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Sophiensæle 23/24

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The programme 23/24 of Sophiensæle starts on 07.12.2023

On 7.12.2023, after urgently needed renovation work, the 2023/2024 season will begin at the Sophiensaele under the new artistic direction of Andrea Niederbuchner and Jens Hillje. We will publish the programme for the opening and the season on 26.10.2023, which is also the day when the pre-sale begins.

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TANZTAGE BERLIN 2024 | OPEN CALL

Tanztage_2024
© Jan Grygoriew

TO ALL EMERGING DANCE ARTISTS BASED IN BERLIN

Every new year, the Tanztage Berlin is not only the city's very first festival, it has also established itself nationally and internationally as an important platform for emerging dance artists since its founding in 1996. The next edition of Tanztage Berlin will once again take place under the artistic direction of Mateusz Szymanówka. The festival is currently planned for 5-20 January 2024. The festival offers emerging dance artists based in Berlin a framework for their new productions and revivals. The programme of the last two editions can be found at: https://tanztage-berlin.sophiensaele.com.

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Risk and Resilience Navild Acosta + Fannie Sosa Black Power Naps

Choir of the Slain_c_Maria Baranova_Presse4
© Maria Baranova
Installation
2020 October 08 09 10 11 12 13 14 | 15.00 - 18.00
Festsaal
In English

Last admission at 5.30 pm. Since the audience can move freely in the room during the installation, it is obligatory to wear a mouth and nose cover.

In our western society, relaxation and rest are a luxuries reserved for the privileged and rich. Recent studies have shown that the distribution of rest is determined by race, with people of color regularly getting less sleep than white people.
Navild Acosta and Fannie Sosa’s Black Power Naps is a direct response to the Sleep Gap, which the artists see as a continued form of state-sanctioned punishment born from the ongoing legacy of slavery. Reclaiming idleness and play as sources of power and strength, this installation takes over Sophiensæle’s Festsaal and invites people of color to break with constant fatigue by slowing down, resting, and interacting with soft, comfortable surfaces. Our culture has required that people of color present themselves as extraordinary performers, athletes, or entertainers in order to exist in the public realm; Black Power Naps refuses institutionalized exhaustion and demands the redistribution of idleness, down time, and quality sleep.

Due to the current distance and hygiene regulations, the visitors unfortunately cannot sit or lay in the installation as planned. Instead, Fannie Sosa and Navild Acosta invite the audience to move freely in space or pause for a moment in the context of an audio and video installation based on excerpts from earlier Black Power Naps.

Acclaimed scholar and Multi-Award winner Fannie Sosa is an internationally applauded interdisciplinary artist and activist. Texts by Fannie Sosa include “A White Institutions Guide For Welcoming Artists Of Color And Their Audiences”, “Pleasurable MOONStruation”, “The Origins Of Patriarchy” and “Bio-Hack is Black”. Their performance work has been produced by Tate Modern, Matadero Madrid, and Wiener Festwochen. Through their social justice work, Sosa has provided professional development trainings and consultancy for Performance Space New York, Mousonturm and Tate Modern.

Navild Acosta is a Creative Capital Artist, Disability Futures Fellow and an internationally acclaimed artist and activist based in Berlin. Being transgender, queer and black-dominican has inspired his community based work. Navild's written work is featured in Performance Journal, VICE, Brooklyn Magazine, Apogee Journal, BOMB Magazine. Navild's performance works have debuted at Matadero Madrid, Tate Modern, Tanz im August and Kunst-Werke Institut, Wiener Festwochen, The David Roberts Art Foundation, The Kimmel Center, MOMA PS1, Studio Museum, New Museum. Navild has collaborated with Alicia Keys, Fannie Sosa, BEARCAT, Lyle Ashton-Harris & Ralph Lemon.

BY AND WITH Navild Acosta, Fannie Sosa, Guest performers

Black Power Naps is a production by Navild Acosta and Fannie Sosa. Funded by Creative Capital and USA Artists Disability Futures Fund. Medienpartner: taz. die tageszeitung.