Tanja Krone Mit echten Reden (1): Das Ellenbogen-Prinzip
On October 3, Tanja Krone invites you to an outdoor adaptation of her successful festival performance from last fall, as the final highlight of our focus Das Ost-West-Ding 2.
During the festival, we invite artists and audiences to encounter each other on 1:1 walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange.
Recent studies have shown that the distribution of rest is determined by race, with people of color regularly getting less sleep than white people. As a direct response to the Sleep Gap, the artists take over Sophiensæle’s Festsaal and invite people of color to break with constant fatigue by slowing down, resting, and interacting with soft, comfortable surfaces.
During the festival, we invite artists and audiences to encounter each other on 1:1 walks, thus offering all those who are not yet drawn back to the theatre spaces the opportunity for an immediate exchange.
A live song and dance activation from bed: The performance plays with multiplicitous states of being idle, protesting the power relations of the night which deprive BIPOC of rest.
During the festival, we invite artists and audiences to encounter each other on 1:1 walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange.
In her lecture, María do Mar Castro Varela reflects on the 'storming of the Reichstag' and other madness in times of pandemic.
In this conversation we will take a critical look at a society that uses crises as a driver for its optimization and in this context we will also look at the role of culture.
During the festival, we invite artists and audiences to encounter each other on 1:1 walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange.
Simone Dede Ayivi and accomplices have held talks with grandparents, parents and children from different communities and present their diverging ideas of a "better life" in a performative installation.
During the festival, we invite artists and audiences to encounter each other on 1:1 walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange.
Touretteshero co-founder Jess Thom examines and reflects on the barriers and opportunities that have arisen from the COVID-19 pandemic and the resulting lockdown.
How does the women's quota change culture and mindset? With flaming speeches, statistics, lamentations and protest choreographies Flinn Works follow the trail of Rwandan fast-track feminism.
To resist categories like "normal" or "beautiful", the three performers create a series of exorcisms in which they distort pop-cultural figures and phenomena into monstrousness.
During the festival, we invite artists and audiences to encounter each other on 1:1 walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange.
Isabelle Schad celebrates the beauty of simple movement sequences in two powerful solos.
Dance meets music, film, video and spoken word: A performative homage to Mark Fisher.
A railroad movie meets a chamber play: Four train passengers keep themselves awake with problems on their way to Spitzbergen.
Forward, backward, cut, all back, repeat: two figures move in front of a wall. Their bodies and their relationship to each other are constantly interrupted and so are the narratives that unfold and disappear again.
Sheena McGrandles composes stylized body landscapes calling both to the erotic and absurd.
Focus
Das Ost-West-Ding 2
Around the 3rd of October we will continue our focus from last autumn and take a critical look at the so-called reunification.
» moreFestival
Risk and Resilience
OCTOBER 08 – NOVEMBER 01
With our performance festival Risk and Resilience we invite you to exercise and reflect on artistic, psychological and political resistance!
» moreAccessibility
Information and offers for people with sensory and physical impairments
Feedback talks after the performance with wine and savory snacks
Regular guided tours through Sophiensæle
Mediation
Introductions, workshops, seminars and offers for schools
Lectures
Lectures, discussions, readings, panels, etc.
Artistic Research
Artistic Director
Franziska Werner
Managing Director
Kerstin Müller
DRAMATURGY
Dr. Joy Kristin Kalu (Head of Dramaturgy)
Alexander Kirchner
Mateusz Szymanówka (Dance/AD Tanztage Berlin)
COMMUNICATION
Sarah Böhmer (Head of Communication)
Miriam Seise (Press + Editing)
Sofia Ximena Popp (Marketing + Online editing)
Gina Jeske (Social Media + Outreach)
Siri Lindell (FSJK 2020/21)
TICKETING
Sofia Ximena Popp
ARTISTIC ADministration
Andrea Spirkl (Head of Artistic Administration)
Henriette Fock
Accounting Assistant
Veronika Münder
Marie-Flore Gillet
PRODUCTION
Franziska Schrage (Head of Production)
Cilgia Gadola
Johanna Withelm
Melmun Bajarchuu
Noa Winter (Project Coordinator "Making a Difference")
Anne Rieger (Project Coordinator "Making a Difference")
HEAD OF TECHNICAL DEPARTMENT
Dennis Schönhardt (on parental leave)
SUBSTITUTION HEAD OF TECHNICAL DEPARTMENT
Walter Freitag
Fabian Stemmer
TECHNICAL DEPARTMENT
Susana Alonso
Ignacio Buquete
Konrad Dietze
Gordon Dyballa
Mohammed El-Awad (Auszubildender)
Ernesto Hernandez
Christoph Horchler
Werner Kernebeck
Gustav Kleinschmidt
Robert Lange
Dirk Lutz
Veit Mahnert
Erik Pade
Steven Queißer
Anna Schröder
Tristan Sötje
Norman Thörel
Jens Tuch
Falk Windmüller
BOX OFFICE
Ragna Knebel
BAR, FRONT-HOUSE STAFF
Mohammad Albakour
Jonas Albani
Marisa Burkhardt
Gerda Gerz
Carina Panther
Daniela Guse
Felix Schudeiske
Sabine Walchshofer
Seoyoung Won
Carina Zox
