A contemporary dance performance inspired by the glittering world of the tribute artist.
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Sound meditations to dwell together in a space where we do not have to be alone: Siegmar Zacharias and her team offer WAVES in sensory and affective modes as a series of listening sessions together with FFT Düsseldorf and Sophiensæle Berlin, from May until December 2021.
Innocent, cute, dependent – Baby Choir throws socially accepted baby images overboard and is interested in the monstrosity of the baby archetype. What if the baby possessed desire, was capable of action, and had an activist bent to boot?
With playful and practical examinations of the subjects and working methods of the dance piece and by an exchange of material and questions, the workshop participants will be introduced to the upcoming performance event.
JANUARY 06-22
In tandem with emerging dance artists connected to our city, Tanztage Berlin 2022 continues to examine what keeps us together and tears us apart. After 2021 the festival took place exclusively online, its 31st edition returns as an extended offline and online program. Alongside the last year’s selection of performances, it includes new creations and discourse formats on power, protest, and empowerment. The work presented during Tanztage Berlin 2022 critically navigates the present by reimagining past and future encounters on the dance floor. While dealing with acute problems like power relations, surveillance, disembodiment, or climate change, it tunes into the social body, creating much-needed moments of awareness, connectedness, and self-determination. Unlike the 21st-century billionaire strategy of abandoning earth in a rocket ship or escaping into a parallel virtual universe, the festival chooses instead to stay with the trouble: to celebrate dancing together through the crisis and against despair.
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Eva Meyer-Keller’s hybrid performances fluctuate between the visual and performing arts. Her stagings invoke elements of workshops, kitchens, laboratories and landscapes where she engages ‘hands-on’ to re-enact complex scientific and abstract phenomena. In Living Matters she employs the practices and images of cell research and infects them with the residue of personal crises: organic and inorganic bodies and substances react to and with each other; dividing, multiplying, arranging, self-organizing. The evening combines the methodical investigation of “life” with the overwhelming and excessive demands of lives being lived.
FEBRUARY 22 | 18.00 PM | Talk with scientists* of the Simone Reber Laboratory for Quantitative Biology
EVA MEYER-KELLER works at the interface of performance and visual art. Before graduating from the School for New Dance Development (SNDO) in Amsterdam she studied photography and visual art in Berlin (Hochschule der Künste) and London (Central St. Martins and Kings College). Her artwork is distinctive due to its meticulous attention to detail. Eva Meyer-Keller often uses everyday objects from her immediate surroundings, things that she finds at home, in the supermarket or in the tool shed. Currently she is working on a trilogy of performance works in dialogue with natural scientists focusing on how models do not just describe reality, but rather they create their own. The first part titled Some Significance premiered in November 2017, Living Matters is the second part of the trilogy. Since 2010 she has ongoing teaching positions at several degree programs across Europe amongst others at the HZT/UdK and Bard College in Berlin, DOCH and the MA course 'The Autonomous Actor' in Stockholm, ZHdk in Zürich and the University of Hildesheim. evamk.de
CONCEPT, PERFORMANCE Eva Meyer-Keller CO-cREATION, PERFORMANCE Tamara Saphir, Annegret Schalke, Agata Siniarska MUSIC Rico Lee CO-DRAMATURG Constanze Schellow RESEARCH PARTNER Ilya Noé COSTUME, REQUISITES Sara Wendt SCIENTIFIC RESEARCH Simone Reber und Forschungsteam LIGHT Annegret Schalke TECHNICAL DIRECTION Björn Stegmann ASSISTANCE Emilia Schlosser, Janine Iten PRODUCTION Ann-Christin Görtz, Maxi Menja Lehmann
A production by Eva Meyer-Keller in co-production with SOPHIENSÆLE and PACT Zollverein. Funded by the Capital Cultural Fund. Supported by Kunstencentrum BUDA and Simone Reber / Reber Lab. The audiodescription of Living Matters is carried out in cooperation with mapping dance berlin, part of the project Attention Dance II. From 2018 until 2021 the project is funded by the European Fund for Regional Development (EFRE) and the State of Berlin.Media partner: taz. die tageszeitung.
