In March 2021, four intergenerational hiking groups set off through Berlin's forests which. Schoolchildren ranging between the ages of nine and thirteen hiked with one or two grandparents by their side or accompanying them on the phone. Schwenk & Schmans have brought together the images, videos, audios, texts, questions and thoughts collected during these walks, creating a documentary.

Fourteen old women remember Frieda in fourteen short films. They all tell the truth, but each one knows something different. >> Watch online here.

Corinne Maier presents a gripping lecture performance on the subject of age and aging with text fragments by the exceptional author Gerlind Reinshagen, improvisations by the performer and the music of Elvis Presley.

Five former dancers look back on the time of their common classical artistic imprint. In a last joint dance they make the rigid structures of classical dance pliable and tell of life as an often surprising school, the method of which everyone has to invent anew for themselves every day.

Penthesilea, Judith, Clytemnestra, Medea, Lady Macbeth. Night after night, we let ourselves be sprinkled by their acts of violence enjoying the drama, murder and killing. If they were not trapped in Reclam books, they would probably be in prison. There, the Markus&Markus theater collective tracked down the - very real - protagonists of this evening for their new play and began to write them letters. An evening of theater that poses questions about humanity - and about second chances - in a new way.

Through an online public conversation with Sophia Stepf (Artistic Director Flinn Works), Nora Amin will bring forward the criticism of the stigmatisation of the so called ’’belly dance'' 

Sound meditations to dwell together in a space where we do not have to be alone: Siegmar Zacharias and her team offer WAVES in sensory and affective modes as a series of listening sessions together with FFT Düsseldorf and Sophiensæle Berlin, from May until December 2021. 

Installations in the framework of Flinn Works' White Money: Artist Rehema Chachage shreds rejected grant applications and turns them into paper airplanes; the curator and artist Aderemi Adgebite shows video art in the newly founded Nigerian Cultural Institute and invites individual viewers to spiritual consultations by professional fortune tellers.

Within the framework of Flinn Works' White Money: Untitled sends preconceived perceptions and everyday uses of money through the shredder. As money is stripped of its value and returned to its source material - paper - the artistic work brings forth other meanings and explores the value of "worth."

Double bill within the framework of Flinn Works' White Money:  In a lecture performance, the Tehran artist Azade Shahmiri examines the historically imagined representation of the West in Iranian theater, while the Indian artist Anuja Ghosalkar presents in a docu-fictional performance strategies for securing an artistic existence.

Double bill within the framework of Flinn Works' White Money: The Indian artist Anuja Ghosalkar presents in a docu-fictional performance strategies for securing an artistic existence, while Nora Amin liberates the so-called belly dance from the sediments of history.

The Flinn Works team and Abhishek Thapar talk about the project White Money.

Double bill within the framework of Flinn Works' White Money: In a lecture performance, the Tehran artist Azade Shahmiri examines the historically imagined representation of the West in Iranian theater, while Nora Amin liberates the so-called belly dance from the sediments of history.

Within the framework of Flinn Works' White Money: In India, there is hardly any public support for culture. In her docu-fictional performance, the theater maker Anuja Ghoshalkar, as Double Agent X, searches for strategies in a hustle for survival as an artist.

We are Going to Mars uses international video works to explore the history of the first African space program and how the reception of this story has changed over the past fifty years. 

The workshop series for anyone who wants to bring more movement into their everyday (work-)life!

In Living Room Clémentine M. Songe (aka Clément Layes) explores the dynamics of the living room, that place where we surround ourself with things that feel familiar, intimate, recognizable, safe. Transforming this room into a ‘living room’, a room that makes its own choices. In collaboration with an architect, a light designer and a visual artist, Clémentine M. Songe bare the many interrelations that appear between our lives and this place, showing how much we take our habitual environment for granted, relying on it in order to feel ‘at home’ in the world. 

Based on the history and culture of the deaf community, Rita Mazza and Anne Zander dedicate themselves to new forms of art in sign language in a visual sign performance.