Jess Thom's Lecture Disability Culture in a Time of Pandemic and her talk Biscuits Without Borders with Noa Winter are now available as videos on demand. Both events took place during the performance festival Risk and Resilience in October 2020. >> WATCH VIDEOS HERE

After experiences in the European deaf performance community, Rita Mazza now presents her first choreographic work at Sophiensæle. Entering the stage as a playground, she explores the combination of dance and sign language movements and creates a whole new form of visual poetry. >>CLICK HERE FOR THE VIDEO

Vulnerability becomes a catalyst for a new body, language and care economy: Starting from the question of what expectations we have of hyperfunctional bodies on stage and in everyday life, the video work demands a place for unstable bodies - with all their risks and potentials, in the artistic field as well as in society.

During the pandemic, Rachel Bagshaw and her artistic team adapted the stage performance The Shape of the Pain for the screen. This process resulted in the 18-minute BBC feature Where I Go. 

A special and intimate audio journey of fragile beauty: for her documentary work, Raquel Meseguer Zafe has collected over 300 stories of people who, like herself, depend on lying down and resting in public spaces.

Accessibility is not only a human right, but an even more exciting creative tool: Rachel Bagshaw and Sophie Woolley share their experiences in the creative use of captioning and present some exercises to help other arts professionals in their own use and style development of captioning.

A digital conversation on Zoom with the artists of the productions Inflammations, A Crash Course in Cloudspotting, and The Shape of the Pain: They will address navigating an often ableist art sector and share what working methods and aesthetics they have developed.

Together with Layton Lachman & Samuel Hertz and Open Air Neukölln at Freiluftkino Hasenheide we would like to invite you to the premiere of DOOM (THE MOVIE).

With An Evening-­length Performance, Australian choreographer James Batchelor reimagines the baroque ballroom as a place for queer encounters and expression.

In this im­mersive solo performance installation, choreographer Colette Sadler and visual artist Mikko Gaestel thematise the future of the human in relation to technology inside the virtual architecture of a 3D environment.

Many people classify themselves as belonging to society's "Mitte". But where exactly is that - somewhere between top and bottom, rich and poor? As part of a four-part live reality series, Turbo Pascal go in search of the diffuse categories and relationships that make up the so-called "Mitte". To do this, the collective looks around its own circle of family, friends and acquaintances.

In times of an ecological, political and personal crisis, Brazilian choreographer Thiago Granato explores the act of listening.

There’s no business like show business. In their first performance evening together, Melanie Jame Wolf and Teresa Vittucci explore the problems and pleasures of: What does it take to make a show great?

As disabled artist-curators Kate Marsh and Noa Winter invite to conversations, practice, safer spaces and public sharings.