Programme
Tomorrow | 19:00
Doris Uhlich
Tank
Doris Uhlich_TANK_c Katja Illner 20190312-164551_HP
October 20 21 | 19.00
Tickets
Dance/Performance
Festsaal | 15/10€

Trapped in a glass TANK, Doris Uhlich evokes cinematic, robotic and medical associations and enters into a captivating, almost cinematic exploration of the body as a field of experimentation. 

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Schwenk & Schmans
Im Wald mit...
1_Baum_Foto_Schwenk&Schmans_HP
October 19-31
November 01-07

In March 2021, four intergenerational hiking groups set off through Berlin's forests which. Schoolchildren ranging between the ages of nine and thirteen hiked with one or two grandparents by their side or accompanying them on the phone. Schwenk & Schmans have brought together the images, videos, audios, texts, questions and thoughts collected during these walks, creating a documentary.

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Vanessa Stern
Gebeine. Die Frieda, die ich meine
Ursula Maria_HP
October 19-31
November 01-07
Eintritt frei

Eleven old women remember Frieda in eleven short films. They all tell the truth, but each one knows something different. >> Watch online here.

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Cora Rudy van Dongen Frost/ Franz Reimer
Sogar dein Tod war ein Geschenk
Walter Pressefoto 2_HP
October 21 22 23 | 21.00
October 22 23 24 | 18.00
Tickets
Hochzeitssaal | 15/10€

This evening tells the story of the friendship between Cora Frost and Walter Ladengast, the actor, lyricist, painter, photographic artist and neighbor from Cora's childhood days. We listen to his voice and watch as his paintings and photographs form a slow film of his life. 

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Interrobang
Deep Godot: Onlineversion
DG_Presse_HP
October 25-31
November 01-07
Tickets
10/7 €

After the successful live version, the audience now gets in touch with the AI DEEP GODOT from the comfort of their own home. The performance collective develops and trains DEEP GODOT, an A.I. that offers individual age guidance for people from 15 to 100plus. Through the Smart Ageing program, DEEP GODOT gets to know people long before they reach the end of their lives, in order to better and more personally accompany, entertain, care for and prepare them for their death later in life.

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Stages of Ageing I: Altern in der freien Szene – Das Berlin Panel
1_FESTSAAL_historisch_HP
October 25 | 19.00

Stages of Ageing - the discourse programme of the Coming of Age festival takes a look at those needs in old age(s), that have so far been neglected in our society and in the structures of the independent theatre scene. Stages of Ageing I is a discussion on the topic of ageing and intergenerational justice in the Berlin independent scene as well as a presentation of a position paper by the AG Konzeptgeförderte Gruppen for the interests of artists and groups working in Berlin for many years.

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Stages of Ageing II: Altern in der freien Szene – das überregionale Panel
1_FESTSAAL_historisch_HP
October 26 | 19.00

Stages of Ageing - the discourse programme of the Coming of Age festival takes a look at those needs in old age(s), that have so far been neglected in our society and in the structures of the independent theatre scene. Stages of Ageing II is a national talk about visibility, wishes and best practice on ageing in the performing arts.

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Stages of Ageing: Altern in der freien Szene
Intergenerationale Peer to Peer-Academy über das Alter(n) in der Freien Szene
October 27 | 10.00

Stages of Ageing - the discourse programme of the Coming of Age festival takes a look at those needs in old age(s), that have so far been neglected in our society and in the structures of the independent theatre scene. In moderated peer-to-peer conversations we want to deal with aging in the independent scene and look for new ways and forms of intergenerational exchange of experiences and mutual support. 

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25 Jahre SOPHIENSÆLE
Saelebrations_c_Jan Grygoriew_HP
October 29 | 18.00
Feast
Various Locations |

The Sophiensæle theater is turning 25 and our festival Tanztage Berlin can also look back on its 25th anniversary and its 30th edition. That's why we are celebrating everything together on October 29: The Sophiensæle, the Tanztage Berlin and the book launch of our anniversary publication OPENINGS.

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Corinne Maier
Die Zufügung
CMAIER-03_Guillaume Musset_HP Test
October 30 31 | 19.00
Tickets
Hochzeitssaal | 15/10€

Corinne Maier presents a gripping lecture performance on the subject of age and aging with text fragments by the exceptional author Gerlind Reinshagen, improvisations by the performer and the music of Elvis Presley.

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Lajos Talamonti
Alter Hase
Alter Hase_c_HP
November 04 05 06 07 | 20.00
Tickets
Festsaal | 15/10€

Five former dancers look back on the time of their common classical artistic imprint. In a last joint dance they make the rigid structures of classical dance pliable and tell of life as an often surprising school, the method of which everyone has to invent anew for themselves every day.

