Programme
Today | 20:00
Tomi Paasonen
Pas de Q
Tomi Paasonen-final-15
December 03 | 20.00
December 04 | 18.00
Tickets
Dance
Festsaal | 15/10 €

Pas de Q enters the classical ballet world to turn choreographic forms and traditions upside down and reinvent them. A queer ensemble of male and non-binary dancers
pushes movement, dance and queer aesthetics to the extreme. In a utopian science fiction world, the team fuses drag art and pointe dance into a labyrinth of imaginative perversions, beyond morality and shame. 

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Enad Marouf
In My Hand a Word
8U4A4888 landscape
December 09 10 | 20.00
December 10 | 17.00
December 11 | 18.00
Tickets
Hochzeitssaal | 15/10 €

In the scenic adaptation of his own text, the Syrian-German performance and video artist Enad Marouf deals with loss from a queer perspective: the loss of family, home and relationships, but also that of meaning and language. The audience enters a place where fragments overlap. Two figures move through scenes whose internal coherence continues to unravel through memories, anecdotes, and associative references.

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Melanie Jame Wolf
The Creep
01_AlexanderCoggin_BAL_MJW_HIGHRES copy
December 17 18 | 16.00
Performance

The Creep at feldfünf is the first in a series of installations by Berlin based choreographer and visual artist, Melanie Jame Wolf, in which she will enact her ongoing creep studies. It is a choreography between two figures – a cowboy and a mountain – embodying a poetic meditation on violence and storytelling.

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Jelena Stefanoska & Saša Asentić
Жизела / Giselle
PM_Sasa Asentic_Giselle_Foto_Marija Erdelji_4026
December 17 18 | 18.00
Tickets
Festsaal | 15/10 €

Жизела / Giselle uses dance and language to explore the similarities and differences between the artist Jelena Stefanoska and the tragic ballet character Giselle. The piece tells of the need to love and be loved – and, above all, of the desire and feeling to live a life with dignity.

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Specials
Festival
Tanztage Berlin 2023
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© Jan Grygoriew

JANUAR 05 – 21

Hey, why do you look so tired? "Urgency culture" expects us to be connected and responsive constantly. There is little to no time left to imagine the world otherwise. Tanztage Berlin – a yearly festival highlighting the work of the city's emerging dance makers – is back to diagnose the present and predict the future. Its 32nd edition investigates our daily overstimulation and chronic fatigue by reflecting on how we move to the rhythm of today's high-speed, social media-driven reality and its challenges.

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Siegmar Zacharias SLIME DYNAMICS

slime_dynamics_c_david_eckelmann_hp
© David Eckelmann
Performance
2017 December 07 08 09 10 | 20.00
Hochzeitssaal
Suitable for English Speakers

Wet, fluid glitchy – with two hundred liters of fake slime and three female bodies Slime Dynamics explores the space between form and shapelessness, talking and leaking, desire and disgust, intimacy and alienation. How do we feel and think in an unstable, flowing world? A world in which the borders between human and non-human bodies are blurry, between the known and unknown? Siegmar Zacharias and her team lead us into an unspeakable cosmos made of fleshy geometries and liquified landscapes.

CONCEPT  Siegmar Zacharias REALISED BY Julia Rodriguez, Mirjam Sögner, Siegmar Zacharias, Sandra Blatterer, Giulia Paolucci, Steve Heather, Guilia Paolucci, David Eckelmann

A production by Siegmar Zacharias in cooperation with FFT Düsseldorf and SOPHIENSÆLE.  Funded by the Senate Department for Culture and Europe. Thanks to MDT Stockholm. Media partner: taz.die tageszeitung, Missy Magazine.

Photo © David Eckelmann