Sophiensæle

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Programme
Claire Vivianne Sobottke
à mort – Ein choreografischer Liederzyklus für drei Stimmen
Claire Vivianne Sobottke-Foto_MayraWallraff_Presse_final-
March 22 23 24 25 | 19.00
Tickets
Dance/Performance
Festsaal | 15/10 €

à mort is a performative-musical exploration of processes of domination, dying and killing. Excessive scenes of destruction emerge in a memento mori inspired installation of natural and artificial materials. The female voice emerges as a powerful physical presence in a dying world, challenging the grotesque human desire for dominance.

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March 31 | 19.00
April 01 | 19.00
Tickets
Performance
Festsaal | 15/10 €

A ventriloquist’s show of a different kind: In a dialogue with a chronically ill clap-mouthed puppet, Hendrik Quast explores the stubbornness of intestines. A relationship drama with scatalogical humor, parody therapy and ventriloquism unfolds between the ventriloquist and the sick doll. With tools of the performing arts, the events of chronic illnesses that often remain invisible are staged; opening up new humor spaces in which illness is no longer a taboo.

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April 01 02 | 17.00
April 04 | 20.00
Tickets
Hochzeitssaal | 15/10 €

Milliarden Jahre Widerhall was created after Naoko Tanaka’s travels to the contaminated area of Fukushima – a place where people’s connection to their habitat is forever destroyed. In a performative installation, Tanaka negotiates the ambivalent and conflicted relationship between humans and the earth, inviting us on a journey into inner landscapes.

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April 03 04 | 19.00
April 03 04 | 21.00
Tickets
Kantine | 15/10 €

Montag Modus: archive of futures presents a performance-installation set at the liminal space between film, dance and theater. Inspired by an encounter with three elderly dancers who were part of modern dance in Hungary in the 1930s, Figuring Age is a choreography of memories that explores how resilience, silences and traumas are inscribed in the body and in the movement.

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April 06 07 08 09 | 20.00
Tickets
Festsaal | 15/10 €

The choreographic concert We are going to Mars is dedicated to the history of the first African space program in Zambia. Created from video works by local artists in Uganda and the USA, it is being performed with live music by Mourning [A] BLKstar. 

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April 14 15
Tickets
Film/Video

The film version of The Making of Pinocchio is also available online as video on demand - for those who can't or don't want to come to the theater. The Making of Pinocchio is a queer re-appropriation of the tale of the lying wooden puppet who wants to be a “real boy”. Artists and lovers Cade & MacAskill reflect on MacAskill’s gender transition and their relationship. With their characteristic playful humour, The Making of Pinocchio moves skillfully between reality and fiction, fairytale and autobiography, the personal and the political. >> GO TO THE VIDEO VERSION

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April 14 15 | 19.00
Tickets
Festsaal | 15/10 €

The Making of Pinocchio is a queer re-appropriation of the tale of the lying wooden puppet who wants to be a “real boy”. In a technically innovative live film shoot, artists and lovers Cade & MacAskill reflect on MacAskill’s gender transition and their relationship. With their characteristic playful humour, The Making of Pinocchio moves skillfully between reality and fiction, fairytale and autobiography, the personal and the political.

» more

April 14 15 | 21.30
Tickets
Kantine | 15/10 €

The concert-performance accompanies the release of Astrit Ismaili’s first solo pop music album, produced by The Performance Agency in collaboration with Obsequeen, Lotic, Katu, Colin Self, Nömak, Europa and Mykki Blanco. The lyrics tell the story of a plant undertaking a physical and spiritual transformation to become the world’s First Flower. The project queers contemporary pop aesthetics and manifests how creativity can be a strategy to overcome existential limitations, echoing the artist’s own path.

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April 17 18 | 20.00
Tickets
Festsaal | 15/10 €

Sorour Darabi’s work engages with potentials of re-appropriation to uncover what is hidden by binary thinking. In a kind of futuristic mythology with roots in both visible and invisible, preserved and lost dance traditions, Natural Drama questions the concept of “nature”, exploring representations and constructions of the so-called female body.

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April 20 21 | 20.00
April 22 23 | 18.00
Tickets
Hochzeitssaal | 15/10 €

In this immersive work between performance and film, Liz Rosenfeld and their international, intergenerational team explore moments of change and transition. Through the story of the main protagonist, URSA, an unfillable hole, they reference the Greek myth of the constellations Ursa Major and Minor (the Big and Little Bear), while they consider their own bodies in transition.

