Faye Driscoll stands alone on stage but creates a dynamic group experience. She is part of a complex installation, is wired for sound transmission and is supported by pulleys, ropes or the weight of others.

For the first time in Germany, the festival Queering the Crip, Cripping the Queer presents a work by the Sāmoan/Pākeha artist Pelenakeke Brown. With her collective of disabled artists, she takes a new look at aesthetics and the art of the disabled body in this interdisciplinary performance.

Can a voice message be more intimate than a nude photo? Together with composer Marta Forsberg, Sindri Runudde explores the concept of voicemail and the culture of auditory versus text-based SMS: A Sensoral Lecture is all about auditory romance and love at first frequency - an exploration of sound and especially the voice as a form of touch.

Join Quiplash to explore what it means to integrate audio description into performance, queerly. The workshop takes place over two relaxed half-day sessions (with breaks) at the Festsaal of Sophiensæle.

Anajara Amarante takes the audience into their queer version of South American surrealism and creates entire dance landscapes out of it: Closely connected to the artists, the audience experiences a crescendo evening that is both visual protest and ritual celebration.

Welcome to Unsightly Drag and Friends: Quiplash invites the audience to a dazzling and somewhat different evening of cabaret! Between musical and stand-up comedy, abstract worlds and smooth moves the ensemble of Queer Crips (short: Quips) show us how sexy the mix of entertainment and access can be.

In the dance performance TENNIS, Angela Alves examines sport, art and society for ableist and classist patterns of discrimination; exploring  methods to confront them without losing her nerve. In the setting of a tennis court, the dancer takes up the racket and prepares to serve for an accessible future.

Sheena McGrandles’s successful experimental musical is back: Between concert, spoken word and performance, one ensemble together with a small choir of childless people speculates on new ways of starting a family!

The children Charlotte and Felix emerge from the sea and play as their dead parents on the beach. It's a ritual the two have been practicing for years. In memory of their parents' wild exuberance, they put sunscreen on their backs and tickle each other until they can hardly breathe. For brief moments,all sadness falls away from them. Again and again, however, the different needs of the two ten- and eleven-year-old siblings break into the game.

In Let's Just Be Friends, Simone Dede Ayivi interviews people who live their friendships as a feminist counter-concept to family businesses or marriages: Friends who do projects together or take on responsibilities for each other that are usually attributed to the close family context or romantic relationships between two people.

In Shortcuts to Familiar Places, James Batchelor creates a personal performance about the body as a site of historical and choreographic inscription.

With Radical Minimal, the Berlin-based Company Christoph Winkler explores the radical potential of minimal music and contemporary dance. In three choreographies, the team reinterprets three well-known pieces of minimal music: Come Out by Steve Reich, Coming Together by Frederic Rzewski and Stay on it by Julius Eastman.

Lois Alexander explores the afterlife of slavery and the reverberations on our present.Yeye explores memory, traces and notions of a motherland, moving through different levels of video, text and performance.

In her new performance, Anna Natt, together with experimental musician Robert Curgenven, examines the vampire figure of Nosferatu for its queerness.

If you want to get to know the history of Sophiensæle, join one of our guided tours. Regular guided tours are in German. English guided tours are available for groups of five people or more.