Der Stand der Dinge 12 March 2020
Wir stellen den Spielbetrieb bis 19.04. ein!
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Yui Kawaguchi MUGEN
An equal team of artists with and without learning disabilities restage three key choreographic works of the 20th century and claim their long overdue place in dance history.
The feminist-satirical late-night show by Anne Haug and Melanie Schmidli! The two fucktresses have brought two bizarre gifts with them: themselves. Cometh and learn!
A new star has been born in Italo-Pop heaven: PARANOIA GODARD - that is the German actor Godehard Giese and the Italian musician and producer Marco Brosolo. As record release of their debut album CONCEZIONE they invite to an antiparanoid concert evening.
In humorously exaggerated amateur and rock star poses Melanie Jame Wolf, joined by Sheena McGrandles and Rodrigo Garcia Alves, critically explores the potency of a popularly shared poetic and its commercial exploitation.
A guided tour about the eventful history of the Sophiensæle from its construction in 1904/05 to the present day.
Kieze Gegen Rechts is about local civil society engagement against right-wing extremism. We invite initiatives and activists who set a good example.
Four deaf performers have joined forces to collectively work on their first piece: A musical!
Müller/Rinnert merge the music of the revue Im Weißen Rösslwith a New York expat-adaptation by Jimmy Berg: A multimedial evening about Jewish-German refugee experience, lost entertainment history and the dazzling (re)discovery of Heimat.
In a performative audio walk, hannsjana explore the East-West dialogue in Berlin's urban space as a border-crossing pack of bears.
30 years after the reunification, Tanja Krone asks her family, teachers and school friends about their everyday life during the time of reunification and takes the answers on stage!
In his dance solo, Léonard Engel precisely and humorously uses a series of deceptive strategies that are doomed to fail and instead put the body at the center of attention.
In a one-hour (physical) introduction before the show, the participants playfully and practically approach the movement material of the upcoming dance piece How to get rid of a body.
Theater, dance, performance and much more – discover performing arts made in Berlin!
Information and offers for people with sensory and physical impairments
Feedback talks after the performance with wine and savory snacks
Regular guided tours through Sophiensæle
Introductions, workshops, seminars and offers for schools
Lectures, discussions, readings, panels, etc.
2020 March 05 06 07 08 | 20.00
In some scenes self-harming acts are portrayed, which could have a disturbing effect on some viewers. Please note that stroboscopic effects are used in this performance.
„Feminism, of course, has always been an exercise in science fiction.“ — Laurie Penny
Florentina Holzinger has enriched the international performance scene with dizzying acrobatics, muscular women’s bodies and martial-arts fight scenes since 2011 – a generous helping of pop-cultural references and a penchant for trash included. TANZ completes her trilogy – Recovery and Apollon were the first two parts – about the body as a spectacle, and its disciplining. A ballet class under the direction of Beatrice Cordua, the first ballerina to dance Le sacre de printemps naked (John Neumeier’s Le Sacre, 1972), provides the framework for TANZ. The performers undergo rigorous training in “action ballet”, the so-called “sylphic studies”. In joint rituals, they learn to master their bodies and minds, and they acquire supernatural powers, such as flying. A quest for perfection in an ephemeral world, during which the gross is transformed into the sublime. In an operatic setting, brutal parodies of sensationalist images emerge, as seen in ballet, comedy and pornography. The gaze regime finds reflection in the character of a porn producer who documents the performance. With a cast of women between the ages of twenty and eighty, all of whom have different backgrounds in dance, TANZ raises the question of the legacy of dance. How can the cult of beauty inherent in this tradition be reconciled?
FLORENTINA HOLZINGER, born 1986 in Austria, studied choreography at the SNDO Amsterdam. After graduating in May 2011, Florentina Holzinger presented the solo Silk and received the Prix Jardin d'Europe at Impulstanz. Joint works with Vincent Riebeek such as Kein Applaus für Scheiße (2011), Spirit (2012) and Wellness (2013) attracted international attention. Their works are shown at numerous festivals and in production companies at home and abroad. As part of the festival The Future is F*E*M*A*L*E*, Florentina Holzinger showed the Performance Recovery (2017), a collaboration with Frascati Producties. In the same year she also presented her piece Apollon for the first time at the Sophiensæle. Her latest work TANZ was invited to the 57th Theatertreffen in 2020 and can be seen at the Sophiensæle from March.
CONCEPT, PERFORMANCE, CHOREOGRAPHY Florentina Holzinger PERFORMANCE BY AND WITH Renée Copraij, Beatrice Cordua, Evelyn Frantti, Lucifire, Annina Machaz, Netti Nüganen, Suzn Pasyon, Laura Stokes, Veronica Thompson, Lydia Darling VIDEODESIGN, LIVE-CAMERA Josefin Arnell SOUNDDESIGN, LIVE-SOUND Stefan Schneider LIGHTDESIGN Anne Meeussen STAGEDESIGN Nikola Knezevic TECHNIQUE Koen Vanneste DRAMATURGY Renée Copraij, Sara Ostertag MUSIC-COACH Almut Lustig THEORY, RESEARCH Anna Leon OUTSIDE EYE Michele Rizzo, Fernando Belfiore SUPPORT STUNTS Haeger Stunt & Wireworks MANAGEMENT Something Great, DANSCO INTERNATIONAL DISTRIBUTION Something Great
A production by Florentina Holzinger in co-production with SOPHIENSÆLE (realized with funds from the Theaterpreis des Bundes), Spirit and Tanzquartier Wien, Spring Festival, Productiehuis Theater Rotterdam, Künstlerhaus Mousonturm, Arsenic, Münchner Kammerspiele, Take Me Somewhere Festival, deSingel, Beursschouwburg, Frascati Productions, asphalt Festival and Theater im Pumpenhaus. Funded by the Cultural Department of the City of Vienna, Arts and Culture Division of the Federal Chancellery of Austria, Performing Arts Fund NL and Norma fonds NL. Supported by O Espaço do Tempo, Fondation LUMA, De Châtel Award and the Austrian Federal Ministry for Arts, Culture, the Civil Service and Sport, Section IV – Arts and Culture. With thanks to CAMPO, ImPulsTanz, Eva Beresin, Stefanie Leitner, Tanz-Archiv MUK Wien, Stimuleringsfonds Creative Industries, Mochi Catering and Andres Stirn. Media partner: taz. die tageszeitung