Programme
Tomorrow | 20:00
Olympia Bukkakis
replay
klein_Olympia Bukkakis-Presse final-19
February 02 03 04 | 20.00
February 05 | 18.00
Tickets
Drag/Music/Dance
Festsaal | 15/10 €

replay investigates the formal relationships between movement and sound in pop, classical music, opera and drag. Drawing on her own biography, Olympia Bukkakis and her rebellious back up dancers raise questions about class and cultural hierarchies.

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Hausführung
Hausführung
February 03 | 17.00
Tickets
Various Locations | 5 €

If you want to get to know the history of Sophiensæle, join one of our guided tours. Regular guided tours are in German. English guided tours are available for groups of five people or more.

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Cora Frost/Rudy van Dongen/Peter Frost & Friends
Insel der Orgeln
Peter Frost_Presse_final-1237
February 11 | 20.00
February 12 | 18.00
Tickets
Hochzeitssaal | 15/10 €

Insel der Orgeln (Island of Organs) is a happening of dance, music, performance and installation and searches for experienced, repressed and dreamed concepts of life and survival. On the island, travelers bring together terrible and promising life stories to the polyphony of the organs in order to invoke the question of the healing power of the social family of choice.

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Alexandre Achour, Angela Alves, Diana Anselmo, Saša Asentić, Marko Bašica, Rita Mazza, Auro Orso, Perel & Dalibor Šandor
Dis Contact
February 15 17 19 | 19.00
Tickets
Festsaal | 15/10 €

Kontakthof by Pina Bausch is one of the most famous works of contemporary dance. In 2018, artist Dalibor Šandor wondered why Bausch never actually made a version with disabled artists. Dis Contact is a new work by artists belonging to communities and cultures that are systematically oppressed in the world where Kontakthof has a prominent status.

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Eva Meyer-Keller
OUT OF MIND
Eva Meyer-Keller_01_Foto_Harry Weber_quer
February 26 | 18.00
February 27 28 | 20.00
March 01 | 20.00
Tickets
Festsaal | 15/10 €

In OUT OF MIND Eva Meyer-Keller and her accomplices develop choreographic approaches to what we call consciousness and experience. She takes neuroscientific approaches as a starting point to undertake a dive into a slippery terrain of uncertainties and turns the theater space into an experimental laboratory in which more-thanhuman performers enter the scene as well.

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Jule Flierl
Time out of Joint
Web2_Time.out.of.Joint_Derin Cankaya
March 08 09 10 11 | 20.00
Tickets
Festsaal | 15/10 €

Time out of Joint is a grotesque variety show of political speeches and a virtuously cacophonous concert of feminist struggles of the 20th century. Applying the tactic of tactlessness, utterances by historically influential female* speakers are dissected, distorted and recomposed. Dancing bodies explore rhetorical strategies as questions of rhythmic (re)arrangement and make voice audible as the battlefield of political representation.

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Ist die deutsche Theaterwissenschaft (post)kolonial?
Titel Theaterwissenschaft Postkolonial
March 11 | 18.00
Kantine | Eintritt frei

What does the demand for a “decolonization of the University” mean for German-language theater studies? What could a post- or decolonial Theater Science look like in research and teaching? Together with contributors from the anthology Theaterwissenschaft postkolonial/decolonial, the editors Azadeh Sharifi and Lisa Skwirblies want to explore these questions.

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Vanessa Stern & Team
ToFuR® – Theater ohne Furcht und Reichweite
Vanessa Stern_Foto_Dietmar Schmidt_Presse
March 16 18 | 20.00
March 19 | 18.00
Tickets
Hochzeitssaal | 15/10 €

Vanessa Stern has lost her way. She cried out bravely: “Social media, you are my enemy!” and founded a knighthood (complete with cute ponies) to go into battle against the dark forces of Reach and Attention. Theater without clicks and shares and likes! Be there when no one is following us! Another world is possible.

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Claire Vivianne Sobottke
à mort – Ein choreografischer Liederzyklus für drei Stimmen
Claire Vivianne Sobottke-Foto_MayraWallraff_Presse_final-
March 22 23 24 25 | 19.00
Tickets
Festsaal | 15/10 €

à mort is a performative-musical exploration of processes of domination, dying and killing. Excessive scenes of destruction emerge in a memento mori inspired installation of natural and artificial materials. The female voice emerges as a powerful physical presence in a dying world, challenging the grotesque human desire for dominance.

