Sophiensæle

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Programme

Programme
Today | 14:00 - 16:00
Maria F. Scaroni
Influencer dance
Foto_Adam Carey
May 31 | 14.00 - 16.00
Workshop
Kantine | Eintritt frei

Influencer Dance is a hybrid between Authentic Movement practice and dance-play. The session is made of a warm up centering a movement principle, a system or an image to get us started in our felt sense, supporting the access to movement, followed by an alternating between dancing with eyes closed or open and witnessing with direct or indirect looking, close or afar. It is done in pairs. This practice widens the habits of witnessing. We close with a brief verbal or written reflection to integrate. >> Registration

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Tomorrow | 20:00
Lecken
Queer Social Reproduction
Lecken©Souad_Hervé 02
July 01 | 20.00
Other
Kantine | Eintritt frei

What are the actions, responsibilities, and relationships that go into queer world-making, and who is doing this labor? The queer-feminist rave collective, Lecken, devotes the second issue of their zine, Queer Social Reproduction, to these questions, along with an evening program surrounding its launch.

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July 02 | 18.30
Performance
Hochzeitssaal | 15/10 €

we are all made of stars is a journey through the body as a living landscape. Performed in a bathtub using an endoscopic camera, movement & lip-sync, Freddie Wulf explores the close-up textures of body, water and plant. Inspired by philosophies of vital materialism, the show combines visual languages from body horror and nature documentaries, moving between atmospheres of discomfort, dis/connection, and bliss. With a live sound score by Alicia Jane Turner.

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July 02 | 23.00
Kantine | 15 €

The queer-feminist rave collective, Lecken, features on the second day of their program the foremost prefigurative practice of queer worlding – an all-night rave expanded with dance performances, public sculpture, and light installations.

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July 08 09 | 19.30
Tickets
Hochzeitssaal | 15/10 €

“Main character syndrome” is a social media/pop culture invention in which a person behaves as if they were the main character of a fictional story. The performance uses this notion to explore and challenge senses of selfhood and togetherness in times of pornographic narcissism. It blurs the lines between personal and fictional, experienced and represented, individual and relational.

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July 08 09 | 21.00
Tickets
Festsaal | 15/10 €

Criptonite is a crip-queer theatre project by Edwin Ramirez and Nina Mühlemann. In their current manifestations as Dionysos and Medusa, they invite the audience into the underworld. Surrounded by the rivers of hatred, wailing, fire and oblivion, we find ourselves on the islands of pleasure, celebrating the intersection of pain, pleasure and kink. What does it mean to negotiate consensual giving and receiving together in a pleasurable way, through movement and care? Where do we find moments of pleasure despite pain or exhaustion? 

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July 10 | 15.00
Eintritt frei

With the Sophienstraßenfest we call the neighborhood around the Sophiensæle into the street. For one day we celebrate the neighborhood of Spandauer Vorstadt, its residents and their stories. In the afternoon, neighborhood choirs (Kiezchöre) sing in Sophienstraße and a photo exhibition shows its transformation. For the crowning finale, we invite you to a joint street dinner in the evening: everyone brings their own seating furniture, dishes and culinary delights of choice – with just enough for your direct neighbors to enjoy as well. Together with neighbors and guests, we form the longest dinner table in Berlin.

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July 03-07 10-14
July 12-16 19-23 26-30
Performance

After the success of The River I in the summer of 2022, this special boat tour now returns on Berlin’s waters. The team surrounding Aimé C. Songe invites you to an encounter in a rowing boat, alone or in pairs with a friend or loved one, just in time for sunset. Together with various artists, participants embark on a dreamlike journey to question the concept of an active and productive life, while to taking time to unwind.

