Hauen und Stechen_Salome_c_Thilo Moessner_HP
January 27 28 29 | 20.00
January 30 | 18.00
music theatre
Festsaal | 15/10 Euro

The Berlin music theatre group Hauen und Stechen presents its version of the opera Salomé. The production, based on an opera by Richard Strauss and a text by Oscar Wilde, alternates between music and dance. It is a film, a journey, a fair and a dance of death all in one.

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Athina Lange + Pawel Aderhold
whatremainsofme_c_DorotheaTuch 02_HP
January 31 | 19.00
February 01 | 19.00
Hochzeitssaal | 15/10 €

The way we perceive our reality is shaped by the language of our senses. But what happens when this fine interplay is disturbed? A search for traces of perception and experience.

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Hendrik Quast
Spill your guts
Pressefoto 26.11.21_21_SpillYourGuts_Plakat_2E01-01
February 03 04 05 | 19.30
February 06 | 17.00
Festsaal | 15/10 €

For his latest project, Hendrik Quast learns the art of ventriloquism in order to approach the chronic inflammatory bowel disease ulcerative colitis artistically. In conversation with the disease, new ways of speaking and images of chronic illness emerge, opening up unusual spaces of humor for the ill and healthy audience.

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Nima Séne
auf den weg zu mir / auf den weg zu dir
Nima Séne_c_Mayra Wallraff_ HP_quer
February 12 13 14 15 | 21.00
Hochzeitssaal | 15/10 €

In auf den weg zu mir / auf den weg zu dir, Nima Séne traces the history and lyrical legacy of the poet and activist May Ayim.

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Olivia Hyunsin Kim / Ddanddarakim
History has failed us, but…
History has failed us but_Foto_Mayra Wallraff_0
February 13 14 15 16 | 19.00
Festsaal | 15/10 €

History has failed us, but... deals with physical forms of protest and searches for a solidary togetherness while taking into account different bodies. Which narratives and images of resistance are remembered - and how are they told?

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Ania Nowak
Golden Gate
February 24 25 26 | 20.00
February 27 | 16.00
Festsaal | 15/10 €

For a long time now, collective mourning and its rituals have been disappearing from public space. Golden Gate questions our normative perceptions of loss and mourning. What is queer grief and in what way can it become a collective movement of melancholy and resistance? 

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Tanztage Berlin 2022
Tanztage HP mit Text schwarz
© Jan Grygoriew


In tandem with emerging dance artists connected to our city, Tanztage Berlin 2022 continues to examine what keeps us together and tears us apart. After 2021 the festival took place exclusively online, its 31st edition returns as an extended offline and online program. Alongside the last year’s selection of performances, it includes new creations and discourse formats on power, protest, and empowerment. The work presented during Tanztage Berlin 2022 critically navigates the present by reimagining past and future encounters on the dance floor. While dealing with acute problems like power relations, surveillance, disembodiment, or climate change, it tunes into the social body, creating much-needed moments of awareness, connectedness, and self-determination. Unlike the 21st-century billionaire strategy of abandoning earth in a rocket ship or escaping into a parallel virtual universe, the festival chooses instead to stay with the trouble: to celebrate dancing together through the crisis and against despair.

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Search + Archive

Rita Mazza + Anne Zander Space 1880

  • Space 1880-Foto_Mayra Wallraff-13
    © Mayra Wallraff
  • Space 1880-Foto_Mayra Wallraff_63
    © Mayra Wallraff
  • Space 1880-Foto_Mayra Wallraff_72
    © Mayra Wallraff
  • Rita Mazza_Space 1880_c_Mayra Wallraff_HP
    © Mayra Wallraff
  • Rita Mazza Space 1880_c_Mayra Wallraff_HP1
    © Mayra Wallraff
2021 November 26 27 28 | 19.00
In German Sign Language (DGS)

NOVEMBER 27 | AUDIO DESCRIPTION and preceding stage tour in spoken German for blind and visually impaired visitors. The touch tour begins 90 minutes prior to showtime.

Based on the history and culture of the deaf community, Rita Mazza and Anne Zander dedicate themselves to new forms of art in sign language in a visual sign performance.

The Milan Congress of 1880 was a major turning point for the Deaf community: Hearing educators banned the use of sign language from European education and significantly devalued Deaf culture. It was not until 2002 that German Sign Language was recognized in Germany as a full-fledged language and thus on an equal footing with spoken and written language. Yet equal access to the arts in society is still virtually impossible for most deaf people - a gap that Space 1880 wants to draw attention to. Together, choreographer and performer Rita Mazza and actress Anne Zander are researching new forms of artistic expression that go beyond the existing - often male-dominated - forms of sign poetry and visual vernacular. In a specially created language of movement between sign language poetry, body language, dance and abstract improvisations, they thus encounter the pain of their deaf ancestors and explore forms of healing.

The piece lasts about 45-60 minutes. It is very visual and partly makes use of German Sign Language (DGS). However, the piece is also suitable for an audience without any knowledge of German Sign Language. In some moments the light situation is bright, in others rather dark with some flashy and surprising light effects. The performance uses a lot of heavy bass sounds and vibrations. Hearing protection will be provided at the entrance. The audience area on the grandstand is seated. There are two wheelchair spaces and one beanbag seat that can be reserved by phone or booked via the online ticket shop, if available. Accessibility information is updated on an ongoing basis. If you have any questions or need further information, please contact Gina Jeske at or 030 27 89 00 35.

RITA MAZZA is a deaf queer freelance artist, actress, visual sign performer and dancer. She received several awards for her lead role of Sarah in God's Forgotten Children with Theater Artisti Associati Company in Italy. Additionally, Rita Mazza also serves as the artistic director of Festival del Silenzio, an international performing arts event focused on sign language and deaf arts. She speaks Italian Sign Language fluently as well as German, French and International Sign. Since 2010 Rita Mazza has lived in Berlin and is currently working as an artistic director and performer on visual sign performances in Berlin. She has a longstanding collaboration with Making A Difference.

ANNE ZANDER was born in Berlin and is a trained actress. As a deaf woman she still has many intersectional experiences. She has appeared in various films and television shows, as well as in plays, such as A Midsummer Night's Dream directed by Michaela Caspar at Ballhaus Ost and the German Deaf Theater. In her leading role as Conny in Du sollst hören (ZDF), she performs throughout in her native language for the first time. She is also a passionate roller derby skater and has already participated in several European competitions.

ARTISTIC DIRECTION, Choreography, PERFORMANCE Rita Mazza Creative PERFORMANCE Anne Zander LIGHT DESIGN Michele Piazzi SOUND ENGINEERING Tim Schwerdter MOVEMENT + ARTISTIC MENTORSHIP Gal Naor, Matan Zamir (the progessive wave GbR) VIDEO, EDITING Barbara Toraldo PHOTOS Mayra Wallraff THANKS TO Anne Rieger, Noa Winter AUDIO DEScRIPTION Gerald Pirner, Gina Jeske

A production by Rita Mazza in co-production with SOPHIENSÆLE. Supported by IMPACT funding from the Senate Department for Culture and Europe. Media partner: taz.die tageszeitung.