Programme
Today | 18:00
Sebastian Matthias
Urban Creatures
Urban Creatures_c_Agnes Leclaire 03
August 11 12 | 18.00
Tickets
Dance
Festsaal | 25/15 €

In the piece, which is both music theatre and dance performance, the audience itself becomes part of a living sound installation. Electronic sounds emanate from their own mobile phone loudspeakers, which change depending on the distance to the performers and merge into a single collective body of sound.

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Public in Private / Aimé C. Songe
The River - Part 1
the river2
August 15-19 | 19.45
Tickets
Performance
17,17 €

A dreamlike journey on a rowing boat: time to slow down and question the concept of a productive life.

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Mette Ingvartsen
The Dancing Public
01.The_Dancing_Public_(c)_Hans_Meijer
August 17 18 19 | 21.00
Tickets
Dance
Festsaal | 25/15 €

Inspired by the historical phenomenon of dance frenzy - the solo dance mixes ecstatic eruptions with pounding beats and is party, spoken word concert and expression of physical madness to exhaustion all in one.

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Faye Driscoll
Thank You For Coming: Space
01 Faye Driscoll_TYFC_Space_Photo_Maria_Baranova
August 24 25 26 27 | 18.00
Tickets
Festsaal | 25/15 €

Faye Driscoll stands alone on stage but creates a dynamic group experience. She is part of a complex installation, is wired for sound transmission and is supported by pulleys, ropes or the weight of others.

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Pelenakeke Brown
Enter // Return
enter_return_c_Pelenakeke Brown 2
September 09 10 | 18.00
Tickets
Performance
Festsaal | 15/10 €

For the first time in Germany, the festival Queering the Crip, Cripping the Queer presents a work by the Sāmoan/Pākeha artist Pelenakeke Brown. With her collective of disabled artists, she takes a new look at aesthetics and the art of the disabled body in this interdisciplinary performance.

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Sindri Runudde
A Sensoral Lecture
SindriRunudde_Asensorallecture_GrahamAdey2
September 09 10 | 21.00
September 11 | 16.00
Tickets
Hochzeitssaal | 15/10 €

Can a voice message be more intimate than a nude photo? Together with composer Marta Forsberg, Sindri Runudde explores the concept of voicemail and the culture of auditory versus text-based SMS: A Sensoral Lecture is all about auditory romance and love at first frequency - an exploration of sound and especially the voice as a form of touch.

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Quiplash (Amelia and Al Lander-Cavallo)
Queere Audiodeskription
Al and Amelia_c_Chris Andreau
September 13 | 14.00 - 18.30
September 14 | 11.00 - 15.30
Festsaal | 10/20/30/40 €

Join Quiplash to explore what it means to integrate audio description into performance, queerly. The workshop takes place over two relaxed half-day sessions (with breaks) at the Festsaal of Sophiensæle.

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Anajara Amarante
Butching Cowboys
Butching_Cowboys1_Foto_Giovannina Sequeira_quer
September 15 | 20.00
September 16 17 | 18.00
Tickets
Kantine | 15/10 €

Anajara Amarante takes the audience into their queer version of South American surrealism and creates entire dance landscapes out of it: Closely connected to the artists, the audience experiences a crescendo evening that is both visual protest and ritual celebration.

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Quiplash
Unsightly Drag and Friends
Quiplash_c_Christopher_Andreou
September 16 17 | 20.00
Tickets
Festsaal | 15/10 €

Welcome to Unsightly Drag and Friends: Quiplash invites the audience to a dazzling and somewhat different evening of cabaret! Between musical and stand-up comedy, abstract worlds and smooth moves the ensemble of Queer Crips (short: Quips) show us how sexy the mix of entertainment and access can be.

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Angela Alves
Tennis
TENNIS_©DorotheaTuch_Presse
September 23 24 | 19.00
September 26 27 | 20.00
Tickets
Hochzeitssaal | 15/10 €

In the dance performance TENNIS, Angela Alves examines sport, art and society for ableist and classist patterns of discrimination; exploring  methods to confront them without losing her nerve. In the setting of a tennis court, the dancer takes up the racket and prepares to serve for an accessible future.

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Sheena McGrandles
Dawn: A Musical on Reproduction
DAWN - Sheena McGrandles - Photo Michiel Keuper - _OSR0016
September 23 24 | 21.00
September 24 | 14.00
September 25 | 16.00
Tickets
Festsaal | 15/10 €

Sheena McGrandles’s successful experimental musical is back: Between concert, spoken word and performance, one ensemble together with a small choir of childless people speculates on new ways of starting a family!

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Thorsten Lensing
Verrückt nach Trost
Verrückt nach Trost_ThorstenLensing_01_FotoArmin Smailovic
September 30 | 19.00
October 01 02 07 08 09 | 19.00
Tickets
Festsaal | 28/18 €

The children Charlotte and Felix emerge from the sea and play as their dead parents on the beach. It's a ritual the two have been practicing for years. In memory of their parents' wild exuberance, they put sunscreen on their backs and tickle each other until they can hardly breathe. For brief moments,all sadness falls away from them. Again and again, however, the different needs of the two ten- and eleven-year-old siblings break into the game.

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Simone Dede Ayivi und Kompliz*innen
Let‘s J̶u̶s̶t̶ Be Friends
October 13 14 15 | 19.00
October 16 | 17.00
Performance
Hochzeitssaal | 15/10 €

In Let's Just Be Friends, Simone Dede Ayivi interviews people who live their friendships as a feminist counter-concept to family businesses or marriages: Friends who do projects together or take on responsibilities for each other that are usually attributed to the close family context or romantic relationships between two people.