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July 13 | 16.00 - 21.00
July 14 | 18.00 - 21.00
July 16 | 16.00 - 22.00
July 17 | 18.00 - 22.00
Kantine | Eintritt frei

Sickness Affinity Group (SAG) is a group of art workers and activists who work on the topic of sickness/disability and/or are affected by sickness/disability. In a cozy installation – with places for rest and hanging out, stimming and wiggling – SAG now looks back on their six years of existence. At the Zine-Library, in collective co-writing and co-reading sessions or group meditations: We invite you to share sick, sleepy, caring crip time with us.

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July 13 14 | 19.00
Tickets
15/10 €

Lay Me Low looks at the terror of standing still and standing up for yourself or others when physical and emotional balance is a struggle. The performance also ponders on why taking a break, resting and cutting oneself some slack is such a pain today. Hence it looks at the techniques, as well as joys and fears of going down and feeling horizontal.

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July 13 14 | 20.30
Tickets
Festsaal | 15/10 €

EveryBody’s Fantasy explores erotic fantasies and questions how we look and experience them. The performance is inspired by Gertrude Stein’s 1937 Everybody’s Autobiography. Considering the biographical, the life-lived as an accessible format for others to enter, visit or witness with care and understanding, this work looks toward what would happen, what we could anticipate happening again and the fantasy that rests just beside.

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July 14 | 16.00 - 18.00
Kantine |

The collaborating queer BIPoC disabled group KIWI – Knowing institutions from within invites to an open meeting in the SAG space on Wednesday June 14. The group, hosted by Tizo All, is an attempt to bring folks to share their experiences in working with institutions.

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July 14 | 22.00
Eintritt frei

This self-governed talk between Liz Rosenfeld and Jen Rosenblit offers an encounter to reflect on what it is to hold one’s own flesh and what it is to witness that intimacy. What these two artists show and how they show it in their work. The functions of their bodies as desired objects and how they approach similar topics from completely different practices and perspectives. What are their magics and how do they enact them?

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July 16 17 | 19.30
Tickets
Hochzeitssaal | 15/10 €

Planets, water, plants, inanimate objects, human animals – everything vibrates and resonates with each other. In different states we vibrate differently: in sadness differently than in joy, in fear differently than in ecstasy. Siegmar Zacharias, together with scent alchemist Liza Witte, textile artist Lea Kieffer, and musician Steve Heather, invites us to listen with our whole bodies and become a space of collective transformation as resonant bodies for one another.

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July 16 17 | 21.30
Eintritt frei

h0chbegabt deal with social structures and translate them into humorous fantasy worlds. Their latest work, VAMPIRE(N), is a mockumentary about the casting and production process of the new vampire film “Vampires in the Dark”. The mockumentary portrays two potential protagonists – real vampires – and provides insight into their lives. We accompany the two and the beginning of their special friendship in the face of discrimination and prejudice.

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July 16 17 18 23 24 25 | 22.30
Tickets
15/10 €

Who has always used the night as a place of resistance? What rituals were and are practiced under the protection of the night? Inspired by the “Take back the Night” demonstrations
that have been taking place on Walpurgis Night since the 1970s, the result is an interactive audio night-walk about nocturnal politics of pleasure and lust. Inspired by the figure of the witch, the young ensemble explores the allure of the night in hidden places in Berlin’s urban space, re-enacts various rituals, tests utopias and conquers the night.

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July 17 | 16.00 - 18.00
Kantine | Eintritt frei

Since 2021, Sickness Affinity Group (SAG) has organized a regular reading group engaging with critical thinking in queer and crip studies. In their first in-person reading group session, to be held at Leisure and Pleasure, they will collectively investigate ideas and feelings around different experiences intertwined with walking.

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July 17 | 22.00
Tickets
Concert
Festsaal | 15/10 €

Hans Unstern's lyrics oscillate between modern fairy tales, criticism of the myth of the binary gender system and of their own working conditions in capitalism. A concert between lyrical softness and punk moments, from pompous slide harp clouds to improvised free sequences.

