Taking Rwanda as an example, Flinn Works consider the women's quota as a political instrument: with 61% female members of parliament, Rwanda has almost twice as many women in parliament as Germany and in this respect has long since achieved what women throughout Europe are still fighting for. After the genocide in 1994, the East African country made gender justice the basis of its policy - in Germany, parity is still far away despite the basis in the constitution. On the trail of Rwandan fast-track feminism, Flinn Works lead through shiny statistics and glass ceilings behind the scenes of home and hearth. A Rwandan drum on stage is the key to power. It was formerly only played for the king, now six performers play for the queen. For Merkel. For parity. With flaming speeches, statistics, lamentations and protest choreographies they perform for the poor Europe, which is struggling for meagre quotas, while Rwandan pilots fly drones with blood bottles across the country and digital data rush to the smartphones of female members of parliament. How does the women's quota change culture and mindset?

Accessibility information
The show lasts 75 minutes without a break and is performed in English, German and Kinyarwandic spoken language. There are partly German subtitles and partly live spoken translations from English and Kinyaruanda into German spoken language. In one scene there are fast light changes, loud music and noises, which are also reflected in relatively fast images on the screen. There is verbal interaction with the audience. If you need to leave the room during the show, re-entrance is not possible. The information on accessibility will be continuously updated. If you have any questions or require further information, please contact presse@sophiensaele.com or 030 27 89 00 35.