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James Batchelor & Collaborators
Shortcuts to Familiar Places
Andrew Sikorski_3
October 17 18 19 20 | 20.00
Festsaal | 15/10 €

In Shortcuts to Familiar Places, James Batchelor creates a personal performance about the body as a site of historical and choreographic inscription.

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Company Christoph Winkler
Radical Minimal
October 20 21 | 19.30
15/10 €

With Radical Minimal, the Berlin-based Company Christoph Winkler explores the radical potential of minimal music and contemporary dance. In three choreographies, the team reinterprets three well-known pieces of minimal music: Come Out by Steve Reich, Coming Together by Frederic Rzewski and Stay on it by Julius Eastman.

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Lois Alexander
Yeye
Yeye foto by kimani schumann 3
October 22 24 25 | 20.00
October 23 | 18.00
Hochzeitssaal | 15/10 €

Lois Alexander explores the afterlife of slavery and the reverberations on our present.Yeye explores memory, traces and notions of a motherland, moving through different levels of video, text and performance.

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Anna Natt
Queering Nosferatu
October 27 28 29 | 20.00
October 30 | 18.00
Festsaal | 15/10 €

In her new performance, Anna Natt, together with experimental musician Robert Curgenven, examines the vampire figure of Nosferatu for its queerness.

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Hausführung
15ad2851-4ed0-47b0-919f-888c4467b1e6
October 28 | 17.00
Various Locations |

If you want to get to know the history of Sophiensæle, join one of our guided tours. Regular guided tours are in German. English guided tours are available for groups of five people or more.

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Specials
Festival
Tanz im August 2022
Tanz im August Header

34. International Festival Berlin
August 05-27

The international festival Tanz im August, presented by HAU Hebbel am Ufer, is once again showing a full three-week programme with international and local choreographers from different generations. From August 5–27, 2022 a total of 21 productions with around 200 artists from over 25 countries are being shown in 87 performances at HAU Hebbel am Ufer and 6 other venues in Berlin. 

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Festival
Queering the Crip, Cripping the Queer
SOP_QTC_Motiv_2.400x1.600
© Jan Grygoriew

September 09-17

For the first time in Germany, the Sophiensæle will bring together international works by queer disabled artists as part of the performance festival Queering the Crip, Cripping the Queer – with all the challenges and potentials that the intersections of disability and queerness entail.

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Melanie Jame Wolf mit Teresa Vittucci SHOW BUSINESS

  • Show Business_c_Mayra Wallraff HP
  • Show Business_c_Mayra Wallraff 3_HP
  • Show Business_c_Mayra Wallraff 5_HP
  • Show Business_c_Mayra Wallraff 2_HP
  • Show Business_c_Mayra Wallraff 4 HP
  • Show Business_c_Flavio Karrer_HP
    © Flavio Karrer
Performance/Dance
2021 August 30 31 | 20.00
2021 September 01 02 | 20.00
Festsaal
In English

There’s no business like show business. In their first performance evening together, Melanie Jame Wolf and Teresa Vittucci explore the problems and pleasures of: What does it take to make a show great? Both known for their intense solo work and powerful stage presence, the two queer-feminist artists take a close look at popular entertainment, theater and the politics of spectacle, exploring the long held trope of the double act: its tender intimacies, its power dynamics, but also the ways in which it is triangulated by its audience and by the stage space itself. 

The performance invites us to critically and humorously question the tension between seeing and being seen, and examine together the poetics and politics of the show as a complex cultural phenomenon.

The piece lasts 60-70 minutes and addresses an adult audience. The language is English spoken language. There are some abrupt light changes, stroboscope and blinding light effects as well as light reflections by mirroring. There is loud music, which sometimes comes as a surprise. The audience area on the grandstand is seated. There are two wheelchair spaces and one beanbag seat that can be reserved by phone or booked via the online ticket shop, if available. The accessibility information will be continuously updated. If you have any questions or need further information, please contact Gina Jeske at jeske@sophiensaele.com or 030 27 89 00 35.

Melanie Jame Wolf is a visual artist, choreographer and writer. She works solo and with friends, making interdisciplinary pieces about flows of immaterial capital and power. She examines these economies and entanglements through projects for theater, gallery, and screen spaces. She premiered her first solo performance Mira Fuchs at Tanztage Berlin at Sophiensaele in 2015. Her most recent work for the stage was TONIGHT (Sophiensaele, 2019). Her most recent solo exhibition was Two Years Elapse Between the Third and Fourth Act at Künstlerhaus Bethanien, Berlin (2021).

Teresa Vittucci is a dancer and choreographer based in Zürich. She graduated from Vienna Conservatory, The Ailey School, Salzburg Experimental Academy of Dance (SEAD) and the University of Arts Berne where she received her Masters in Expanded Theater. Since 2013 she has been developing a solo practice through her works UNLEASH (2012), LUNCHTIME (2015), ALL EYES ON (2017) and HATE ME, TENDER (2018). She has collaborated with several artists and institutions including Staatstheater Mainz, Benny Claessens,  Simone Aughterlony, Marie Caroline Hominal, Trajal Harrell, Gil and Nils Amadeus Lange.

CONCEPT, CREATIVE DIRECTION Melanie Jame Wolf TEXT, CHOREOGRAPHY, PERFORMANCE Melanie Jame Wolf, Teresa Vittucci COSTUME & STYLING Evan Loxton with Josa Marx SET DESIGN Camille Lacadee SOUND DESIGN Mars Dietz LIGHT DESIGN Thais Nepomuceno ASSISTANT Evan Loxton DRAMATURGICAL SUPPORT Sharon Smith PRODUCTION Joseph Wegmann

A production by Melanie Jame Wolf in co-production with SOPHIENSÆLE and Theater Neumarkt. Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media. Media partner: taz.die tageszeitung