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July 22 23 24 25 | 20.00
Tickets
Hochzeitssaal | 15/10 €

In Vanilla three performers explore the relationship of pleasure, sexual desire and food to question normativity in sexual practices.Through the intimate and vulnerable sharing of personal and fictional sex stories, the performance conducts a warm and soft exercise of imagination.

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July 23 24 | 20.30
Tickets
5 €

In this immersive live work, fragmented landscapes are built and unbuilt; transforming the basement of Sophiensæle into a dark room where people are invited to move through, cruise and lounge together. Inspired by the defiance of communal gatherings, public sex and specifically the politics of taking up space, an*dre neely and Liz Rosenfeld consider their own differently-gendered, differently-aged, differently-transitioning bodies and relationships. They are bound by notions of chosen family and resonating with desires of how to care for and be cared for by one another, or how to carry and tell each others stories.

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July 01 | 14.00
July 01 | 19.00
July 24 | 16.00
July 24 | 18.00
July 25 | 11.00
July 25 | 13.00
July 30 | 19.00
July 30 | 21.00
Tickets
Kantine | 15/10 €

Colonastics is the world’s first fitness workout without the exoticizing bullshit of Zumba, the pseudo-spiritual, esoteric shenanigans of white yoginis and neo-colonial appropriations! Why? Because it feeds solely on the physicality of white cultural practices. Stiffen your joints, throw your limbs around uncontrollably and perfect your air guitar. Feel white supremacy flowing through our collective consciousness and become part of a movement that will revolutionize the fi tness world!

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July 28 29 | 19.00
Tickets
Festsaal | 15/10 €

Orientation is the perception of space through the body. Ceylan Öztrük, who received the 2022 Swiss Art Award, proposes a rethink of spatiality through disorientation. As disorientation involves becoming an object or a sculpture, a dreamy perception is created by text, choreography, costumes and an impressive stage installation. A narrative unfolds about the collision and fusion between the body and the building, the person and the institution, the bent and the stiff.

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July 01 | 16.00
July 29 30 | 20.00
Eintritt frei

In the Leisure Garden of Sophiensæle, a temporary island of the unblessed is being created. Nuray Demir invites to bar-chat conversations about loss, death, collective melancholy, and resistance.

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July 01 | 18.00 - 23.59
July 30 | 18.00 - 23.00
Hochzeitssaal | Eintritt frei

Rest Rebellion sets up a space for rest in a calm, low-stimulus environment and offers a training camp for those who want to learn more about the transformative quality of resting. 

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July 01 | 15.00
July 01 | 18.00
Eintritt frei

In 2020, a group of suddenly unemployed Berlin-based dancers started to regularly meet in public space to play Double Dutch – a rope-skipping game played with two ropes swung in opposite directions. What started as a response to the Corona lockdowns, has since blossomed into an ongoing practice where five artists regularly explore the jumping game’s connection to club culture – from early hip hop to techno; but also joy, creativity, non-productive artmaking, playfulness and togetherness as a safe haven within the twisted lifestyle of freelance dancers.

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July 01 | 20.30
Various Locations | Eintritt frei

For the festival and season closing, the Sophiensæle open their backyards and bars to everyone from 15 h. There will be an artistic program, drinks, snacks – and from 20.30 h also major and minor gala moments and surprises with artists, the Sophiensæle team and many friends. 

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Specials

Specials
Festival

Leisure & Pleasure

SOP_LEI+PLEA_Grafik_HP_2
© Jan Grygoriew

MAY 25–JULY 01

As a joyful finale of the last season under the artistic direction of Franziska Werner, Sophiensæle invites you to a festival on the political dimensions of Leisure & Pleasure. For six weeks, the festival explores the connections of pleasure and activism, questions art’s ability to heal societal exhaustion – and dreams of life beyond work.

