Programme
Today | 16:00
Imagining futures: what if?
DISKUSSION Imagining Futures
May 20 | 16.00
Discussion/Livestream
Festsaal-Foyer/online | Eintritt frei

A year into the COVID-19 pandemic, Imagining Futures brought together twelve innovative performing arts festivals for a pan-European experiment – a future-focused and predominantly female peer network that offered participating festival directors and artists a deep listening space and a moment to be together, think together, and dream of different futures.

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Today | 17:30 - 21:30
Bodies of Care
Platzhalter1
May 20 | 17.30 - 21.30
May 21 | 15.30 - 20.00
Videoinstallation
Festsaal-Foyer | Eintritt frei

The performance project Bodies of Care, a collaboration of young choreographers from Indonesia and Germany, invites the audience to a participatory exploration of the relationship between care and choreography.

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Tomorrow | 15:30 - 15:45
Bodies of Care: Togetherness
Platzhalter6
May 21 | 15.30 - 15.45
Audioinstallation
Hof | Eintritt frei

The performance project Bodies of Care, a collaboration of young choreographers from Indonesia and Germany, invites the audience to a participatory exploration of the relationship between care and choreography.

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Tomorrow | 16:00 - 16:30
Bodies of Care: The Skin Creature
Platzhalter1
May 21 | 16.00 - 16.30
Participatory Performance
Hof | Eintritt frei

The performance project Bodies of Care, a collaboration of young choreographers from Indonesia and Germany, invites the audience to a participatory exploration of the relationship between care and choreography.

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Kareth Schaffer
Question of Belief
Z6003543
May 26 27 28 29 | 20.00
Tickets
Dance
Festsaal | 15/10 €

In Question of Belief, choreographer Kareth Schaffer addresses the demons of today’s world: Between actionism and laziness, distraction and apathy, the performers Mădălina Dan and Manon Parent fight their way through stage designer Dan Lancea's inflating stage landscape.

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Josephine Findeisen
Working Class Dance Group
WCDG_JosephineFindeisen_quer_Foto_JosephineFindeisen_Web
May 27 | 18.00
Tickets
15/10 €

Working Class Dance Group shows a working state of an ongoing research on class structures. The dancers revisit historical, female-proletarian perspectives and investigate the intersections of class, gender and the body.

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Lea Sherin Kübler + Soraya Reichl & Ensemble
Remember Now!
Remember Now_Foto_ShirinEsione_02
June 03 04 05 | 14.00
June 03 04 05 | 17.00
Tickets
5€

Based on debates about the toppling of statues as well as the renaming of street names and an accompanying new examination of memory culture, the youth projekt invite you to a performative and interactive audio walk. 

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CRANKY BODIES a/company
Terrestrial transit - kick off
CRANKY~4
June 03 04 | 19.00
Tickets
Festsaal | 15/10 €

The interdisciplinary project Terrestrial Transit deals with the activist practice of artistic intervention, which is gaining importance again in the former communist countries of Eastern Europe, in view of the strengthening of right-wing authoritarian regimes. The work of the dance company CRANKY BODIES a/company, founded in August 2020 by Peter Pleyer and Michiel Keuper, refers in particular to political forms of protest in the tradition of Polish and Hungarian dance and performance art before the fall of the Wall.

 

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Olivia Hyunsin Kim / Ddanddarakim
History has failed us, but…
History has failed us but_Foto_Mayra Wallraff_web
June 09 10 | 20.00
Tickets
Festsaal | 15/10 €

History has failed us, but... deals with physical forms of protest and searches for a solidary togetherness while taking into account different bodies. Which narratives and images of resistance are remembered - and how are they told?

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Kiana Rezvani
Cyber Ghosts
c Thais
June 11 | 20.00
June 12 | 18.00
Tickets
Hochzeitssaal | 15/10 €

The Sophiensæle are happy to be able to catch up this summer with the work of Kiana Rezvani from the Tanztage Berlin 2022 programme, which could not be presented during the festival in January due to the pandemic.

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Public in Private / Aimé C. Songe
The River - Part 1
the river2
June 17 20-24 27 28 29 30 | 20.45 - 21.45
Tickets
Performance
17,17 €

A dreamlike journey on a rowing boat: time to slow down and question the concept of a productive life.

