Programme
HAUEN UND STECHEN
Salomé
Hauen und Stechen_Salome_c_Thilo Moessner_HP
January 27 28 29 | 20.00
January 30 | 18.00
Tickets
music theatre
Festsaal | 15/10 Euro

The Berlin music theatre group Hauen und Stechen presents its version of the opera Salomé. The production, based on an opera by Richard Strauss and a text by Oscar Wilde, alternates between music and dance. It is a film, a journey, a fair and a dance of death all in one.

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Athina Lange + Pawel Aderhold
Whatremainsofme
whatremainsofme_c_DorotheaTuch 02_HP
January 31 | 19.00
February 01 | 19.00
Tickets
Hochzeitssaal | 15/10 €

The way we perceive our reality is shaped by the language of our senses. But what happens when this fine interplay is disturbed? A search for traces of perception and experience.

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Hendrik Quast
Spill your guts
Pressefoto 26.11.21_21_SpillYourGuts_Plakat_2E01-01
February 03 04 05 | 19.30
February 06 | 17.00
Tickets
Performance
Festsaal | 15/10 €

For his latest project, Hendrik Quast learns the art of ventriloquism in order to approach the chronic inflammatory bowel disease ulcerative colitis artistically. In conversation with the disease, new ways of speaking and images of chronic illness emerge, opening up unusual spaces of humor for the ill and healthy audience.

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Nima Séne
auf den weg zu mir / auf den weg zu dir
Nima Séne_c_Mayra Wallraff_ HP_quer
February 12 13 14 15 | 21.00
Tickets
Hochzeitssaal | 15/10 €

In auf den weg zu mir / auf den weg zu dir, Nima Séne traces the history and lyrical legacy of the poet and activist May Ayim.

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Olivia Hyunsin Kim / Ddanddarakim
History has failed us, but…
History has failed us but_Foto_Mayra Wallraff_0
February 13 14 15 16 | 19.00
Tickets
Festsaal | 15/10 €

History has failed us, but... deals with physical forms of protest and searches for a solidary togetherness while taking into account different bodies. Which narratives and images of resistance are remembered - and how are they told?

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Simone Dede Ayivi und Kompliz*innen
esmalbesserhabenin.de
February 21-28
Website |

The online audiovisual installation esmalbesserhabenin.de is dedicated to family narratives, generational conflicts, political struggles, and visions of the future in families of immigrant heritage.

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Ania Nowak
Golden Gate
GoldenGate_©DorotheaTuch_9447
February 24 25 26 | 20.00
February 27 | 16.00
Tickets
Festsaal | 15/10 €

For a long time now, collective mourning and its rituals have been disappearing from public space. Golden Gate questions our normative perceptions of loss and mourning. What is queer grief and in what way can it become a collective movement of melancholy and resistance? 

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Specials
Focus
Queer Darlings 3
JEZEBEL_(c)_Bas_De_Brouwer_12
© Bas De Brouwer

MARCH 1–13

In the third round of our spring series QUEER DARLINGS we again bring old and new favorites to Berlin: Frédéric Gies, Cherish Menzo, Vincent Riebeek, Teresa Vittucci + Colin Self, tiran, and others focus on contemporary translations of archetypal figures and myths: They appropriate archetypes in order to remove the basis of stereotypes, and create new mythologies in order to establish communities that are as tender as they are political.

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Festival
Tanzplattform Deutschland 2022
joana-tischkau_c_dorothea_tuch_presse
© Dorothea Tuch

MARCH 16–20

From March 16 to 20, the Tanzplattform Deutschland 2022 festival will gather 13 current and remarkable positions of dance and choreographic creation in Berlin, including three Sophiensaele productions by Sheena McGrandles, Joana Tischkau and Michelle Moura.

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Service
Outreach
About
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Politics of Love

Discourse
2019 April 12 | 19.00
Kantine
Auf Englisch - In English

The fifth edition of our discussion series Politics of Love is an extension of a previous discussion topic touched on in the performance festival Save Your Soul. In that discussion we spoke of letting go — of the pain, of the past — and exorcising discordant stories that possess our bodies and haunt our daily lives. This talk goes further and explores how letting go of the specters of trauma can be accompanied with accountability. In this discussion we ask who are we — as artists, as individuals, as institutions and as community — responsible to?

On stage, in textual practices, as well as in visual mediums, the current zeitgeist of the art world is obsessed with the vulnerable and asking hard, personal questions. But we must be aware that therapy is messy; to heal wounds is to conjure demons. How deeply does the stage allow us to look into our subjectivities, how they affect us, our choices, those around us, and the earth? How do we hold each other as community when the image invoked in the mirror of our practices threatens to destroy us? The special circumstances of minority communities and their place within the arts community will be a focal point. This evening, we will be joined by a panel of activists, artists, and academics invested in community-based practices and healing wounds through closure and acceptance.

MONILOLA ILUPEJU is an artist and writer living and working in Berlin. She graduated from New York University in 2018 where she studied Studio Art and Social and Cultural Analysis, which focused on the intersections of race and cultural studies, gender and sexuality studies, philosophy, sociology and political science. She is an alumna of the Skowhegan School of Painting and Sculpture Class of 2018.

ZANDER PORTER is a visual artist, performer and curator from Los Angeles, who is currently based in Berlin. He graduated in Art Studio from Wesleyan University with additional attentions in Computer Science and Performance Studies. In his artistic work, Porter employs media such as photography, digital media, performance and video. His work is based on his interest in social and collective vs. individuated identity in the digital age. He is interested in virtual and physical spaces of roleplay, especially embodiment and disembodiment.

DJIBRIL SALL is a dancer, performer and writer currently based in Berlin. In 2016 he graduated from Wesleyan University (Middletown, CT) with a BA in dance. Since 2013 he takes part in several projects as a performer and/or dramaturge in the USA and Germany. Sall was an artist in residence in the Loam, NY in December 2016. In 2019 his most recent piece Go To Hell premiered at SomoS Berlin as part of Vorspiel Dance Festival.

NICOLE STANTON is a dance artist, educator and activist currently serving as the Dean of Arts and Humanities Wesleyan University and is an Associate Professor of Dance, African American Studies, Environment, and Performance. Her work centres on the cultures and histories of the African Diaspora and the ways in which dance  serves as a site of reclamation and resistance.

CONCEPT Joy Kristin Kalu, Djibril Sall HOST Djibril Sall GUESTS Monilola Ilupeju, Zander Porter, Nicole Stanton

Politics of Love #5 is supported by Diversity Arts Culture and the Wesleyan University. The catering will be provided by be'kech Anti-Cafe. Media partner: taz. die tageszeitung