From The Stooges to Rihanna, tonight is one of the most frequently used words in pop music, and probably the most powerful. When this word is heard, or sung along to and out loud - a sense can open up that tonight, for real, something momentous might occur. It might take the shape of a romantic event or a total revolution. But either way, this extraordinary event will bring with it a radical transformation of your life as you have lived it up til now.
As a lyric, tonight functions as a powerful talisman or portal to an alternate time and place. As a performance, TONIGHT critically explores the potency of this popularly shared poetic of the tonight space. It looks at tonight as a complicated tension between being a place of queer becoming – where we imagine and stage other possibilities of ourselves – and a vehicle of exploitation of desire via the pop machine.
tonight is the sensual world. tonight is the promise of an imminent magic moment - the ancient Greek notion of Kairos. tonight is an uncontainable temporality, a sticky speculation of desire that spills over. It is an act of cultural edging that is both a sanctuary for rehearsing our ideal selves and a cruel fiction running on an engine of nostalgia for a space and time that is yet to be.
TONIGHT explores the pleasures and perils of the erotics, the poetics, and the politics of a shared pop imaginary of exquisite anticipation.
Forever's gonna start tonight...
A companion TONIGHT video installation will screen in the Festsaal-foyer during the run of the performance.
Concept, Text, Video, Direction Melanie Jame Wolf Performed by Melanie Jame Wolf, Sheena McGrandles, Rodrigo Garcia Alves SoundDesign Mieko Suzuki LIGHT DESIGN Ariel Efraim Ashbel CostumeDesign Josa Marx STAGEDESIGN Jonas Maria Droste Outside Eyes Sharon Smith, Peaches Assistant Evan Loxton Photo Ashton Green Press & Production björn & björn
A production by Melanie Jame Wolf in co-production with SOPHIENSÆLE. Funded by the Hauptstadtkulturfonds. With support by the Australia Council for the Arts, Cité Internationales des Arts, The Substation - Melbourne, and MAKE artist development programme and residency - Theatre Forum Ireland. Media partner: Missy, taz. die tageszeitung, Ask Helmut
Melanie Jame Wolf makes performances and video installations about economies. Sometimes solo, sometimes with friends. Always exploring systems of value and exchange, particularly as they occur in the murky field of immaterial capital – the social, the cultural, the affective. She investigates these flows as they are produced through ideas of ghosts, of gender, of pop, of myth, of morality, of sensuality, of class. Melanie Jame has shown her work in gallery, theatre, and film festival contexts around the world. She premiered her two last major performance works Mira Fuchs and HIGHNESS at Sophiensaele.