Together with Layton Lachman & Samuel Hertz and Open Air Neukölln at Freiluftkino Hasenheide we would like to invite you to the premiere of DOOM (THE MOVIE).
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In this immersive solo performance installation, choreographer Colette Sadler and visual artist Mikko Gaestel thematise the future of the human in relation to technology inside the virtual architecture of a 3D environment.
Many people classify themselves as belonging to society's "Mitte". But where exactly is that - somewhere between top and bottom, rich and poor? As part of a four-part live reality series, Turbo Pascal go in search of the diffuse categories and relationships that make up the so-called "Mitte". To do this, the collective looks around its own circle of family, friends and acquaintances.
There’s no business like show business. In their first performance evening together, Melanie Jame Wolf and Teresa Vittucci explore the problems and pleasures of: What does it take to make a show great?
As disabled artist-curators Kate Marsh and Noa Winter invite to conversations, practice, safer spaces and public sharings.
The Tanzscout Tune-In offers a playful and creative engagement with the subject of the performance Show Business.
The installation negotiates issues of class, gender and migration. In a subtle way it plays with conventions of fashion shows and refers to a current phenomenon in which so-called "workwear" finds its way into high fashion contexts. What's classy if you're rich, but trashy if you're poor?
In her new work Traumascape, Julia*n Meding investigates the connections between rationality and violence in the history of European knowledge.
JULY 29 – AUGUST 01
Pain is rarely a subject on stage. The focus CRIPPING THE PAIN, which could not take place in June 2020 due to the pandemic and is now being rescheduled in digital form, presents artistic works, workshops and conversations that give space to this complexity and defy dominant ableist perceptions of the body.
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As disabled artist-curators Kate Marsh and Noa Winter invite to conversations, practice, safer spaces and public sharings.
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Age is just a number - nevertheless, we can't get around aging. In the midst of debates about climate change, identity politics and body images, it is time to renegotiate long outdated generational contracts. Thus, not only the recent pandemic has demonstrated that questions about responsibilities and solidarity have to be asked again. The performance festival COMING OF AGE, which will take place from September 15 to November 7 at the Sophiensæle, is dedicated to various aspects of aging in society - and looks at the different challenges of a phenomenon that affects us all.
» moreResidenz vom 01.01.2021-28.02.2021
In der Rechercheresidenz LESBIAN VAMPIRE PORN beschäftigen sich Gianna Pargätzi und Marietheres Jesse (CHICKS*) mit Repräsentationen von queeren Weiblichkeiten seit dem 16. Jahrhundert bis heute, am Beispiel der lesbischen Vampirin. Sie untersuchen die Potentiale, sie im performativen Theater als emanzipatorische Figur zu nutzen, um queeren Sexualitäten und Identitäten Sichtbarkeit zu verschaffen.
CHICKS* FREIES PERFORMANCEKOLLEKTIV vereinen diverse Expert*innen und interdisziplinäre Künstler*innen im Gedanken eines queerfeministischen Netzwerks. In intensiven Rechercheprozessen suchen CHICKS* nach dem Gemeinsamen in ihren unterschiedlichen Lebensrealitäten, nach dem, was sie umtreibt, was sie loswerden, was sie ändern wollen. Sie hinterfragen gesellschaftliche Bilder von Gender, Sexualität und Macht. Gianna Pargätzi und Marietheres Jesse bilden das Künstlerische Leitungsteam von CHICKS*. Sie sind Regisseurinnen, Szenografinnen, Performerinnen sowie Vermittlerinnen von Theater und feministischem Empowerment.
Die Residenz findet statt im Rahmen von #TakeCareResidenzen. Gefördert vom Fonds Darstellende Künste aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR. In Kooperation mit flausen+.
