In a revealing solo, Canadian choreographer Frédérick Gravel exposes layers of his psyche - revealing his own fears and unleashing the greedy monster within.
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In the piece, which is both music theatre and dance performance, the audience itself becomes part of a living sound installation. Electronic sounds emanate from their own mobile phone loudspeakers, which change depending on the distance to the performers and merge into a single collective body of sound.
34. International Festival Berlin
August 05-27
The international festival Tanz im August, presented by HAU Hebbel am Ufer, is once again showing a full three-week programme with international and local choreographers from different generations. From August 5–27, 2022 a total of 21 productions with around 200 artists from over 25 countries are being shown in 87 performances at HAU Hebbel am Ufer and 6 other venues in Berlin.
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TO ALL emerging DANCE ARTISTS BASED IN BERLIN
Every new year, the Tanztage Berlin is not only the city's very first festival, it has also established itself nationally and internationally as an important platform for emerging dance artists since its founding in 1996. The next edition of Tanztage Berlin will once again take place under the artistic direction of Mateusz Szymanówka. The festival is currently planned for 5-21 January 2023 - however, the form as well as the exact date will depend on the constant reassessment of the pandemic. The festival offers emerging dance artists based in Berlin a framework for their new productions and revivals. The programme of the last two editions can be found at: https://tanztage-berlin.sophiensaele.com.
If the minimum distance of 1.5 meters cannot be kept, a face mask is obligatory.
Timeslots: 14.30 | 15.30 | 17.00 | 18.00
Duration: ca. 30 Minuten
Yes.
It was here by the trees, when you first said yes. To all of this, to me, to everything you loved and to everything your guts screamed at: tame this animal, teach me how to turn, this is the place I feel most vulnerable and most open in. Like a sleepy wound, you said, with tentacles growing into the sharp outside. One small scar to the left and a large one to the right.
Aj aj, scary sight.
Poor connection
Blue shaped nights.
Yes. is a tender walk, private music video and an invitation to travel to our oldest memory, playfully, carefully, carving out the wet patches and beasts that weave themselves out of our collective dream fabrics and into song. Yes. is a ritual and communal exercise in remembering and celebrating the times our guts opened up wilfully, allowing for a space to mourn the times we were broken in and fabulate stories and ways to say: yes.
I say yes to this.
I say yes to this.
I say yes to this.
I say yes to this.
In times of a pandemic, joint walks are very high in popularity. For weeks in spring, they were the only way to experience the public together. At the same time, distance and fresh air keep the risk of infection as low as possible. And yet every encounter also involves risks. It can create understanding, warmth and intimacy, but sometimes also incomprehension and conflict. Encounters can lead to both closeness and distance.
During the festival, we invite artists and audiences to encounter each other on 1:1 walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange. What drives us? In times of physical distancing, the dialogue with an unknown opens new perspectives on our relationships.
ACCESSIBILITY INFORMATION
The walk takes about 30 minutes with two breaks of about 5 minutes each. It is possible to take one or more sitting breaks. Languages used are English and German spoken language. The topic of consent is touched, but no events of sexualized violence or the crossing of personal boundaries are explicitly mentioned. If the minimum distance of 1.5 meters cannot be maintained, a mouth and nose cover is obligatory. The information on accessibility will be constantly updated. If you have any questions or require further information, please contact presse@sophiensaele.com or 030 27 89 00 35.
Elischa Kaminer is a composer, performer and theatre maker based in London and Frankfurt. His work has been showcased at theatres, concert halls and festivals across Europe, the U.S., Canada and Korea. He has worked with choreographers, video, fine artists and performance collectives including LIGNA (Klasse Kinder!, 2018), Olivia Hyunsin Kim (Yellow Banana, 2019 and Miss Yellow and Me, 2017), CHICKS* freies performancekollektiv (WHAT THE FUCK, 2020, LOVE ME HARDER, 2018, GARDEN OF CHICKS*, 2018, SOFT SKILLS gonna bite, 2018), Pinsker and Bernhardt (PAARE SIND FEINDLICHE INSLEN, 2019) and Mayah Kadish (EE, 2019, SONG FOR NAOMI, 2018, TABLEAU VIVANT, 2016 and PREFACES, 2014). Performances include showcases at Muziekgebouw Amsterdam, KORZO Theatre Den Haag, Nationaltheater Mannheim, Schauspiel Hannover, Europâisches Zentrum der Künste Hellerau, Sophiensæle Berlin, LOFFT Leipzig, Kampnagel Hamburg, Mousonturm Frankfurt, Impulsefestival, Favoritenfestival, Wildwechsel Festival, Berlin Peforming Arts Festival, 918 Bathhurst Toronto, the Roy. O. Disney Hall Los Angeles and the Sungmisan Theatre Seoul.
WITH Elischa Kaminer
In Walking Distance is made possible with the support of the Capital Cultural Fund. Media partner: taz. die tageszeitung.