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News

TANZTAGE BERLIN 2024 | SAVE THE DATE

SOP_TATA23_1200x900_SCHWARZ_pur
Jan Grygoriew

The next edition of Tanztage Berlin is currently planned for 4-20 January 2024, and it will again take place under the artistic direction of Mateusz Szymanówka. This year's open call will be published at the beginning of August.

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Queering the Crip, Cripping the Queer Pelenakeke Brown Enter // Return

  • enter_return_c_Pelenakeke Brown 2
    © Jessica Palalagi, Pelenakeke Brown
  • Pelenakeke Brown-Foto_MayraWallraff-12
    © Mayra Wallraff
  • Pelenakeke Brown-Foto_MayraWallraff-27
    © Mayra Wallraff
  • Pelenakeke Brown-Foto_MayraWallraff-34
    © Mayra Wallraff
  • Pelenakeke Brown-Foto_MayraWallraff-65
    © Mayra Wallraff
  • Pelenakeke Brown-Foto_MayraWallraff-80
    © Mayra Wallraff
Performance
2022 October 09 10 | 18.00
Festsaal

Premiere 

in English and Sāmoan

The performance on September 09 is with German audio description with a preceding touch tour for blind and visually impaired persons.

It is compulsory to wear an FFP2 mask. Exceptions are made for visitors who are unable to wear an FFP2 mask for health/physical reasons and for visitors who communicate in sign language.

For the first time in Germany, the festival Queering the Crip, Cripping the Queer presents a work by the Sāmoan/Pākeha artist Pelenakeke Brown. As a radical act, Pelenakeke places the queer, crip, indigenous body at the center of the performance. The piece follows associations around the two titular terms of Enter and Return, which she links to Indigenous concepts of space and time. At the same time, the words stand for two of the most important keys on the computer keyboard, giving us the opportunity to enter digital spaces. During the pandemic, inside spaces and home became much more than a place to shelter for many people: their own four walls were suddenly a sanctuary from the precarity of the outside world, where the Internet often acted as a portal. Thus, Pelenakeke Brown searches for the location of the queer, indigenous, and crip body in (digital) space. At the same time, the piece explores questions about social notions of dance and movement. With her collective of disabled artists, Pelenakeke Brown takes a new look at aesthetics and the art of the disabled body in this interdisciplinary performance.

The festival Queering the Crip, Cripping the Queer takes place in cooperation with the Schwulen Museum, which presents the exhibition of the same name from September 1 to January 30, 2023, and questions the fantasy of the ideal body with artworks by 24 international contemporary artists.

Download the Complete Festival Programme

The performance lasts approximately 50 minutes and is in English and Sāmoan spoken language. The text is available in written form from the admission staff. A smoke machine is deployed at the beginning and end of the performance. The show uses surround sound and live music (drumming and clapping), whereby the drumming can get very loud. If you are sensitive to noise, we recommend seats on the outer edge and earplugs (available from the admission staff). Some scenes take place in almost complete darkness. Throughout the performance, fast-moving, circling and from time to time distorted animations are projected on the floor as well as on angled banners hanging from the ceiling. In one scene, an object is swung like a lasso at a safe distance from the audience.

There is an audio description in German spoken language on September 09 with a preceding touch tour for blind and visually impaired persons. The touch tour starts 75 minutes before the show. The meeting point is at the box office in the Sophiensaele courtyard. Ticket reservations are accepted by Hannah Aldinger at barrierefreiheit@sophiensaele.com or by calling 030 278900 35. If required, we offer a pick-up service for blind and visually impaired people from the nearby S-Bahn and U-Bahn stations Hackescher Markt and Weinmeisterstraße. To make use of the pick-up service, please contact us during our business hours (Monday to Friday between 10 am and 6 pm) at 030 27 89 00 30 or barrierefreiheit@sophiensaele.com.
 
The performance is a Relaxed Performance. Relaxed Performances welcome all visitors for whom sitting still for long periods of time in the theatre is a barrier (for example autistic people, people with Tourette's, learning difficulties or chronic pain). Noises and movements from the audience are very welcome. Visitors can leave and return to the auditorium at any time.
 
