Hauen und Stechen_Salome_c_Thilo Moessner_HP
January 27 28 29 | 20.00
January 30 | 18.00
music theatre
Festsaal | 15/10 Euro

The Berlin music theatre group Hauen und Stechen presents its version of the opera Salomé. The production, based on an opera by Richard Strauss and a text by Oscar Wilde, alternates between music and dance. It is a film, a journey, a fair and a dance of death all in one.

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Athina Lange + Pawel Aderhold
whatremainsofme_c_DorotheaTuch 02_HP
January 31 | 19.00
February 01 | 19.00
Hochzeitssaal | 15/10 €

The way we perceive our reality is shaped by the language of our senses. But what happens when this fine interplay is disturbed? A search for traces of perception and experience.

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Hendrik Quast
Spill your guts
Pressefoto 26.11.21_21_SpillYourGuts_Plakat_2E01-01
February 03 04 05 | 19.30
February 06 | 17.00
Festsaal | 15/10 €

For his latest project, Hendrik Quast learns the art of ventriloquism in order to approach the chronic inflammatory bowel disease ulcerative colitis artistically. In conversation with the disease, new ways of speaking and images of chronic illness emerge, opening up unusual spaces of humor for the ill and healthy audience.

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Nima Séne
auf den weg zu mir / auf den weg zu dir
Nima Séne_c_Mayra Wallraff_ HP_quer
February 12 13 14 15 | 21.00
Hochzeitssaal | 15/10 €

In auf den weg zu mir / auf den weg zu dir, Nima Séne traces the history and lyrical legacy of the poet and activist May Ayim.

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Olivia Hyunsin Kim / Ddanddarakim
History has failed us, but…
History has failed us but_Foto_Mayra Wallraff_0
February 13 14 15 16 | 19.00
Festsaal | 15/10 €

History has failed us, but... deals with physical forms of protest and searches for a solidary togetherness while taking into account different bodies. Which narratives and images of resistance are remembered - and how are they told?

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Ania Nowak
Golden Gate
February 24 25 26 | 20.00
February 27 | 16.00
Festsaal | 15/10 €

For a long time now, collective mourning and its rituals have been disappearing from public space. Golden Gate questions our normative perceptions of loss and mourning. What is queer grief and in what way can it become a collective movement of melancholy and resistance? 

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Tanztage Berlin 2022
Tanztage HP mit Text schwarz
© Jan Grygoriew


In tandem with emerging dance artists connected to our city, Tanztage Berlin 2022 continues to examine what keeps us together and tears us apart. After 2021 the festival took place exclusively online, its 31st edition returns as an extended offline and online program. Alongside the last year’s selection of performances, it includes new creations and discourse formats on power, protest, and empowerment. The work presented during Tanztage Berlin 2022 critically navigates the present by reimagining past and future encounters on the dance floor. While dealing with acute problems like power relations, surveillance, disembodiment, or climate change, it tunes into the social body, creating much-needed moments of awareness, connectedness, and self-determination. Unlike the 21st-century billionaire strategy of abandoning earth in a rocket ship or escaping into a parallel virtual universe, the festival chooses instead to stay with the trouble: to celebrate dancing together through the crisis and against despair.

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Search + Archive

apparatus Magical. Acts. Matter.

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2016 October 27 28 29 30 | 20.00
Suitable for Non-German Speakers

Just like Alejandro Jodorwsky, we believe in things, in ink made from urine, spit and one gram of excrement, in mirrors and in a phallus formed from rose blossoms. We believe that the black box is a container beyond measure. We believe in a bouncing light, in walls and silk curtains made of music and in performers that wash away shadows with scrub brushes and lye. Words alone can’t promise to heal, but action can. And a frog stuck in the throat quacks on stage: magical acts matter.

CONCEPT, ARTISTIC DIRECTION, SPACEapparatus BY AND WITHAriel Efraim Ashbel, Thorsten Eibeler,Florian Feigl, Hacklander/Hatam,Ligia Lewis, Kareth Schaffer, Stefanie Wenner, Melanie Jame Wolf COSTUMES, ASSISTANCE MIS-EN-SCÈNE Anna Brotankova TECHNICAL DIRECTION, LIGHT Bruno Pocheron ASSISTANCE Joseph Wegmann HOSPITATION Elisabeth Hampe PR, MANAGEMENT björn & björn

Produced by the apparatus GbR in co-production with FFT Düsseldorf, Kampnagel Hamburg and SOPHIENSÆLE. Funded by the Governing Mayor of Berlin – Senate Chancellary – Cultural Affairs and Fonds Darstellende Künste e.V. media partner: taz. die tageszeitung.

Photo © Melanie Jame Wolf