Today | 15:00 - 18:00
Meet the Freischwimmer*innen
Festsaal-Foyer | Free Entrance
The Freischwimmen-groups die apokalyptischen tänzer*innen, Rotterdam Presenta and Gruppe CIS present their current projects for discussion.
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Today | 15:00 - 18:00
Meet the Freischwimmer*innen
The Freischwimmen-groups die apokalyptischen tänzer*innen, Rotterdam Presenta and Gruppe CIS present their current projects for discussion.
Today | 18:00 - 19:00
Gruppe CIS Dark Daily Soap
Dark Daily Soap banishes the actors from the film set and effectively stages their voids with light, music and camera movement.
Today | 19:00
Jack Halberstam TRANS* FEMINISM AND PERFORMANCE
Jack Halberstam tracks down a lost history of trans-feminist vocalists within the history of female* punk performances.
Today | 21:00
Follow Us Nora oder ein Altenheim
Follow Us brings Henrik Ibsen's best-known female figure into the present and transfers her, in accordance with the demographic change of our time, to the retirement home.
Tomorrow | 18:00
Caroline Creutzburg Woman with Stones
Woman with Stones broadens the concept of drag with an entire pool of transformation fantasies.
Tomorrow | 20:00
Last Yearz Interesting Negro i ride in colour and soft focus, no longer anywhere
A choreographic meditation on osmosis and internalisation and the feeling of being possessed by other people's fantasies.
Tomorrow | 22:00
Under the Sea
A choreographic labyrinth: ONON looks at the things and digital systems that organize our everyday lives.
In a one-hour introduction we approach the production ONON.
A guided tour about the eventful history of the Sophiensæle from its construction in 1904/05 to the present day.
Our musical Christmas treat celebrates another season!
Lois Alexander uses water and its transformational qualities as points of departure to reflect on her position as a woman belonging to a minority.
Sasha Amaya brings baroque dances into the present and investigates their similarities with contemporary dance // Tricks for Gold (T4$) is a cynical fairy tale about the commodification of the female body in times of late capitalism.
Departing from the experiences and struggles around the Dance for Millions of Reasons campaign, ZTB opens an interactive space in which strategies of protest, resistance and dissent will be tested.
Caner Teker creates new queer spaces by appropriating techniques of Turkish oil wrestling (Yağlı Güreş).
„Juck" is Swedish and means thrust. Anarchic, joyful, riotous and explosive, six performers in school uniforms enter the stage and claim their own conditions for "femininity".
This year Tanztage Berlin welcome the interdisciplinary art festival Gender Bender from Bangalore in South India as their guest and present a performance: An Evening of Lavani.
Two performers disrupt the dualism of dominance and submission, confronting their viewers with intimacy and their own responsibility as an audience.
With dance, language and sound, Aftermath tells of states of exception and their effects on the body.
By combining contemporary dance with ritual chanting, reggaeton and perreo, Maque Pereyra creates a decolonial dance practice that shatters conventional notions of sexuality and spirituality.
In an intimate exploration, Areli Moran examines the significance of hair as a repository of social norms, identity and desire.
The drag collective House of Living Colors focuses on the climate crisis, showing that a diversity of identities is as essential for the survival of our society as is biodiversity for nature.
With an uplifting show, House of Living Colors presents Spice to celebrate the perseverance and resilience of QTBIPoC (queer + trans Black, Indigenous, People of Color).
Telephone conversations with philosophers of the 20th century.
Festival
Freischwimmer*innen. The Future Is F*e*m*a*l*e*
NOVEMBER 29 – DECEMBER 08
The relaunched newcomer platform Freischwimmen meets the sequel to The Future is F*e*m*a*l*e*: Alongside international feminist guest performances the Freischwimmer*innen offer ten days packed with queerfeminism – cross-generational and suitable for everyday use! With performances, dance and lectures the festival presents queerfeminist strategies for a non-binary and intersectionally feminist future.
Festival
Tanztage Berlin 2020
JANUARY 08 – 18
Every year in January, Tanztage Berlin provide a platform for the city's emerging choreographers. In the 29th edition, queer-feminist and postcolonial perspectives intertwine to form a complex reflection on today.
Accessibility
Information and offers for people with sensory and physical impairments
Feedback talks after the performance with wine and savory snacks
Regular guided tours through Sophiensæle
Mediation
Introductions, workshops, seminars and offers for schools
Lectures
Lectures, discussions, readings, panels, etc.
Performance
2014 October 24 25 | 20.30
Hochzeitssaal
Auf Deutsch - in German
Please be quiet, this is a live radio show! Six radio visionaries undertake epic journalism as a way to bridge distances. Weaving and overlapping radio broadcasting and theater together, they report on world events. The stage becomes their microphone and their voices the transmitters of the subjective announcements. The studio becomes a capsule of extravagant curiosity, the ether of the meeting place buzzing with attention. Also available live on radio: www.multicult.fm!
BY Caroline Creutzburg, Franziska Dick, Rupert Jaud, Sophie Reble, Bettina Rychener, Maxi Zahn ASSISTANCE PRODUCTION Maria Isabel Hagen, Florian Seel
Funded by Kulturamt Frankfurt, Karl Hofer Gesellschaft, Autorenstiftung Frankfurt am Main, Kulturamt der Stadt Gießen, Gerda Weiler Stiftung, Fazit Stiftung, Institut für Angewandte Theaterwissenschaften, Stiftung für Radio and Kultur Schweiz. In cooperation with Radio multicult fm, Radio Orange Wien, Radio Lora Zürich, Radio X Frankfurt and Hochschulradio Düsseldorf.
photo © Franziska Fiolka, madochab, photocase.de
CAROLINE CREUTZBURG, born in Berlin, studied at the Institute for Applied Theatre Studies in Giessen. Since 2009 she has been initiating her own stage projects, with which she pursues her interest in both strong and permeable frameworks. She is guided by the questions of implicit forms of addressing, self-determined subjectivity, the supposedly banal and the values of entertainment.