Programme

Interrobang Livestream: Familiodrom

201001_Interrobang_cPaulaReissig_160b_HP
May 14 15 | 20.00 Performance on Zoom
Online | 10/5 €
Tickets

In Familiodrom, Interrobang gives birth to a child together with the online audience. Immediately the freshly baked parents' collective is stuck in the ideological swamp of cloth diapers, ready-to-eat porridge, sleep training, shame and guilt.

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T.Will NEW TECHNIQUES II: RESIDENCY SHOWING
Tiran_press7_©Thyago Sainte_HP
May 15 | 19.00
May 16-29
Film Release + DJ Set
Online |

We would like to invite you to our second online showing, happening in the frame of the residency program NEW TECHNIQUES. T.Will and his collaborators will give insight into his research into the interrelation of race, gender and melancholia.

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Henrike Iglesias Livestream: Under Pressure
UnderPressure_©DorotheaTuch_7009_HP 5
May 19 | 19.30 Livestream
Online auf www.berlinerfestpiele.de | Pay what you want
Tickets

In an interactive game show, the performers of the collective Henrike Iglesias compete against each other. The audience decides via app who bears up best against the competition’s challenging performance categories.

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Joana Tischkau BEING PINK AIN'T EASY
BeingPink_©DorotheaTuch_4926_HP
May 20 | 16.00
May 21-31
June 01 02 03
Dance/Film
Online | 10/5 Euro
Tickets

Gangstas, Pimps and Hoes: The US rap world is filled with hyper masculine images. Joana Tischkau draws on these events to expose the fragility of social constructs such as race and gender. We will show the performance as a film version.

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Julian Warner AFTER EUROPE. BEITRÄGE ZUR DEKOLONIALEN KRITIK
Einführung_Foto_DorotheaTuch5031
May 20 | 19.00 book presentation on zoom
Online | Eintritt frei

As part of the After Europe festival, curator Julian Warner invited participants to a symposium at Sophiensæle in the fall of 2019 to discuss central – and debatable – concepts and issues surrounding postcolonialism, decolonization, and identity politics. Now an edited version of the discussion has been published by Verbrecher Verlag.

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KRISTINA + KAROLINA DREIT, ANNA TRZPIS-MCLEAN FASHIONSHOW: WORKING CLASS DAUGHTERS
May 26 | 15.00
May 27 28 29 30
Online-Installation
Online | Eintritt frei

As part of PAF Introducing ..., the installation in the Sophiensæle courtyard negotiates issues of class, gender and migration. In a subtle way it plays with conventions of fashion shows and refers to a current phenomenon in which so-called "workwear" finds its way into high fashion contexts. What's classy if you're rich, but trashy if you're poor?

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KRISTINA + KAROLINA DREIT, ANNA TRZPIS-MCLEAN Artist Talk
May 28 | 20.00 Artist Talk
Online |

With the ARTIST TALK, there is an opportunity to further learn about the Working Class Daughters project and the topics of the work.

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hannsjana Die große M.I.N.T.-Show
c_Mayra Wallraff_HP5
May 29 30 | 18.00
May 31 | 19.00
June 01 | 19.00
Performance on Zoom
Online | Solidarische Preisstufen 5-25 Euro

Die große M.I.N.T.-Show goes online! As part of the Performing Arts Festival 2021, hannsjana reprogram a Zoom meeting into a late-night show in their usual humorous manner and confront the exclusion mechanisms of scientific disciplines.

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Specials

Festival

Tanztage Berlin 2021

SOP_HP_TATA21_1200x900
© Jan Grygoriew

JANUARY 07 to ∞

Dear Audience, dear Friends of Tanztage Berlin,

due to the ongoing uncertain planning situation, after three attempts of postponing the festival since January 2021, we have to inform you with a heavy heart that the event won’t take place this year. The twelve performances we were supposed to present received an invitation to participate in its next edition in January 2022. The artists received their production/revival grants, cancellation fees, and rehearsal space and dramaturgical support throughout the season. The works are finished and ready to be presented live. On July 1st, we are going to publish an open call for Tanztage Berlin 2022. We would like to thank the artists and our audience for their patience and understanding and were very happy about the interest in our online kickoff of the Tanztage in January – you can still find the podcasts of the online kickoff on our website

 

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          Risk and Resilience Navild Acosta + Fannie Sosa Choir of the Slain (Part XX)

          • Choir of the Slain_c_Maria Baranova_Presse1
            © Maria Baranova
          • Choir of the Slain_c_Maria Baranova_Presse2
            © Maria Baranova
          • Choir of the Slain_c_Maria Baranova_Presse
            © Maria Baranova
          • Choir of the Slain_c_Maria Baranova_Presse3
            © Maria Baranova

          Performance

          2020 October 13 14 | 20.00
          2020 October 16 | 20.30
          Online

          In English

          Due to a COVID-19 precaution, the two performances of Choir of the Slain unfortunately had to be cancelled. Already purchased online-tickets will be automatically refunded by our ticket provider Reservix. We are sorry for the inconvenience caused to you and will make up for the event on Friday, October 16, as a free livestream online.

          By playing the video, I agree to Vimeo's privacy policy and thus also to the data transfer from Vimeo to the USA.

          In our western society, relaxation and rest are a luxuries reserved for the privileged and rich. Recent studies have shown that the distribution of rest is determined by race, with people of color regularly getting less sleep than white people. Our culture has required that people of color present themselves as extraordinary performers, athletes, or entertainers in order to exist in the public realm.

          Choir of the Slain (Part XX) is the second installment of the eponymous evening-length opera created by Navild Acosta and Fannie Sosa: A live song and dance activation from bed. The performance plays with multiplicitous states of being idle. Protesting the power relations of the night, which deprive people of color of rest, Sosa and Acosta create a choir, soothe and still waters, animating lace front units, bedroom negligé and other gender and sound practices.

          Acclaimed scholar and Multi-Award winner Fannie Sosa is an internationally applauded interdisciplinary artist and activist. Texts by Fannie Sosa include “A White Institutions Guide For Welcoming Artists Of Color And Their Audiences”, “Pleasurable MOONStruation”, “The Origins Of Patriarchy” and “Bio-Hack is Black”. Their performance work has been produced by Tate Modern, Matadero Madrid, and Wiener Festwochen. Through their social justice work, Sosa has provided professional development trainings and consultancy for Performance Space New York, Mousonturm and Tate Modern.

          Navild Acosta is a Creative Capital Artist, Disability Futures Fellow and an internationally acclaimed artist and activist based in Berlin. Being transgender, queer and black-dominican has inspired his community based work. Navild's written work is featured in Performance Journal, VICE, Brooklyn Magazine, Apogee Journal, BOMB Magazine. Navild's performance works have debuted at Matadero Madrid, Tate Modern, Tanz im August and Kunst-Werke Institut, Wiener Festwochen, The David Roberts Art Foundation, The Kimmel Center, MOMA PS1, Studio Museum, New Museum. Navild has collaborated with Alicia Keys, Fannie Sosa, BEARCAT, Lyle Ashton-Harris & Ralph Lemon.

          BY AND WITH Navild Acosta, Fannie Sosa PERFORMANCE Yvette Robertson, Maya Williams

          Choir of the Slain (Part XX) is a production by Navild Acosta and Fannie Sosa in cooperation with SOPHIENSÆLE. Funded by Creative Capital and USA Artists Disability Futures Fund. The guest performance is Berlin is funded by the Capital Cultural Fund within the framework of the festival Risk and Resilience. With friendly support of Performance Space New York. Media partner: taz. die tageszeitung.