Der Stand der Dinge 12 March 2020
Wir stellen den Spielbetrieb bis 19.04. ein!
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Yui Kawaguchi MUGEN
An equal team of artists with and without learning disabilities restage three key choreographic works of the 20th century and claim their long overdue place in dance history.
The feminist-satirical late-night show by Anne Haug and Melanie Schmidli! The two fucktresses have brought two bizarre gifts with them: themselves. Cometh and learn!
A new star has been born in Italo-Pop heaven: PARANOIA GODARD - that is the German actor Godehard Giese and the Italian musician and producer Marco Brosolo. As record release of their debut album CONCEZIONE they invite to an antiparanoid concert evening.
In humorously exaggerated amateur and rock star poses Melanie Jame Wolf, joined by Sheena McGrandles and Rodrigo Garcia Alves, critically explores the potency of a popularly shared poetic and its commercial exploitation.
A guided tour about the eventful history of the Sophiensæle from its construction in 1904/05 to the present day.
Kieze Gegen Rechts is about local civil society engagement against right-wing extremism. We invite initiatives and activists who set a good example.
Four deaf performers have joined forces to collectively work on their first piece: A musical!
Müller/Rinnert merge the music of the revue Im Weißen Rösslwith a New York expat-adaptation by Jimmy Berg: A multimedial evening about Jewish-German refugee experience, lost entertainment history and the dazzling (re)discovery of Heimat.
In a performative audio walk, hannsjana explore the East-West dialogue in Berlin's urban space as a border-crossing pack of bears.
30 years after the reunification, Tanja Krone asks her family, teachers and school friends about their everyday life during the time of reunification and takes the answers on stage!
In his dance solo, Léonard Engel precisely and humorously uses a series of deceptive strategies that are doomed to fail and instead put the body at the center of attention.
In a one-hour (physical) introduction before the show, the participants playfully and practically approach the movement material of the upcoming dance piece How to get rid of a body.
Theater, dance, performance and much more – discover performing arts made in Berlin!
Information and offers for people with sensory and physical impairments
Feedback talks after the performance with wine and savory snacks
Regular guided tours through Sophiensæle
Introductions, workshops, seminars and offers for schools
Lectures, discussions, readings, panels, etc.
2020 March 13 14 | 21.30
The worlds leading autistic green drag queen Oozing Gloop explains the world to us and starts at the very beginning: With the letter A. Oozing takes us on a psycho-magical journey to the edges of what we think we know – and suddenly everything makes sense. Even the huge pickle jar she uses to explain democracy. In a dreamscape of gigantic vowels, handmade patchwork, masks and wigs, Oozing Gloop creates a survival guide for the 21st century.
Oozing Gloop is a transgressive drag savant who has completed 500 miles of queer pilgrimage through the co-ordinates of their unconscious. This was the furnace that melded six years of disappointing study with a sublime cabaret practice. Creating a provocative performance practice of queer spectacle exploring Awe; the awful, the awesome and the autistic. Her interdisciplinary practice seeks to put a very particular voice upon a powerful pedestal of the universal subject and seeks to make society assimilate her. In the same way as society expects him to assimilate it. Troublesome, camp and revolting.
IDEA, PERFORMANCE Oozing Gloop PRODUCER Catherine Hoffmann LIGHT Marty Langthorne ASSISTANT Moa Johansson Technician Casey Shortt
A production of Oozing Gloop in co-production with Steakhouse Live. Funded by The Arts Council England. With support from LADA, Duckie, Peformance Space, Norwich Arts Centre and The Marlborough Theatre. Media partner: taz. die tageszeitung