During the festival, we invite artists and audiences to encounter each other on 1:1 walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange.

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In her triple Bessie award-winning solo, choreographer and dancer Marjani Forté-Saunders pays tribute to the "unicorns" of her life and her community: formative figures such as father, son and brother, homies, pahtnas and fams. The choreography interweaves memories of her father - his mystical knowledge, his love for science fiction literature and his special ability to create realities - with collective memories and historical fragments.

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Touretteshero co-founder Jess Thom examines and reflects on the barriers and opportunities that have arisen from the COVID-19 pandemic and the resulting lockdown.

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How does the women's quota change culture and mindset? With flaming speeches, statistics, lamentations and protest choreographies Flinn Works follow the trail of Rwandan fast-track feminism.

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To resist categories like "normal" or "beautiful", the three performers create a series of exorcisms in which they distort pop-cultural figures and phenomena into monstrousness.

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During the festival, we invite audiences to encounter artists 1:1 on walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange.

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This online Audio Tune-in & Collage Wrap-up enables the Tanzscout-Team to carry on, establishing connections between dance piece and viewers - hurray!

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Isabelle Schad celebrates the beauty of simple movement sequences in two powerful solos.

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Dance meets music, film, video and spoken word: A performative homage to Mark Fisher.

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A railroad movie meets a chamber play: Four train passengers keep themselves awake with problems on their way to Spitzbergen.

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Forward, backward, cut, all back, repeat: two figures move in front of a wall. Their bodies and their relationship to each other are constantly interrupted and so are the narratives that unfold and disappear again.

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Sheena McGrandles composes stylized body landscapes calling both to the erotic and absurd.

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