Programme
HAUEN UND STECHEN
Salomé
Hauen und Stechen_Salome_c_Thilo Moessner_HP
January 27 28 29 | 20.00
January 30 | 18.00
Tickets
music theatre
Festsaal | 15/10 Euro

The Berlin music theatre group Hauen und Stechen presents its version of the opera Salomé. The production, based on an opera by Richard Strauss and a text by Oscar Wilde, alternates between music and dance. It is a film, a journey, a fair and a dance of death all in one.

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Athina Lange + Pawel Aderhold
Whatremainsofme
whatremainsofme_c_DorotheaTuch 02_HP
January 31 | 19.00
February 01 | 19.00
Tickets
Hochzeitssaal | 15/10 €

The way we perceive our reality is shaped by the language of our senses. But what happens when this fine interplay is disturbed? A search for traces of perception and experience.

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Hendrik Quast
Spill your guts
Pressefoto 26.11.21_21_SpillYourGuts_Plakat_2E01-01
February 03 04 05 | 19.30
February 06 | 17.00
Tickets
Performance
Festsaal | 15/10 €

For his latest project, Hendrik Quast learns the art of ventriloquism in order to approach the chronic inflammatory bowel disease ulcerative colitis artistically. In conversation with the disease, new ways of speaking and images of chronic illness emerge, opening up unusual spaces of humor for the ill and healthy audience.

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Nima Séne
auf den weg zu mir / auf den weg zu dir
Nima Séne_c_Mayra Wallraff_ HP_quer
February 12 13 14 15 | 21.00
Tickets
Hochzeitssaal | 15/10 €

In auf den weg zu mir / auf den weg zu dir, Nima Séne traces the history and lyrical legacy of the poet and activist May Ayim.

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Olivia Hyunsin Kim / Ddanddarakim
History has failed us, but…
History has failed us but_Foto_Mayra Wallraff_0
February 13 14 15 16 | 19.00
Tickets
Festsaal | 15/10 €

History has failed us, but... deals with physical forms of protest and searches for a solidary togetherness while taking into account different bodies. Which narratives and images of resistance are remembered - and how are they told?

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Ania Nowak
Golden Gate
GoldenGate_©DorotheaTuch_9447
February 24 25 26 | 20.00
February 27 | 16.00
Tickets
Festsaal | 15/10 €

For a long time now, collective mourning and its rituals have been disappearing from public space. Golden Gate questions our normative perceptions of loss and mourning. What is queer grief and in what way can it become a collective movement of melancholy and resistance? 

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Olivia Hyunsin Kim / Ddanddarakim History has failed us, but…

  • History has failed us but_Foto_Mayra Wallraff_0
    Foto: Mayra Wallraff
  • History has failed us but_Foto_Mayra Wallraff_2
    Foto: Mayra Wallraff
  • History has failed us but_Foto_Mayra Wallraff_1
    Foto: Mayra Wallraff
Dance/Performance
February 13 14 15 16 | 19.00
Tickets
Festsaal
15/10 €
In German

If I can't dance it's not my revolution. The performance History has failed us, but... deals with physical forms of protest and searches for a solidary togetherness while taking into account different bodies. Which narratives and images of resistance are remembered - and how are they told?
Inspired by old and young protest movements such as the Gezi-Park Movement from Turkey or the Candlelight Protests of South Korea, Olivia Hyunsin Kim is concerned with finding new ways of empowerment for bodies that are perceived as "different" or "foreign" in society. Racist resentment, evident not only in electoral successes for right-wing parties but also in attacks on "racialized" bodies on the streets or in the theater, make us ask how we can feel safe and fight back. How can we, when language ends, find resistance and empowerment in dance and movement? With History has failed us, but... Olivia Hyunsin Kim creates an immersive and sensual stage piece that generates new spaces of encounter.

OLIVIA HYUNSIN KIM works as a choreographer and curator in Berlin, Frankfurt a.M. and Seoul. She won the first place of the Amadeu Antonio Arts Award 2019 for Miss Yellow and Me - I wanna be a musical. She completed her master's degree in choreography and performance at the Institute of Applied Theatre Studies Giessen and the HfMDK Frankfurt with distinction. In 2017 she was danceWEB scholarship holder at Impulstanz and is 2020/21 scholarship holder at the Kulturakademie Tarabya. Her work has been shown at Sophiensælen Berlin, Art Sonje Center Seoul, Mousonturm Frankfurt, Museo Universitario del Chopo Mexico City, among others.

CONCEPT, CHOREOGRAPHY, PERFORMANCE Olivia Hyunsin Kim PERFORMANCE Ji Sun Hagen, Tatiana Mejia, Enis Turan MUSIC, PERFORMANCE Tatiana Heuman DRAMATURGY Isabel Gatzke ARTIST CONSULTATION Ixchel Mendoza Hernandez COSTUME, STAGE Kristin Gerwien LIGHTING, VIDEO DESIGN Jones Seitz POP UP KITCHEN Vicky Truong ACCESS CONSULTING Hyemi Jo PRODUCTION MANAGEMENT ehrliche arbeit - freies Kulturbüro 

A production by Olivia Hyunsin Kim/ddanddarakim in co-production with SOPHIENSÆLE. Supported by the Senate Department for Culture and Europe, the maecenia foundation and the Performing Arts Fund with funds from the Federal Government Commissioner for Culture and the Media as part of NEUSTART KULTUR.

Specials
Festival
Tanztage Berlin 2022
Tanztage HP mit Text schwarz
© Jan Grygoriew

JANUARY 06-22

In tandem with emerging dance artists connected to our city, Tanztage Berlin 2022 continues to examine what keeps us together and tears us apart. After 2021 the festival took place exclusively online, its 31st edition returns as an extended offline and online program. Alongside the last year’s selection of performances, it includes new creations and discourse formats on power, protest, and empowerment. The work presented during Tanztage Berlin 2022 critically navigates the present by reimagining past and future encounters on the dance floor. While dealing with acute problems like power relations, surveillance, disembodiment, or climate change, it tunes into the social body, creating much-needed moments of awareness, connectedness, and self-determination. Unlike the 21st-century billionaire strategy of abandoning earth in a rocket ship or escaping into a parallel virtual universe, the festival chooses instead to stay with the trouble: to celebrate dancing together through the crisis and against despair.

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