Programme
Today | 19:00
Caroline Creutzburg + René Alejandro Huari Mateus
Die Vielhundertjährigen
C87A7489high
November 29 30 | 19.00
Tickets
Performance
Hochzeitssaal | 15/10 €

Back to the future: In Die Vielhundertjährigen, the audience is contacted by the only contemporary witnesses of a long-gone division between the biological and the digital. These people, several hundred years old, are now inhabitants of a post-digital world. Based on fantasies and wishes for the world, the ensemble, ranging in age from 65 to 87, create their own science fiction narrative.

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Tomi Paasonen
Pas de Q
Tomi Paasonen-final-15
December 01 02 03 | 20.00
December 04 | 18.00
Tickets
Festsaal | 15/10 €

Pas de Q enters the classical ballet world to turn choreographic forms and traditions upside down and reinvent them. A queer ensemble of male and non-binary dancers
pushes movement, dance and queer aesthetics to the extreme. In a utopian science fiction world, the team fuses drag art and pointe dance into a labyrinth of imaginative perversions, beyond morality and shame. 

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Enad Marouf
In My Hand a Word
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December 09 10 | 20.00
December 10 | 17.00
December 11 | 18.00
Tickets
Hochzeitssaal | 15/10 €

In the scenic adaptation of his own text, the Syrian-German performance and video artist Enad Marouf deals with loss from a queer perspective: the loss of family, home and relationships, but also that of meaning and language. The audience enters a place where fragments overlap. Two figures move through scenes whose internal coherence continues to unravel through memories, anecdotes, and associative references.

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Jelena Stefanoska & Saša Asentić
Жизела / Giselle
PM_Sasa Asentic_Giselle_Foto_Marija Erdelji_4026
December 17 18 | 18.00
Tickets
Festsaal | 15/10 €

Жизела / Giselle uses dance and language to explore the similarities and differences between the artist Jelena Stefanoska and the tragic ballet character Giselle. The piece tells of the need to love and be loved – and, above all, of the desire and feeling to live a life with dignity.

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Specials
Festival
Tanztage Berlin 2023
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© Jan Grygoriew

Hey, why do you look so tired? "Urgency culture" expects us to be connected and responsive constantly. There is little to no time left to imagine the world otherwise. Tanztage Berlin – a yearly festival highlighting the work of the city's emerging dance makers – is back to diagnose the present and predict the future. Its 32nd edition investigates our daily overstimulation and chronic fatigue by reflecting on how we move to the rhythm of today's high-speed, social media-driven reality and its challenges.

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Lois Alexander Yeye

  • Lois Alexander_c_Diara Sow_FAVORIT_HP
    © Diara Sow
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    © Diara Sow
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    © Diara Sow
  • Yeye_c_Oliver Look_HP2
    © Oliver Look
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    © Oliver Look
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Dance Film
2021 July 08 | 20.00
2021 July 09 | 16.00
2021 July 10-23
Online
In English with German subtitles

July 08 | 8 PM | CINEMATIC film premiere @HACKESCHE HÖFE KINO
The film premiere will be followed by a discussion with Lois Alexander (moderated by Mateusz Szymanówka).

JulY 09 - 23 the film will be streamed on the external platform dringeblieben.de. There you also purchase your ticket. After the purchase you will receive a code via e-mail which is valid on two devices for the whole two weeks the stream is online. Please note that you can buy your ticket in the presale, but the video will be only online and streamable from the July 9th, 4 PM, until the July 23. The ticketshop will be open all the time until July 23. If you have problems with the procedure please contact chittka@sophiensaele.com or 030/27890045.

Yeye pays homage to Yemayá, the goddess of the sea and motherhood in the Yoruba pantheon. In her latest performance work, created for the camera, choreographer and performer Lois Alexander explores the afterlife of slavery and the reverberations on our present. Drawing on her research into representations of Black mothers in mythology and religion, and looking specifically at icons such as the Black Madonna, she explores processes of syncretization, the blending of different religious views. At the same time, methods of collage and mimicry are examined as a strategy of survival and refusal for People of Color during the time of the transatlantic slave trade. What are the temporalities of a racialized body, one that is marked by visible and invisible wounds? And what can be healing? Yeye explores memory, traces and notions of a motherland, moving through different levels of video, text and performance. Lois Alexander embarks on space and body as overlapping sites for healing, communing with the divine, and recollecting lost kin.

LOIS ALEXANDER graduated from The Juilliard School with a Bachelor of Fine Arts in Dance.

ARTISTIC DIRECTION, CONCEPT, PERFORMANCE Lois Alexander STAGE DESIGN, LIGHTING Nina Kay MUSIC Shannon Sea COSTUME Sarah Seini Hair Stylist Arrey Zoretta DRAMATURGICAL ADVISORY Liza Rinkema CINEMATOGRAPHICAL ADVISORY Jasco Viefhues VIDEOGRAPHY Kimani Schumann, Diara Sow EDIT Kimani Schumann, Sarnt Utamachote PRODUCTION MANAGEMENT Ben Mohai

A production by Lois Alexander in co-production with SOPHIENSÆLE. Funded by the Senate Department for Culture and Europe. Thanks to Regina LoMi, Alexandra Hennig, ada studio, Dis-tanz Solo, Fernando Belfiore, Yvonne Sembene, Juri Padel, Lake Studios Berlin, Mateusz Szymanówka, Tanzfabrik Berlin, Christoph Winkler, Barbara Carbonell, Oliver Look and Phase7 performing.arts. Media partner: taz.die tageszeitung.