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April 22 23 | 20.30
Tickets
Festsaal | 15/10 €

Untitled (Holding Horizon) is a choreography that continues Alex Baczyński-Jenkins’ engagement with negotiations of desire, the materiality of gestures, and affections of a queer commons. Through sensual, alienated gestures and the box step – a movement used in several social dances – synchronization, pleasure and alliance coexist with disorientation, limitation, and loss.

» more

April 27 28 29 | 20.00
April 30 | 18.00
Tickets
Festsaal | 15/10 €

There’s no business like show business. Melanie Jame Wolf and Teresa Vittucci ask: What does it take to make a show great? Both known for their intense solo work and powerful stage presence, the artists take a close look at popular entertainment, theater and the politics of spectacle. As a double act, they explore its tender intimacies, its power dynamics and the impact of audience and stage space on the show.

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April 28 29 30
May 01-08

Philosophiermaschine Online is an artificial intelligence that brings dead thinkers back to life. At the click of a button, the online audience enters into dialogue with Hannah Arendt, Karl Jaspers, Ernst Bloch and others, and can renegotiate their themes for the present: Freedom, dissidence, otherness, censorship, social utopia, hope - central concepts of postwar European philosophy.

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May 10 12 13 | 19.00
Tickets
Festsaal | 15/10 €

Every successful blockbuster needs a second part. For the Markus&Markus theater collective, that’s why TITANIC II has to take the stage. The sequel starts where the film left off: at the bottom of the sea. So, it needs sand, really a lot of sand. Every year, mankind consumes twice as much sand as all the rivers supply. The consequences of this overexploitation are tangible. TITANIC II is a collision course, a melodrama, a telegram from a sinking ship.

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May 11 12 13 14 | 21.00
Tickets
Hochzeitssaal | 15/10 €

Inspired by the made-up creatures and mythological figures of Acâibü’l-mahlûkat, Göksu Kunak explores notions of camouflage and self-censorship. This Persian cosmology book from the 13th century was translated to Ottoman and later in Turkish with a foreword of the current President. From a speculative perspective on the Middle East, Kunak examines (in)visibility and (in)concealment and the concept of taqiyya from Islam as hypercamoufl age.

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Specials

Specials
Festival

Queer Darlings 4

Grafik
© Jan Grygoriew

april 14–23

For the fourth and final time, Sophiensæle presents the popular spring festival series Queer Darlings, bringing old and new favorites to Berlin. The works of local and international artists deal with personal and socio-political moments of change, transformation, crisis and transition(s). To do so, they overwrite folk dances and narratives, fairy tales and myths from a queer perspective to create humorous, immersive, sensual and imaginative stage worlds beyond binary norms – and celebrate the potential of queer imagination for new visions of coexistence.  

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Vanessa Stern & Team Die Umschülerinnen oder die Komödie der unbegabten Kinder

  • umsch--lerinnen_c_vanessa-stern-hp
    Vanessa Stern
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Theater/Performance
2018 April 10 12 13 14 | 20.00
Festsaal
Auf Deutsch - in German

VANESSA STERN, actress, founder of Krisenzentrum für weibliche Komik, has worked continuously since 2011 within the framework of her project Heulen kann jede - weibliche Komik in der Krise at Sophiensæle. Her productions Das Kapital der Tränen and Die Umschülerinnen oder Die Komödie der unbegabten Kinder were each nominated for the Friedrich Luft Prize and her theatre film Sleeping Duties - Probleme sind eine gute Lösung was nominated for the nachtkritik Theatertreffen in 2021. She regularly produces episodes of her large comedy lab show format La derniere crise - Women on the Edge of Comedy at the Festsaal der Sophiensæle. heulenkannjede.de

URSULA RENNEKE has been a freelance actress since 2000, mostly in Berlin. In 23 years, she has facilitated 55 theatre productions at independent stages, municipal and state theatres, as well as 30 film productions for cinema and TV. In 2017, she founded "zePPra", with which she supports productions of the independent performing arts and, in addition to her teaching activities at Berlin drama schools, organises acting courses. She has worked with Vanessa Stern for over 10 years on stage and in front of the camera, under extreme conditions: including off Spitsbergen, in Schiller's crypt, on horseback and without free time.
ursularenneke.net & zeppra.jimdosite.com