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Markus&Markus Theaterkollektiv
Die Brieffreundschaft
BRIEF_©DorotheaTuch_2380_HP
November 10 11 12 13 | 19.30
Tickets
Hochzeitssaal | 15/10 €

Penthesilea, Judith, Clytemnestra, Medea, Lady Macbeth. Night after night, we let ourselves be sprinkled by their acts of violence enjoying the drama, murder and killing. If they were not trapped in Reclam books, they would probably be in prison. There, the Markus&Markus theater collective tracked down the - very real - protagonists of this evening for their new play and began to write them letters. An evening of theater that poses questions about humanity - and about second chances - in a new way.

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Flinn Works
Artist Talk auf Zoom
PR pic_Flinn works_white money_credit_Aderemi Adegbite & Konradin Kunze HP
November 10 | 20.00

Through an online public conversation with Sophia Stepf (Artistic Director Flinn Works), Nora Amin will bring forward the criticism of the stigmatisation of the so called ’’belly dance'' 

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Siegmar Zacharias & Samuel Hertz
WAVES #5 – Listening Sessions Towards Social Bodies
Waves_5
November 15 | 20.00
Tickets

Sound meditations to dwell together in a space where we do not have to be alone: Siegmar Zacharias and her team offer WAVES in sensory and affective modes as a series of listening sessions together with FFT Düsseldorf and Sophiensæle Berlin, from May until December 2021. 

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Rehema Chachage | Aderemi Adegbite
I shredded them on your behalf | Tutuola Institute
Aderemi Adegbite_credit unknown
November 17 18 | 18.00
November 19 | 17.00
November 20 | 16.00
November 20 | 19.00
Kantine |

Installations in the framework of Flinn Works' White Money: Artist Rehema Chachage shreds rejected grant applications and turns them into paper airplanes; the curator and artist Aderemi Adgebite shows video art in the newly founded Nigerian Cultural Institute and invites individual viewers to spiritual consultations by professional fortune tellers.

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Abhishek Thapar
Untitled (AT)
Untitled_Abhishek Thapar_credit Abhishek Thapar_HP
November 17 18 | 18.30
November 19 20 | 18.00
November 20 | 16.30
Tickets
Performance
10/7 €

Within the framework of Flinn Works' White Money: Untitled sends preconceived perceptions and everyday uses of money through the shredder. As money is stripped of its value and returned to its source material - paper - the artistic work brings forth other meanings and explores the value of "worth."

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Azade Shahmiri | Anuja Ghosalkar
Tempor(e)ality | Double Agent X
Azade_Shahmiri_credit Lys Y. Seng
November 17 | 20.00
Tickets
Performance
Festsaal | 15/10 €

Double bill within the framework of Flinn Works' White Money:  In a lecture performance, the Tehran artist Azade Shahmiri examines the historically imagined representation of the West in Iranian theater, while the Indian artist Anuja Ghosalkar presents in a docu-fictional performance strategies for securing an artistic existence.

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Anuja Ghosalkar | Nora Amin
Double Agent X | My Dance
Flinn Works_white money_my Dance_c_Ehab Abdellatif_HP
November 18 | 20.00
Tickets
Festsaal | 15/10 €

Double bill within the framework of Flinn Works' White Money: The Indian artist Anuja Ghosalkar presents in a docu-fictional performance strategies for securing an artistic existence, while Nora Amin liberates the so-called belly dance from the sediments of history.

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Flinn Works
Artist Talk
PR pic_Flinn works_white money_credit_Aderemi Adegbite & Konradin Kunze HP
November 19 | 18.00
Festsaal |

The Flinn Works team and Abhishek Thapar talk about the project White Money.

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Azade Shahmiri | Nora Amin
Tempor(e)ality | My Dance
Flinn Works_white money_my Dance_c_Ehab Abdellatif_HP
November 19 20 | 20.00
Tickets
Festsaal | 15/10 €

Double bill within the framework of Flinn Works' White Money: In a lecture performance, the Tehran artist Azade Shahmiri examines the historically imagined representation of the West in Iranian theater, while Nora Amin liberates the so-called belly dance from the sediments of history.

» more

Anuja Ghosalkar
Double Agent X
Double Agent X_Anuja Ghosalkar_credit Debanshu Bhaumik HP
November 20 | 18.00
Tickets
Performance
Festsaal | 10/7 €

Within the framework of Flinn Works' White Money: In India, there is hardly any public support for culture. In her docu-fictional performance, the theater maker Anuja Ghoshalkar, as Double Agent X, searches for strategies in a hustle for survival as an artist.

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Company Christoph Winkler
We are going to Mars
We are Going to Mars_c_HP
November 22 | 18.00
November 23-30
Film/Video
Eintritt frei

We are Going to Mars uses international video works to explore the history of the first African space program and how the reception of this story has changed over the past fifty years. 

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Public in Private / Clémentine M. Songe
Living Room
November 25 26 27 | 20.30
November 28 | 16.00
Tickets
Festsaal | 15/10 €

In Living Room Clémentine M. Songe (aka Clément Layes) explores the dynamics of the living room, that place where we surround ourself with things that feel familiar, intimate, recognizable, safe. Transforming this room into a ‘living room’, a room that makes its own choices. In collaboration with an architect, a light designer and a visual artist, Clémentine M. Songe bare the many interrelations that appear between our lives and this place, showing how much we take our habitual environment for granted, relying on it in order to feel ‘at home’ in the world. 

