News
Angela Alves: NO LIMIT

JUNE 16 17 18 | 8 PM

It's show time! In the remote performance NO LIMIT, audience and performers will meet in a webinar format to take a closer look at the concept of norm: To which norm do we actually want to return after this "exceptional situation"? And do we want to continue glorifying strategies of self-exploitation in the norm of the future?

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PAF @home: Introducing…

...presents: Instructions for Those at Home: Between NO FUTURE and THE FUTURE IS NOW! - the newcomer’s platform Introducing… asks questions about the future and creates safe spaces for experimentation and exchange.

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NetzKantine: Kieze gegen rechts

MAY 04 05 06 07 08

Part of the DAYS OF SHINING ACTION is an online edition of our regular series KiezKantine. Under the motto Kieze gegen rechts, from May 04 - 08, we will stream five interviews right into your home. The Podcast presents five projects and initiatives from Berlin that are actively engaged in civil society and show how to stand up against discrimination and for an open society on a small scale.

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Theatertreffen: Artist talk with Florentina Holzinger

For the first time, the Theatertreffen will take place online. Florentina Holzinger, who has been invited to the Theatertreffen 2020 with her work TANZ, can be experienced in an artist talk with Beatrice Cordua and Renée Copraij on May 05, as part of the TT-Context programme UnBoxing Stages – Digital Practice in the Theatre.

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Programme

Angela Alves NO LIMIT

nolimit
June 16 17 18 | 20.00 Remote-Performance

It's show time! In the remote performance NO LIMIT, audience and performers will meet in a webinar format to take a closer look at the concept of norm: To which norm do we actually want to return after this "exceptional situation"? And do we want to continue glorifying strategies of self-exploitation in the norm of the future?

» more

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News

Angela Alves: NO LIMIT

nolimit
© Philippe Krueger

JUNE 16 17 18 | 8 PM

It's show time! In the remote performance NO LIMIT, audience and performers will meet in a webinar format to take a closer look at the concept of norm: To which norm do we actually want to return after this "exceptional situation"? And do we want to continue glorifying strategies of self-exploitation in the norm of the future?

» more

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          Saša Asentić & Collaborators Dis_Sylphide A Dance Piece on Disability and Dance History in Germany

          S.Asentic_Dis_Sylphide_AnjaBeutler.de_HP
          © Anja Beutler
          S.Asentic_Dis_Sylphide_AnjaBeutler.de_195_HP_F
          © Anja Beutler
          S.Asentic_Dis_Sylphide_AnjaBeutler.de_247_HP
          © Anja Beutler
          S Asentic_Dis_Sylphide_AnjaBeutler_HP
          © Anja Beutler
          S.Asentic_Dis_Sylphide_AnjaBeutler.de_331_HP
          © Anja Beutler

          Dance


          Festsaal
          FÄLLT AUS!

          German, English, Serbo-Croatian

          An equal team of artists with and without learning disabilities restage three key choreographic works of the 20th century: Hexentanz (1928) by Mary Wigman, Kontakthof (1978) by Pina Bausch and SelfUnfinished (1998) by Xavier Le Roy. All three pieces have revolutionized the understanding of their time of dance, choreography and the body. The artists behind Asentić demand no less than that: contemplatively, humorously and surprisingly they challenge mental and physical norms and claim their long overdue place in dance history!

          Saša Asentić is a choreographer and performance maker. Since 2007, his work has been presented across Germany and internationally. Asentić is interested in exploring the relationship between the individual and society and analyzing it in terms of social choreography. He works in the filed of contemporary dance, performance and disability arts. After being a victim of right wing street violence, and fundamentally disagreeing with the corruption in public sector in Serbia, he moved to Germany in 2011. He constantly works on prolonging his resident permit in Germany.

          CONCEPT, ARTISTIC DIRECTOR Saša Asentić CHOREOGRAPHY, ARTISTIC COLLABORATION Natalija Vladisavljević, Alexandre Achour, Olivera Kovačević Crnjanski PERFORMANCE Natalija Vladisavljević, Jelena Stefanoska, Snežana Bulatović, Dalibor Šandor, Marko Bašica, Celina Scharff, Thomas Möller, Tom Reinecke, Liv Henriette Neumann, Alexandre Achour, Olivera Kovačević Crnjanski, Saša Asentić "WITCH DANCE" LIBRETTO AND POEMS Natalija Vladisavljević DRAMATURGICAL consultant Marcel Bugiel ARTISTIC ASSISTANT Frosina Dimovska costume consultaNT Marina Sremac EXECUTIVE PRODUCER IN NOVI SAD Nataša Murge Savić

          A production by Saša Asentić in co-production with Kampnagel, Künstlerhaus Mousonturm, MIKUB e.V. and Per.Art. Funded by Aktion Mensch and NATIONALES PERFORMANCE NETZ (NPN) co-production support for dance from funds by the Federal Government Commissioner for Culture and the Media. The guest performance is part of the project Tanzerei/DIS- is not included, funded by the Senate Department for Culture and Europe. The audiodescription of Dis_Sylphide is carried out in cooperation with Berliner Spielplan Audiodeskription / Förderband e.V. and mapping dance berlin, part of the project Attention Dance II. From 2018 until 2021 the project is funded by the European Fund for Regional Development (EFRE) and the State of Berlin. Media partner: taz. die tageszeitung