Programme
Henrike Iglesias Under Pressure
Under Pressure_c_Anna Fries_HP
September 10 11 12 13 | 20.00 Performance
Festsaal | 15/10 EURO

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hannsjana Anstattführung
anstattfuehrung_c_johanna-heyne_HP4
September 11 | 17.00
September 12 13 | 15.00
Audio Walk
Stadtführung / Start im Hof - Ende U-Bhf. Gesundbrunnen | 15/10 EURO

In a performative audio walk, hannsjana explore the East-West dialogue in Berlin's urban space as a border-crossing pack of bears.

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matthaei & konsorten DIE SUMPFGEBORENE
Imagemotiv_2020
September 15 16 17 18 19 20 Site-specific Performances
im Stadtraum | Free Entrance

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Rike Flämig / Anna Hentschel / Zwoisy Mears-Clarke POSTOST 2O9O
PostOst 2O2O_c_Miriam Meyer
September 24 25 26 | 20.00
September 26 | 16.00
Dance/Performance
Festsaal | 15/10 EURO

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Peggy Piesche Labor 89
Imagemotiv_2020
September 29 | 19.00 reading + discussion
Hochzeitssaal + Online | 15/10 EURO

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Niemandkommt-Festival

NiemandKommt
© NiemandKommt

No one’s coming, everyone’s going! On July 24, 2020, an enormous festival will take place in Berlin where a stunning number of independent artists and culture makers working in all disciplines will take part – by not showing up. During the coronavirus pandemic, many freelance artists and culture makers have been unable to earn money and pay their living costs. This is why we’re turning to you: Show your solidarity! Buy a ticket for Berlin’s (non) event of the year and don’t show up!

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05 May 2020
Theatertreffen: Artist talk with Florentina Holzinger

tt20
© Berliner Festspiele

MAY 05 | 6 PM
IN ENGLISH

Please note: In the archived file, the talk begins after approx. 11 minutes.

For the first time, the Theatertreffen will take place online. Florentina Holzinger, who has been invited to the Theatertreffen 2020 with her work TANZ, can be experienced in an artist talk with Beatrice Cordua and Renée Copraij on May 05 as part of the TT-Context programme UnBoxing Stages – Digital Practice in the Theatre.

In Florentina Holzinger’s work, the body is always at the centre of attention, not only discursively, but as a real and tangible presence on stage. What does this very specific physical practice, which uses elements from sources including acrobatics and martial arts, mean for performers from various generations? How do they deal with digitalisation? And what happens to a body as soon as it appears in the digital sphere?

WITH Florentina Holzinger, Renée Copraij and Beatrice Cordua

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