Der Stand der Dinge 12 March 2020
Wir stellen den Spielbetrieb bis 19.04. ein!
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Yui Kawaguchi MUGEN
An equal team of artists with and without learning disabilities restage three key choreographic works of the 20th century and claim their long overdue place in dance history.
The feminist-satirical late-night show by Anne Haug and Melanie Schmidli! The two fucktresses have brought two bizarre gifts with them: themselves. Cometh and learn!
A new star has been born in Italo-Pop heaven: PARANOIA GODARD - that is the German actor Godehard Giese and the Italian musician and producer Marco Brosolo. As record release of their debut album CONCEZIONE they invite to an antiparanoid concert evening.
In humorously exaggerated amateur and rock star poses Melanie Jame Wolf, joined by Sheena McGrandles and Rodrigo Garcia Alves, critically explores the potency of a popularly shared poetic and its commercial exploitation.
A guided tour about the eventful history of the Sophiensæle from its construction in 1904/05 to the present day.
Kieze Gegen Rechts is about local civil society engagement against right-wing extremism. We invite initiatives and activists who set a good example.
Four deaf performers have joined forces to collectively work on their first piece: A musical!
Müller/Rinnert merge the music of the revue Im Weißen Rösslwith a New York expat-adaptation by Jimmy Berg: A multimedial evening about Jewish-German refugee experience, lost entertainment history and the dazzling (re)discovery of Heimat.
In a performative audio walk, hannsjana explore the East-West dialogue in Berlin's urban space as a border-crossing pack of bears.
30 years after the reunification, Tanja Krone asks her family, teachers and school friends about their everyday life during the time of reunification and takes the answers on stage!
In his dance solo, Léonard Engel precisely and humorously uses a series of deceptive strategies that are doomed to fail and instead put the body at the center of attention.
In a one-hour (physical) introduction before the show, the participants playfully and practically approach the movement material of the upcoming dance piece How to get rid of a body.
Theater, dance, performance and much more – discover performing arts made in Berlin!
Information and offers for people with sensory and physical impairments
Feedback talks after the performance with wine and savory snacks
Regular guided tours through Sophiensæle
Introductions, workshops, seminars and offers for schools
Lectures, discussions, readings, panels, etc.
2019 November 07 08 09 10 | 19.00
DE + EN + ES
The Performance is accessible to wheelchair users. Due to safety regulations, a maximum of two people in wheelchairs are permitted per event. The piece doesn't have any stroboscope or flashlights and no extreme or surprising sound effects but there will be a video projection in the space. The piece has nudity in it and there is no intermission.
A choreographic expedition through the dance scene of the GDR.
When societies change - what remains culturally visible and what is removed from view? Together with international artists from post-socialist transitional societies, Asentić uncovers choreographic concepts and asks about their right to contemporaneity. Did the imbalance of cultural appreciation after the fall of communism devour the East German dance scene - or did its influences go into exile?
Saša Asentić is a choreographer and performance maker. Since 2007, his work has been presented across Germany and internationally. Asentić is interested in exploring the relationship between the individual and society and analyzing it in terms of social choreography. He works in the filed of contemporary dance, performance and disability arts. After being a victim of right wing street violence, and fundamentally disagreeing with the corruption in public sector in Serbia, he moved to Germany in 2011. He constantly works on prolonging his resident permit in Germany.
CONCEPT Saša Asentić ARTISTIC DIRECTION Alexandre Achour, Saša Asentić COLLABORATION Olivera Kovačević-Crnjanski PERFORMANCE Alexandre Achour, Saša Asentić, Rike Flämig, Willehad Grafenhorst, Berit Jentzsch, Olivera Kovačević-Crnjanski, Fine Kwiatkowski, Daniela Marini Salvatierra, Dennis Seidel (in artistic collaboration with Marcel Bugiel, Personal Assistant: Filomena Krause), a.o. REsearch CONSULTATION Jens Giersdorf, Marion Kant, Barbara Lubich, Arila Siegert, Eva Winkler REsearch-ASSIStance Heike Bröckerhoff, Stella Cristofolini preparatory PRODUCTION MANAGEMENT Sonja Lau PRODUCTION ASSISTANCE
A production by Saša Asentić in co-production with SOPHIENSÆLE and HELLERAU - European Centre of Arts. With special thanks to Carena Schlewitt, André Schallenberg, Elisabeth Krefta, Rosa Müller, Meg Stuart, Eike Wittrock, Tanzkongress 2019 team, Javiera Peón-Veiga, Emily Hoffman, Jule Flierl, Guo Rui, Juliane Raschel, Sonja Elstermann, Esther Nicklas, Claudia Mutze, Konstantin Achmed Bürger, Helen Schröder, Katalin Krasznahorkai, Anna Till, Willehad Grafenhorst, Helene Herold, Christine Henniger, Martina Vermaaten und Christoph Grothaus.Supported by the Capital Cultural Fund.