Der Stand der Dinge 12 March 2020
Wir stellen den Spielbetrieb bis 19.04. ein!
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Yui Kawaguchi MUGEN
An equal team of artists with and without learning disabilities restage three key choreographic works of the 20th century and claim their long overdue place in dance history.
The feminist-satirical late-night show by Anne Haug and Melanie Schmidli! The two fucktresses have brought two bizarre gifts with them: themselves. Cometh and learn!
A new star has been born in Italo-Pop heaven: PARANOIA GODARD - that is the German actor Godehard Giese and the Italian musician and producer Marco Brosolo. As record release of their debut album CONCEZIONE they invite to an antiparanoid concert evening.
In humorously exaggerated amateur and rock star poses Melanie Jame Wolf, joined by Sheena McGrandles and Rodrigo Garcia Alves, critically explores the potency of a popularly shared poetic and its commercial exploitation.
A guided tour about the eventful history of the Sophiensæle from its construction in 1904/05 to the present day.
Kieze Gegen Rechts is about local civil society engagement against right-wing extremism. We invite initiatives and activists who set a good example.
Four deaf performers have joined forces to collectively work on their first piece: A musical!
Müller/Rinnert merge the music of the revue Im Weißen Rösslwith a New York expat-adaptation by Jimmy Berg: A multimedial evening about Jewish-German refugee experience, lost entertainment history and the dazzling (re)discovery of Heimat.
In a performative audio walk, hannsjana explore the East-West dialogue in Berlin's urban space as a border-crossing pack of bears.
30 years after the reunification, Tanja Krone asks her family, teachers and school friends about their everyday life during the time of reunification and takes the answers on stage!
In his dance solo, Léonard Engel precisely and humorously uses a series of deceptive strategies that are doomed to fail and instead put the body at the center of attention.
In a one-hour (physical) introduction before the show, the participants playfully and practically approach the movement material of the upcoming dance piece How to get rid of a body.
Theater, dance, performance and much more – discover performing arts made in Berlin!
Information and offers for people with sensory and physical impairments
Feedback talks after the performance with wine and savory snacks
Regular guided tours through Sophiensæle
Introductions, workshops, seminars and offers for schools
Lectures, discussions, readings, panels, etc.
Performative Art Installation
2020 February 14 | 18.30
2020 February 26 27 28 29 | 20.30
Please note that the SHOWS ON FEBRUARY 26 and 28 will be filmed and that YOU may be clearly recognizable on these pictures. By attending the event, YOU agree that the VIDEOMATERIAL may be used for documentation, advertising and press purposes and may be published in all print and online media without restriction and free of charge.
In the Kantine of Sophiensæle sit two halves of a car: the car is both a luxury object and a political issue, a powerful symbol of climate change, capitalism, and much more. But what is the car when it stands in front of you, vulnerable and wounded, literally in pieces? Bathed in the glow of the car‘s headlights, Wagner/Feigl remove and rearrange parts. This experiment explores the material nature of the great conflicts of our time, developing a unique poetry. In a prelude, Wagner /Feigl and their car parts will solemnly and publicly cross the threshold between the outside world and the theater space. Different key aspects of the work will be presented in each of the four evenings of the performance.
FLORIAN FEIGL is developing and showing performances as art for 20 years. Feigl is publishing in galleries or on a boat, in a former cinema or on the scrap yard, on A4 or in the net, on a field or in theatres.
Essay performances (a term he coined for his delirious association trips) and concert performances form the core of OTMAR WAGNERS' work. He also is creating audio plays, scenic installations and curious cabinets. Further he is a lover of strange cartographies.
Blech und Gewebe I - IV is the most recent work of Wagner-Feigl-Forschung/Festspiele after a 10 year break.
CONCEPT, OBJECTS, PERFORMANCE Florian Feigl, Otmar Wagner OBJECT CONSTRUCTION, MUSICAL ADVICE Ole Wulfers DOCUMENTATION, VIDEO CONSULTING Christopher Hewitt PRODUCTION MANAGEMENT Marit Buchmeier/xplusdrei, Leoni Grützmacher
A production by Wagner-Feigl-Forschung/Festspiele in co-production with SOPHIENSÆLE and WUK performing arts Vienna. Funded by the Senate Department for Culture and Europe and the Municipal Department 7 - Culture of the City of Vienna. Media partner: taz. die tageszeitung