With An Evening-­length Performance, Australian choreographer James Batchelor reimagines the baroque ballroom as a place for queer encounters and expression.

In this im­mersive solo performance installation, choreographer Colette Sadler and visual artist Mikko Gaestel thematise the future of the human in relation to technology inside the virtual architecture of a 3D environment.

Many people classify themselves as belonging to society's "Mitte". But where exactly is that - somewhere between top and bottom, rich and poor? As part of a four-part live reality series, Turbo Pascal go in search of the diffuse categories and relationships that make up the so-called "Mitte". To do this, the collective looks around its own circle of family, friends and acquaintances.

In times of an ecological, political and personal crisis, Brazilian choreographer Thiago Granato explores the act of listening.

There’s no business like show business. In their first performance evening together, Melanie Jame Wolf and Teresa Vittucci explore the problems and pleasures of: What does it take to make a show great?

As disabled artist-curators Kate Marsh and Noa Winter invite to conversations, practice, safer spaces and public sharings.

The Tanzscout Tune-In offers a playful and creative engagement with the subject of the performance Show Business.

The installation negotiates issues of class, gender and migration. In a subtle way it plays with conventions of fashion shows and refers to a current phenomenon in which so-called "workwear" finds its way into high fashion contexts. What's classy if you're rich, but trashy if you're poor?

In her new work Traumascape, Julia*n Meding investigates the connections between rationality and violence in the history of European knowledge.