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Rita Mazza + Anne Zander
Space 1880
Rita Mazza_Space 1880_c_Mayra Wallraff_HP
November 26 27 28 | 19.00
Tickets
Performance
Hochzeitssaal | 15/10 €

Based on the history and culture of the deaf community, Rita Mazza and Anne Zander dedicate themselves to new forms of art in sign language in a visual sign performance.

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Specials
Festival
Coming of Age
Coming of Age_Grafik HP
© Jan Grygoriew

Age is just a number – yet there is no getting around aging. In the midst of debates about the climate movement, identity politics, and body image, it is time to renegotiate long-established generational contracts. Not only has the recent pandemic history shown that questions of responsibility and solidarity need to be revisited. 
The performance festival COMING OF AGE, which will take place from September 15 to November 7 at Sophiensæle, is dedicated to various facets of aging in society - and looks at the different challenges of a phenomenon that affects us all.

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Jubilee
25 Jahre SOPHIENSÆLE
Saelebrations_c_Jan Grygoriew_HP
© Jan Grygoriew

The Sophiensæle theater is turning 25 and our festival Tanztage Berlin can also look back on its 25th anniversary and its 30th edition. That's why we are celebrating everything together on October 29: The Sophiensæle, the Tanztage Berlin and the book launch of our anniversary publication OPENINGS.

» more
Performance, Dance, Installation
Flinn Works: White Money
PR pic_Flinn works_white money_credit_Aderemi Adegbite & Konradin Kunze HP
Aderemi Adegbite & Konradin Kunze

Together with six international artists and in various performance formats, Flinn Works is dedicated to the theme of white money. White money flows from the arts funding bodies in Europe. It funds artists in the Global South or commissions work from artists in the Global South to be presented in the Global North. White money therefore shapes or reinforces inequalities and re-iterates racist and neo-colonial structures.  Flinn Works, like all art professionals who work across the invisible borders of Global North and Global South are deeply entangled in this structure. With a group of six artists and curators from different parts of the world, the project sheds light on some hidden aspects of white money.

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Johannes Müller / Philine Rinnert Das weiße Rössl am Central Park

das-wei--e-r--ssl_c_philine-rinnert_hp
© Philine Rinnert
Music Theatre
2019 April 05 06 07 08 | 20.00
Festsaal
Auf Deutsch - in German

How do you build a new cultural identity after flight and exile? The Singspiel Im Weissen Rössl (1930) is the blue print for "Heimat" in German revue theatre - and was banned by the Nazis. In numerous productions by Europeans in exile, however, it continued to exist in New York. Now the music of the revue's original merges with found footage of forgotten Rössl versions: A mixture of music theatre and lecture performance about lost entertainment history, Jewish-German escape experience and the dazzling reinvention of home.

CONCEPT, DIRECTOR Johannes Müller CONCEPT, SCENOGRAPHY Philine Rinnert ASSISTANT SCENOGRAPHY Maria Gamsjäger ARRANGEMENT, MUSICAL DIRECTOR Misha Cvijovic ADDITIONAL TEXTS Daniel Sauermilch COSTUMES Leila Hekmat WITH Paul Hübner, Sarai Cole, Misha Cvijovic, Hauke Heumann, Sabrina Ma, Jördis Richter, Shlomi Moto Wagner, Lixue Lin-Siedler, Jochen Carls PRODUCTION ehrliche Arbeit - freies Kulturbüro

A production by Johannes Müller / Philine Rinnert in co-production with SOPHIENSÆLE. Supported by the Senate Chancellery for Culture and Europe and the Performing Arts Fund with funds from the Federal Government Commissioner for Culture and the Media. Media partner: taz. die tageszeitung

Courtesy of the Austrian Exile Library in the Literaturhaus Wien and Trude Berg and using lyrics from Das weisse Rössl am Central Park, The White Horse Rides again (lyrics by Jimmy Berg) and individual song poems from Berg's estate. With the kind permission of the Exile Library Vienna and Trude Berg and using excerpts from Im weißen Rössl - Singspiel in three acts freely based on the play by Blumenthal and Kadelburg by Hans Müller and Erik Charell, vocal texts by Robert Gilbert, music by Ralph Benatzky, six musical interludes by Robert Gilbert, Bruno Granichstaedten and Robert Stolz. Rights: Verlag Felix-Bloch-Erben

Johannes Müller / Philine Rinnert develop music theatre hybrids that focus on the past of opera, its effects and techniques, but which are also an archaeology of the present, of entertainment and queer culture. For their work Reading Salomé they received the jury prize at the Favoriten Festival 2016. In 2019 they were invited to Impulse Theater Festival with White Limozeen. www.johannesmueller.eu | www.philinerinnert.de

Foto © Philine Rinnert