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Vanessa Stern
Die Rache der Panda-Pussies
Die Rache der Pandapussies_c_Dietmar Schmitt 01
June 21 23 24 25 | 20.00
Tickets
Festsaal | 15/10 €

The Panda Pussies bring an inclusive, cross-generational gender theater to the stage – in the best anarchic Schlingensief tradition, with music and intelligent racket.

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Sommerfest
Sommerfest_Hof_c_Sofia Popp_HP
June 22 | 18.00
Feast

This year we want to continue our old tradition: we celebrate the Sophiensæle summer festival - without any drama! 

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Specials
News
TANZTAGE BERLIN 2023 | OPEN CALL
Homepage 2
© Jan Grygoriew

TO ALL emerging DANCE ARTISTS BASED IN BERLIN

Every new year, the Tanztage Berlin is not only the city's very first festival, it has also established itself nationally and internationally as an important platform for emerging dance artists since its founding in 1996. The next edition of Tanztage Berlin will once again take place under the artistic direction of Mateusz Szymanówka. The festival is currently planned for 5-21 January 2023 - however, the form as well as the exact date will depend on the constant reassessment of the pandemic. The festival offers emerging dance artists based in Berlin a framework for their new productions and revivals. The programme of the last two editions can be found at: https://tanztage-berlin.sophiensaele.com.

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Flinn Works: White Money Anuja Ghosalkar I Promise the Bearer...

I Promise the Bearer_Anuja Ghosalkar_credit Debanshu Bhaumik
© Debanshu Bhaumik
Performance
2021 November 17 | 20.00
2021 November 18 | 20.00
2021 November 20 | 18.00
Festsaal
In English

NOVEMBER 17 as double bill with Tempor(e)ality
NOVEMBER 18 as double bill with My Dance
NOVEMBER 20 as single show

>> DOWNLOAD FULL PROGRAMME OF "WHITE MONEY" HERE <<

This solo performance takes us through the everyday journey of a female artist in India. Her dreams, desires, struggles to be an artist in a rapidly changing social landscape. The show playfully takes on the exotic stereotypes of India in the West. But the lighthearted tone of "what it means to be an artist" amidst the complex and murky terrain of funding and white money, gives way to the central theme of the show––is money the greatest object of fiction? For which we trade lives, bodies, loves. Living through a pandemic what then, is the promise of the person or bearer who carries this object of fiction? Through the show, the artist attempts to make and distribute money created using techniques of printing making –– the lithograph and the woodcut. Does this tactile method of making fictional currency lead us to a more humane existence?

The performance lasts about 55 minutes. It is mainly in English spoken language with some Marathi and Hindi and uses written English. It makes use of projections of photos and text with solid colors. At times the images are moving and the colors are changing quite fast. One of the projections is a short video of black and white rapidly moving circles. The mechanical sound of a printer is being used throughout the piece. There is little interaction with the audience that requires some verbal participation. The piece includes a few references to colonialism and oblique references to sexism and rejectionisim. It is suitable for an audience of 18 years and above. The audience area on the grandstand is seated. There are two wheelchair spaces and one beanbag seat that can be reserved by phone or booked via the online ticket shop or at the box office, if available. If you have any questions or need further information, please contact Gina Jeske at jeske@sophiensaele.com or 030 27 89 00 35.

ANUJA GHOSALKAR is the founder of Drama Queena – Documentary theatre company in India. Her practice focuses on personal histories, archival absences and blurring the hierarchies between audience and performer – to extend the idea of theatre to create audacious work. Iterations around form, process, modes of media, sites, technologies, reclaiming narratives on gender & intimacy are critical to her performance making and pedagogy. Her work has been programmed by University of Oxford, Jawaharlal Nehru University, Forum Transregionale-ZMO, and the University of Frankfurt am Main. She curated an international workshop series on documentary theater together with Gob Squad, Boris Nikitin and Rimini Protokoll. At Serendipity Arts Virtual 2020 she was co-curator of VR performances.

Conceived, Performed by Anuja Ghosalkar Written by Ashutosh Potdar & Anuja Ghosalkar Performance Design Rebecca Spurgeon Visual Artist Debanshu Bhaumik Light Design Vikrant Thakar Costume Design Marvin D'souza Lithographs & Woodcuts Atelier Prati Rehearsal Assistance Rodrigo Zorzanelli Cavalcanti

A production by Flinn Works in co-production with SOPHIENSÆLE. Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media and the Berlin Senate Department for Culture and Europe. In cooperation with the Institute for Cultural Policy at the University of Hildesheim. Media partner: taz.die tageszeitung.