MAIKA KNOBLICH (1986) is a performance maker, performer and lighting designer. Since 2009 she has formed the performance duo Quast & Knoblich with Hendrik Quast. She has been working as a lighting designer and dramaturg since 2010, among others with Olympia Bukkakis, Emmi-Lou Rößling, Barbara Schmidt-Rohr, SKART, Vanessa Stern, Karol Tyminsk and Jeremy Wade. She studied at the Institute for Applied Theatre Studies in Giessen (B.A. 2010) and at DasArts (now DAS) in Amsterdam (Master 2013) and is a feedback coach for the DAS Feedback Method (feedback in artistic processes). Portfolio: www.quastknoblich.de

ANNA ALSHEVA studied German at the National Taras Shevchenko University and followed an acting training at Misha Kostrov's Actors Studio. She has performed in improvisation theatre Chornyi Kvadrat and ProEnglish Theatre, among others. After her biggest premiere in March 2022 could not take place due to the war, she is happy to be back on stage. 

ELSA BRABENDER, who has lived in Berlin since 2013, is a psychotherapist specialising in psychoanalysis and family therapist. Until 2013, she taught German, history, politics and psychology in Tübingen and trained trainee teachers as a subject leader for educational psychology. From her painful experiences as a former 68-year-old, she rejects all dogmatism. It is important to her to fight against forgetting and repression and to critically examine the current political and social situation.

Ulrike Hentschel studied social sciences and education in Bochum and was a teacher in North Rhine-Westphalia. She has lived in Berlin since 1987. She studied theatre education at the University of the Arts and taught until 2020. In the meantime, she travels a lot, takes photographs, reads and writes.

GERHILD ARJES studied psychology in the 1970s, then worked as a research assistant and later as a psychotherapist with couples and individuals for 35 years. She has meanwhile hung up her profession, sings passionately in the women's choir the "Fixen Nixen", reads contemporary literature quickly and a lot and loves to sink into play with her grandchildren. In search of profound nonsense, she has landed on the stage.

SUSANNE STALLMANN left the school service for good shortly after her tenure as a joyless teacher of arts and crafts in Hesse at the end of the 1970s and then tried her hand at various jobs: restaurant assistant, secretary, tour guide. In 1983, as a member of the tingling off-theatre group "Preddy Show Campany" in Berlin, she found her late joyful destiny and meagre but regular earnings. After that, she and a colleague founded the artists' agency Rampensau, which she helped run until retirement. She fills her free time with political activity with the "Omas gegen Rechts" ("grannies against the right"), with travelling, and with participation in changing choir and theatre projects in Berlin.

BARBARA WÖLFLE, nurse, has been in retirement since 2015. Born in 1949; the FRG and the GDR were founded in the same year. Her choice of profession resulted from her desire to earn her own money and leave the confines of provincial Bavaria behind. Years of exhausting back-breaking work followed; recreational breaks in nature and garden, children and family breaks and singing in the choir. Inspiration and life support came from working on poetic texts in calligraphic style and playing with words and fairy tale images. She really finds time to cultivate these hobbies now that she has been allowed to get off the hamster wheel of the working world. Being on stage as a comic old woman will be a new experience.

DIETMAR SCHMIDT, literary scholar at the University of Erfurt, has worked as a dramaturge with Vanessa Stern since 2012. Book publications include: The Physiognomy of Animals. From the Poetics of Fauna to the Knowledge of Man.

EIKE BÖTTCHER lives in Berlin and came to stage design via architecture. In recent years he has worked with Vanessa Stern, Bernadette LaHengst, Zachary Oberzan, Eva Löbau, Ligia Lewis, Clement Layes and Lunatiks, among others. His hobbies are designing sailboats, playing the trumpet and cycling.

JESSICA BRAUN is a costume designer, art therapist and globetrotter. After studying costume and stage design in Hamburg, Barcelona and London, she first worked as a stage and costume designer and lighting designer for the independent theatre scene in Barcelona. She has lived in Berlin since 2005 and works internationally as a freelance costume designer for film and television and recently also for the theatre again with great pleasure.

EVA-KAREN TITTMANN works in the independent scene, at permanent venues and for a wide variety of institutions as a freelance cultural manager. She has worked with Vanessa Stern for many years.

JANNE LILKENDEY has been working as an assistant director and dramaturg for Vanessa Stern since the beginning of 2022. She gained the necessary versatility through her involvement in the youth theatre Meine Bühne, through part-time jobs at the Klassik Stiftung Weimar, the Goethe Institute Addis Ababa, KiKa and as a student assistant. She is doing her doctorate in the literary studies programme: "Texte. Signs. Medien" in Erfurt and is co-editor of the magazine LIT ERA TUR.

 


Foto © Vanessa Stern