Programme
Today | 20:00
Tomi Paasonen
Pas de Q
Tomi Paasonen-final-15
December 03 | 20.00
December 04 | 18.00
Tickets
Dance
Festsaal | 15/10 €

Pas de Q enters the classical ballet world to turn choreographic forms and traditions upside down and reinvent them. A queer ensemble of male and non-binary dancers
pushes movement, dance and queer aesthetics to the extreme. In a utopian science fiction world, the team fuses drag art and pointe dance into a labyrinth of imaginative perversions, beyond morality and shame. 

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Enad Marouf
In My Hand a Word
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December 09 10 | 20.00
December 10 | 17.00
December 11 | 18.00
Tickets
Hochzeitssaal | 15/10 €

In the scenic adaptation of his own text, the Syrian-German performance and video artist Enad Marouf deals with loss from a queer perspective: the loss of family, home and relationships, but also that of meaning and language. The audience enters a place where fragments overlap. Two figures move through scenes whose internal coherence continues to unravel through memories, anecdotes, and associative references.

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Melanie Jame Wolf
The Creep
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December 17 18 | 16.00
Performance

The Creep at feldfünf is the first in a series of installations by Berlin based choreographer and visual artist, Melanie Jame Wolf, in which she will enact her ongoing creep studies. It is a choreography between two figures – a cowboy and a mountain – embodying a poetic meditation on violence and storytelling.

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Jelena Stefanoska & Saša Asentić
Жизела / Giselle
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December 17 18 | 18.00
Tickets
Festsaal | 15/10 €

Жизела / Giselle uses dance and language to explore the similarities and differences between the artist Jelena Stefanoska and the tragic ballet character Giselle. The piece tells of the need to love and be loved – and, above all, of the desire and feeling to live a life with dignity.

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Specials
Festival
Tanztage Berlin 2023
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© Jan Grygoriew

JANUAR 05 – 21

Hey, why do you look so tired? "Urgency culture" expects us to be connected and responsive constantly. There is little to no time left to imagine the world otherwise. Tanztage Berlin – a yearly festival highlighting the work of the city's emerging dance makers – is back to diagnose the present and predict the future. Its 32nd edition investigates our daily overstimulation and chronic fatigue by reflecting on how we move to the rhythm of today's high-speed, social media-driven reality and its challenges.

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TANZTAGE BERLIN 2015 Lea Moro Le Sacre du Printemps

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Dance
2015 January 11 12 | 19.00
Festsaal
Suitable for Non-German Speakers

Lea Moro is the core of the ballet, she is the dancer, the ensemble, the old wise man, the witch and the bear. How many bodies can one singular body represent?

January 11

Let's talk about Dance after the performance

CHOREOGRaphy, PERFORMANCE Lea Moro LIghtdesign Annegret Schalke DRAMATURGIcal advice Linda Sepp, Maja Zimmermann, Alice Chauchat, Josep CaballeroGarcia costume design Lydia Sonderegger MUSIC Igor Stravinsky „Le Sacre du Printemps“, Songtext Black Sabbath „When Death Calls“ RIGHTS Boosey & Hawkes Bote & Bock GmbH, Berlin

Duration 45 minutes

Funded by the Kulturstiftung des Bundes, Ernst Göhner Stiftung und Fondation Nestlé pour L’Art. Production part one: HAU Hebbel am Ufer.

Photo © André Uerba