Today | 19:00
Caroline Creutzburg + René Alejandro Huari Mateus
Die Vielhundertjährigen
November 29 30 | 19.00
Hochzeitssaal | 15/10 €

Back to the future: In Die Vielhundertjährigen, the audience is contacted by the only contemporary witnesses of a long-gone division between the biological and the digital. These people, several hundred years old, are now inhabitants of a post-digital world. Based on fantasies and wishes for the world, the ensemble, ranging in age from 65 to 87, create their own science fiction narrative.

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Tomi Paasonen
Pas de Q
Tomi Paasonen-final-15
December 01 02 03 | 20.00
December 04 | 18.00
Festsaal | 15/10 €

Pas de Q enters the classical ballet world to turn choreographic forms and traditions upside down and reinvent them. A queer ensemble of male and non-binary dancers
pushes movement, dance and queer aesthetics to the extreme. In a utopian science fiction world, the team fuses drag art and pointe dance into a labyrinth of imaginative perversions, beyond morality and shame. 

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Enad Marouf
In My Hand a Word
8U4A4888 landscape
December 09 10 | 20.00
December 10 | 17.00
December 11 | 18.00
Hochzeitssaal | 15/10 €

In the scenic adaptation of his own text, the Syrian-German performance and video artist Enad Marouf deals with loss from a queer perspective: the loss of family, home and relationships, but also that of meaning and language. The audience enters a place where fragments overlap. Two figures move through scenes whose internal coherence continues to unravel through memories, anecdotes, and associative references.

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Jelena Stefanoska & Saša Asentić
Жизела / Giselle
PM_Sasa Asentic_Giselle_Foto_Marija Erdelji_4026
December 17 18 | 18.00
Festsaal | 15/10 €

Жизела / Giselle uses dance and language to explore the similarities and differences between the artist Jelena Stefanoska and the tragic ballet character Giselle. The piece tells of the need to love and be loved – and, above all, of the desire and feeling to live a life with dignity.

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Tanztage Berlin 2023
© Jan Grygoriew

Hey, why do you look so tired? "Urgency culture" expects us to be connected and responsive constantly. There is little to no time left to imagine the world otherwise. Tanztage Berlin – a yearly festival highlighting the work of the city's emerging dance makers – is back to diagnose the present and predict the future. Its 32nd edition investigates our daily overstimulation and chronic fatigue by reflecting on how we move to the rhythm of today's high-speed, social media-driven reality and its challenges.

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Queer Darlings 3 tiran blackmilk: trompoppies

  • F9BD8A24-B540-4F7B-B4C8-17809B291232
    ©Thyago Sainte
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    © Carla Schleiffer
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    © Carla Schleiffer
2022 March 03 04 | 20.00
2022 March 05 | 18.00
2022 March 06 | 19.00

German premiere

Few language

blackmilk:trompoppies is the first part of a trilogy titled trompoppies. Trompoppies is Afrikaans and describes drum majorettes performing a formation dance in uniform. blackmilk examines one of the choreographic elements of these dances: the precise hand gestures. By merging trompoppies movements with the melodramatic gestures of divas and the gestures associated with black male rap stars, the choreography investigates the distance between African and African American male identity. blackmilk invites a performative dimension into cultural representation of black masculinity and opens it up to a different complexity and sensitivity, which the artist describes as black male melancholia.

The piece lasts about 45 minutes and uses little spoken English. However, it is comprehensible without any knowledge of English. The performance uses strong light effects including stroboscope, a smoke machine and loud music. Hearing protection is provided at the entrance. The lighting effects are less intense at the side seats of the grandstand. The audience area on the grandstand is seated. There are two wheelchair spaces and one beanbag seat that can be reserved by phone or booked via the online ticket shop or at the box office, if available. Admission begins 20-30 minutes prior to show time. We recommend arriving early to select a suitable seat. If you have any questions or need further information, please contact Gina Jeske at or 030 27 89 00 35.

Click HERE to find information about our performance spaces and pathways, accessible restrooms, parking, directions to the theater, a 360° video tour of the building, and more.

TIRAN is an artist, born in South-Africa, situated between Zürich and Berlin. His performance based practise explores the body inside an unimaginable environment. Using physical depth to create sonic images that deal with the construction of systems, creating experiences that communicate somatic and psychological landscapes beyond the human condition. He has worked and collaborated with Eszter Salamon, Jérôme Bel, Trajal Harrell, Meg Stuart, Ligia Lewis, Andros Zins-Browne, Dorota Gaweda & Eglé Kulbokaite, Price (Mattias Ringgenberg) and with Cullberg ballet under Deborah Hay and Jeftha Van Dinther.

DIRECTOR, CHOREOGRAPHY, PERFORMANCE tiran LIGHT DESIGN Fudetani Ryoya, tiran MUSIC Manuel Riegler, tiran COSTUME lml studio THANK YOU TO Nkisi, Kevin Bo, Mateusz Szymanówka, Thyago Sainte

A production by tiran in co-production with SOPHIENSÆLE, Gessnerallee Zurich, Tanzquartier Vienna and WPZimmer Antwerp. The residency was supported by Tanzhaus Zürich, Buda/Kortrijk, Les Urbaines/Lausanne. The guest performance as part of Queer Darlings is supported by the Berlin Senate Department for Culture and Europe. Media partners: Siegessäule, PW-Magazine, taz, die Tageszeitung.