Programme
Today | 20:00
Tomi Paasonen
Pas de Q
Tomi Paasonen-final-15
December 01 02 03 | 20.00
December 04 | 18.00
Tickets
Dance
Festsaal | 15/10 €

Pas de Q enters the classical ballet world to turn choreographic forms and traditions upside down and reinvent them. A queer ensemble of male and non-binary dancers
pushes movement, dance and queer aesthetics to the extreme. In a utopian science fiction world, the team fuses drag art and pointe dance into a labyrinth of imaginative perversions, beyond morality and shame. 

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Enad Marouf
In My Hand a Word
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December 09 10 | 20.00
December 10 | 17.00
December 11 | 18.00
Tickets
Hochzeitssaal | 15/10 €

In the scenic adaptation of his own text, the Syrian-German performance and video artist Enad Marouf deals with loss from a queer perspective: the loss of family, home and relationships, but also that of meaning and language. The audience enters a place where fragments overlap. Two figures move through scenes whose internal coherence continues to unravel through memories, anecdotes, and associative references.

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Melanie Jame Wolf
The Creep
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December 17 18 | 16.00
Performance

The Creep at feldfünf is the first in a series of installations by Berlin based choreographer and visual artist, Melanie Jame Wolf, in which she will enact her ongoing creep studies. It is a choreography between two figures – a cowboy and a mountain – embodying a poetic meditation on violence and storytelling.

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Jelena Stefanoska & Saša Asentić
Жизела / Giselle
PM_Sasa Asentic_Giselle_Foto_Marija Erdelji_4026
December 17 18 | 18.00
Tickets
Festsaal | 15/10 €

Жизела / Giselle uses dance and language to explore the similarities and differences between the artist Jelena Stefanoska and the tragic ballet character Giselle. The piece tells of the need to love and be loved – and, above all, of the desire and feeling to live a life with dignity.

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Specials
Festival
Tanztage Berlin 2023
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© Jan Grygoriew

JANUAR 05 – 21

Hey, why do you look so tired? "Urgency culture" expects us to be connected and responsive constantly. There is little to no time left to imagine the world otherwise. Tanztage Berlin – a yearly festival highlighting the work of the city's emerging dance makers – is back to diagnose the present and predict the future. Its 32nd edition investigates our daily overstimulation and chronic fatigue by reflecting on how we move to the rhythm of today's high-speed, social media-driven reality and its challenges.

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Vanessa Stern La Dernière Crise - Frauen am Rande der Komik

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2013 December 19 | 20.00
Festsaal
Auf Deutsch - in German

The ladies show up every two months at nine in the evening. Crisis is their cultural capital, and they celebrate it until it achieves a cult status. Comedy as an autobiographical excess, overproduction of worthless facts and taking hostage of despair – all this is stirred and shaken, exploited and used, and at the end there are sandwiches!

Vanessa Stern invites women to examine the comedic value of their crises in front of a live audience. An experimental evening that doubles as a bar!  

featuring Lony Ackermann, Anika Baumann, Karla Nina Diedrich, Ursula Renneke, Maiden Monsters, Orit Nahmias, Bärbel Schwarz, Vanessa Stern, Laura Tratnik

SCENOGRAPHY Plate & Böttcher

Special thanks to Kostümkollektiv and our media partner taz.die tageszeitung.

photo © Dietmar Schmidt

VANESSA STERN, actress, founder of Krisenzentrum für weibliche Komik, has worked continuously since 2011 within the framework of her project Heulen kann jede - weibliche Komik in der Krise at Sophiensæle. Her productions Das Kapital der Tränen and Die Umschülerinnen oder Die Komödie der unbegabten Kinder were each nominated for the Friedrich Luft Prize and her theatre film Sleeping Duties - Probleme sind eine gute Lösung was nominated for the nachtkritik Theatertreffen in 2021. She regularly produces episodes of her large comedy lab show format La derniere crise - Women on the Edge of Comedy at the Festsaal der Sophiensæle. heulenkannjede.de