The audience area on the grandstand is seated. There are four wheelchair seats and four beanbag seats, which can be reserved according to availability or purchased in the online ticket shop or at the box office. Persons with disabilities receive reduced tickets at a price of 10€ plus one free ticket for an accompanying person. For questions or more information, please contact Hannah Aldinger at barrierefreiheit@sophiensaele.com or 030 27 89 00 35.

COVID-SAVE | In order to ensure greater safety distances, the auditorium is only filled to 70% of its capacity. The Sophiensaele team and the artists test themselves daily.

 

Pelenakeke Brown is an interdisciplinary artist, curator, and writer, Pelenakeke’s practice explores the intersections between disability cultural concepts and Sāmoan cultural concepts. Her work investigates sites of knowledge, and she uses technology, writing, poetry, and performance to explore these ideas.  She has worked with The Metropolitan Museum of Art, Gibney Dance Center, The New York Library for the Performing Arts and other institutions globally. Selected residencies include Eyebeam, The Laundromat Project, and Dance/NYC. Her work has been featured in Art in America and The New York Times. She was recognised in 2020 with a Creative New Zealand Pacific Toa award. 

IMOGEN ZINO is a designer and maker based in Auckland, New Zealand with a background in digital, industrial, jewellery and textile design. This allows her to draw from a range of disciplines and create unique and engaging experiences. Her works are intuitive and tactile in nature; delving into the relationship between body, surface and environment. Her work has been featured in and/or showcased at: Surface Design Journal (USA), Hello May (Australia), Architecture Now (NZ), Artzone (NZ) , The Dowse Art Museum (NZ), Artnow (NZ), The Big Idea (NZ), ECC New Zealand, Craft Aotearoa, Best Awards, Cafe L’affare, Design Assembly, Atelier Jones Design, NZ Festival of Architecture (2019), Re News, The Centre of Design Research, Good Health Design, Design for Health Journal, St Paul St Gallery & Thistle Hall.

Jesse Austin-Stewart is a sound artist based in Te Whanganui-a-Tara Wellington, Aotearoa New Zealand. He is a composer, sound artist, producer, and academic and is currently completing his PhD at Massey University exploring barriers of capital to spatial audio. As a sound artist, Jesse creates works that explore ways to make the field of spatial audio more inclusive. This creative practice often explores the intersection of spatial audio and disability and hearing, while also acknowledging barriers of finance and education. He has written works for contemporary dance and film and composed and curated performance art works and sound installations, among other works which have been exhibited in Aotearoa New Zealand, Japan, Australia, Czech Republic, Greece, Sweden, and France. As a producer and audio engineer, he has recorded work for short films, orchestra, solo artists and bands, small ensemble, opera, and various other configurations.

Concept, Performer, Audio Visuals Pelenakeke Brown Live Sound Performer Deborah Lagaaia Paulo Dramaturg Anapela Polata’ivao Producer/Production Manager Nahyeon Lee Performance Design Imogen Zino Lighting Design Paul Bennett, Elliott Cennetoglu Sound Design Jesse Austin-Stewart Taonga Pūoro Rob Thorne (Ngāti Tumutumu) Drumming Expert Leki Jackson-Bourke Recorded Vocals Joanna Mika-Toloa Production Support Jessica Palalagi Animator Jade Paynter AUDIODESCRIPTION Agnieszka Habraschka, Gerald Pirner

A production by Pelenakeke Brown with support from Q Theatre, The Basement Ideas in Residence,Auckland New Zealand, and SOPHIENSÆLE. Supported by Creative New Zealand and the Leslie-Lohman Museum of Art, New York. The guest performance is made possible by funding from the Senate Department for Culture and Europe as part of the festival Queering the Crip, Cripping the Queer. Media partner: taz, die tageszeitung.