Der Stand der Dinge 12 March 2020
Wir stellen den Spielbetrieb bis 19.04. ein!
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Today | 20:00
Yui Kawaguchi MUGEN
Tomorrow | 18:30
TANZSCOUT-WORKSHOP zu Mugen
An equal team of artists with and without learning disabilities restage three key choreographic works of the 20th century and claim their long overdue place in dance history.
The feminist-satirical late-night show by Anne Haug and Melanie Schmidli! The two fucktresses have brought two bizarre gifts with them: themselves. Cometh and learn!
A new star has been born in Italo-Pop heaven: PARANOIA GODARD - that is the German actor Godehard Giese and the Italian musician and producer Marco Brosolo. As record release of their debut album CONCEZIONE they invite to an antiparanoid concert evening.
In humorously exaggerated amateur and rock star poses Melanie Jame Wolf, joined by Sheena McGrandles and Rodrigo Garcia Alves, critically explores the potency of a popularly shared poetic and its commercial exploitation.
A guided tour about the eventful history of the Sophiensæle from its construction in 1904/05 to the present day.
Kieze Gegen Rechts is about local civil society engagement against right-wing extremism. We invite initiatives and activists who set a good example.
Four deaf performers have joined forces to collectively work on their first piece: A musical!
Müller/Rinnert merge the music of the revue Im Weißen Rösslwith a New York expat-adaptation by Jimmy Berg: A multimedial evening about Jewish-German refugee experience, lost entertainment history and the dazzling (re)discovery of Heimat.
In a performative audio walk, hannsjana explore the East-West dialogue in Berlin's urban space as a border-crossing pack of bears.
30 years after the reunification, Tanja Krone asks her family, teachers and school friends about their everyday life during the time of reunification and takes the answers on stage!
In his dance solo, Léonard Engel precisely and humorously uses a series of deceptive strategies that are doomed to fail and instead put the body at the center of attention.
In a one-hour (physical) introduction before the show, the participants playfully and practically approach the movement material of the upcoming dance piece How to get rid of a body.
Theater, dance, performance and much more – discover performing arts made in Berlin!
Information and offers for people with sensory and physical impairments
Feedback talks after the performance with wine and savory snacks
Regular guided tours through Sophiensæle
Introductions, workshops, seminars and offers for schools
Lectures, discussions, readings, panels, etc.
2020 March 24 25 26 | 19.00
Pink people wanna know if other pink people like hip-hop
how can it still be hip-hop?
That’s like asking, if Black people like
is he still Clint Eastwood? (Greg Tate)
Gangstas, Pimps and Hoes: The US rap world is filled with hyper masculine images. When Black artists such as Cam‘ron and Kanye West launched a fashion trend of pink fur and velourin the early 2000s, they proved that even Barbie’s favorite color could not damage their image of heterosexual hypermasculinity. Joana Tischkau draws on these events to expose the fragility of social constructs such as race and gender: How are bodies of color used to consolidate the structural power of white Cis-men?
JOANA TISCHKAU dances. Her first dancing memory goes back to Kaoma’s 1989 Hit Lambada which she moved to at a children's birthday party. This experience led her to enroll at her neighborhood dance school for training in Jazzdance, Hip Hop and Videoclip Dancing. In 2010 she decided to make it official so she went on to study contemporary dance and theatre at Coventry University in the UK and choreography and performance at the Institute for Applied Theatre Studies in Giessen. Her artistic practice is a hybrid mash-up where the writings of bell hooks meet beatboxing, whiteness is turned into a work-out, youtube tutorials become here only source material and where Roberto Blanco is hailed as an afro-german hero, subversively distorting socio-cultural practices, codes and meanings inscribed onto bodies of color within the context of pop culture, western art and dance history. Joana works independently as a choreographer, dancer and community dance artist and in teaching. One of her recent productions, PLAYBLACK is a copy of the 1990 Kids Television program Mini Playback Show and was invited to the Tanzplattform Deutschland in 2020. PLAYBLACK formed the conceptual breeding ground for BEING PINK AIN'T EASY.
CONCEPT, CHOREOGRAPHY Joana Tischkau PERFORMANCE Rudi Natterer DRAMATURGY, ARTISTIC SUPPORT Nuray Demir, Elisabeth Hampe SOUNDDESIGN Frieder Blume STAGE Inga Danysz LIGHT Juri Rendler COSTUME Nadine Bakota DIRECTION MANAGEMENT Lisa Gehring
A production by Joana Tischkau in co-production with SOPHIENSÆLE, Münchner Kammerspiele and Künstlerhaus Mousonturm as part of the Tanzplattform Rhein-Main. The Tanzplattform Rhein-Main, a project of Künstlerhaus Mousonturm and the Hessisches Staatsballett is made possible by the Kulturfonds Frankfurt RheinMain and supported by the Kulturamt der Stadt Frankfurt am Main, the The Hessen State Ministry for Higher Education, Research and the Arts and the Stiftungsallianz [Aventis Foundation, BHF BANK Stiftung, Crespo Foundation, Dr. Marschner-Stiftung, Stiftung Polytechnische Gesellschaft Frankfurt am Main]. Supported by the Cultural Office of the City of Frankfurt. Supported by the NATIONALE PERFORMANCE NETZ Koproduktionsförderung Tanz, supported by the Federal Government Commissioner for Culture and the Media. Media partner: Siegessäule.