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Hendrik Quast
Spill your guts
HendrikQuast_SYG_Foto_Florian_Krauss-0644
March 31 | 19.00
April 01 | 19.00
Tickets
Performance
Festsaal | 15/10 €

For his project, Hendrik Quast learns the art of ventriloquism in order to approach the chronic inflammatory bowel disease ulcerative colitis artistically. In conversation with the disease, new ways of speaking and images of chronic illness emerge, opening up unusual spaces of humor for the ill and healthy audience.

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Specials
Festival
Tanztage Berlin 2023
SOP_TATA23_1200x900_SILBER_Typo
© Jan Grygoriew

JANUAR 05 – 21

Hey, why do you look so tired? "Urgency culture" expects us to be connected and responsive constantly. There is little to no time left to imagine the world otherwise. Tanztage Berlin – a yearly festival highlighting the work of the city's emerging dance makers – is back to diagnose the present and predict the future. Its 32nd edition investigates our daily overstimulation and chronic fatigue by reflecting on how we move to the rhythm of today's high-speed, social media-driven reality and its challenges.

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Kareth Schaffer Cassandra has turned 2

  • kareth-schaffer_c_gerhard-ludwig_hp
    © Gerhard Ludwig
  • kareth-schaffer_c_gerhard-ludwig_hp2
    © Gerhard Ludwig
  • kareth-schaffer_c_gerhard-ludwig_hp3
    © Gerhard Ludwig
Dance
2018 April 18 19 20 21 | 21.00
Hochzeitssaal
Deutsch + Englisch

Cassandra knows the future but no one believes her. In the first part of Cassandra Has Turned, three female performers predicted a whole array of possible futures, alternative pasts, larger and smaller catastrophes. Now they are setting their prophecies to sound in order to seep into our ears. What is even implausible, a truth or a lie? In a time of alternative facts isn’t every narrative justified as long as the rhetoric and performance fit?

ARTISTIC DIRECTION, CHOREOGRAPHY Kareth Schaffer PERFORMANCE, CHOREOGRAPHY Manon Parent, Lisa Vereertbrugghen, Cathy Walsh LIGHT DESIGN Joseph Wegmann SOUND DESIGN, COMPOSITION Alessio Castellacci VOICE COACHING, COMPOSITION Jara Holdert STAGE, COSTUMES Lena Mody ASSISTANCE STAGE, COSTUMES Olga Sonja Thorarensen INTERN STAGE + COSTUMES, SOCIAL MEDIA Flora Nacer TECHNICAL DIRECTION Michele Piazzi COMPANY MANAGEMENT M.i.C.A. - Movement in Contemporary Art / Cilgia Gadola INTERN MANAGEMENT Sofia Fantuzzi 

The libretto of Cassandra Has Turned 2 is based on the spontaneous speech acts produced in Cassandra Has Turned 1 by prophetesses Ilya Noé, Kareth Schaffer, and Lisa Vereertbrugghen.

Produced by Kareth Schaffer. Funded by Hauptstadtkulturfonds in co-operation with Tanzfabrik Berlin and the friendly support of teh residency schloss bröllin e.V. Funded by the Ministerium für Bildung, Wissenschaft und Kultur des Landes Mecklenburg-Vorpommern und dem Landkreis Vorpommern-Greifswald. Media partner: taz. die tageszeitung

M.i.C.A. - Movement in Contemporary Art
www.mica-berlin.com

KARETH SCHAFFER is a choreographer and performer living and working in Berlin, Germany. She practices an expanded concept of choreography: so far, her dance pieces have examined prophecies, mud wrestling, thrillers, synchronized swimming, Foley, Angela Merkel, emojis, ancient monastic practices, and conversational formats. Her work has been shown in Berlin (Sophiensæle, Tanzfabrik, HAU, Uferstudios, Ballhaus Ost), Amsterdam (Het Veemtheater), Düsseldorf (tanzhaus NRW), Essen (PACT Zollverein), Malmö, Hamburg (Kampnagel), Denpasar (CushCush Gallery) and Mexico City. Kareth Schaffer was awarded "New Talent 2016" by Jahrbuch Tanz and nominated "Dancer of the Year 2018". She was also awarded the 2018 Pina Bausch Fellowship in cooperation with the Mekar Bhuana Center in Denpasar, Bali. Schaffer enjoys working with and for other artists* such as deufert&plischke, Tino Sehgal, Stefanie Wenner, Yvon Chabrowski, Christian Falsnaes, Tomomi Adachi, Dragana Bulut, and Barbara Berti.

         

Foto © Gerhard Ludwig