "Urgency culture" expects us to be connected and responsive constantly. There is little to no time left to imagine the world otherwise. Tanztage Berlin – a yearly festival highlighting the work of the city's emerging dance makers – is back to diagnose the present and predict the future. Its 32nd edition investigates our daily overstimulation and chronic fatigue by reflecting on how we move to the rhythm of today's high-speed, social media-driven reality and its challenges.

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TANZTAGE BERLIN 2014 Ahmed Soura / Kareth Schaffer / Jorge Rodolfo de Hoyos Au Prêt du Temps / As Easy as 1, 2, 3 / Departing Things

hp_schafer_soura_de_hoyos
2014 January 04 05 | 20.30
Festsaal

AHMED SOURA: AU PRÊT DU TEMPS

Premiere

With his energetically charged body, this Burkina Faso-born choreographer is a movement poet. In this piece, Ahmed Soura works against the linear progression of time, proposing that it moves in spiraling loops instead. He sees himself grounded in a society that has traditional roots, but which cannot escape the developments of the 21st century. It is an attempt to break out, which ultimately only helps to speed up progress.

The names in Soura’s multi-faceted résumé demonstrate his ability to engage in all kinds of different settings: Irène Tassembedo, Konstantin Tsakalidis, Christoph Schlingensief, Christoph Winkler and the Deutsche Oper Berlin. In discussion as well as when performing, it is clear that he can elaborately articulate his intentions as well as his body.


"The performance “Au prêt du Temps” draws the spectator's attention to the center of the stage. It lets the spectator live the cause and effects of Man in a modern, yet traditionally rooted, society.Through use of an undulating body in spiral, and by expanding and dilating within a circle limited by images of revolution." - Ahmed Soura

CONCEPT / CHOREOGRAPHY Ahmed Soura PERFORMANCE Ahmed Soura COSTUME Kerstin Junge LIGHT DESIGN Michael Dietze LIVEMUSIC Johannes Lauer COPRODUCTION Tanztage Berlin / Sophiensæle, Ahmed Soura Kompanie THANKS TO Jozi.tv und Studio Katakomben


KARETH SCHAFFER: AS EASY AS 1, 2, 3

Kareth Schaffer wants to be a mover and shaker (and shake things up!), and she asks herself how achieve this. No wonder this BA graduate from the Inter-University Centre for Dance Berlin (HZT) is committed to cultural-political issues (“Artists pledge!”). We value her for this commitment, as we think it remains important for emerging artists to be invested in cultural politics.


"‘As Easy as 1, 2, 3’ explores the bare minimum needed to tell a story of love born and lost on the stage—a minimum amount of light (1 light on the floor) , a minimum amount of images (6 images), a minimum amount of time (3 minutes), and a minimum amount of movement." -Kareth Schaffer

CONCEPT / CHOREOGRAPHY Kareth Schaffer DANCE / PERFORMANCE Anna Lena Lehr, Kareth Schaffer COSTUME Stine Frandsen LIGHT DESIGN Max Stelzl THANKS TO HZT Berlin, Ana Laura Lozza

JORGE RODOLFO DE HOYOS: DEPARTING THINGS

Premiere

Jorge Rodolfo De Hoyos arrived from San Francisco just last year, a city known for an arts community that confidently engages its sexuality, gender and identity. Therefore works that are driven by larger political questions and take radical positions are no rarity. Under the title “How to move to Berlin”, De Hoyos has worked out a 12-point plan for himself that addresses the economic and creative challenges of existence as an artist on the move. We are looking forward to seeing what his relocation to Berlin set in motion.

He self-identifies as a pirate or Robin Hood, and has been influenced by his collaborations with Keith Hennessy and Meg Stuart. He has also worked with Sara Shelton Mann, with whom he learned to access physical states via energy work. This current, hugely popular work has become better known in Berlin through Meg Stuart.


"A dance of constant departures and arrivals. Bodies dis-integrating- traveling between density and beings of light."- Jorge Rodolfo De Hoyos

CONCEPT / DIRECTION Jorge Rodolfo De Hoyos CHOREOGRAPHY / PERFORMANCE Anna Lena Lehr, Asaf Aharonson, Jorge Rodolfo De Hoyos, Thomas Proksch COPRODUCTION Tanztage Berlin / Sophiensæle HZT Berlin, Ponderosa THANKS TO Emily Leap, Kai Eng, Kevin O‘Connor, Una Little, Zinzi Minott


photo © Kerstin Junge