To resist categories like "normal" or "beautiful", the three performers create a series of exorcisms in which they distort pop-cultural figures and phenomena into monstrousness.

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During the festival, we invite audiences to encounter artists 1:1 on walks, thus offering all those who are not yet drawn back to the theatre spaces with the opportunity for an immediate exchange.

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This online Audio Tune-in & Collage Wrap-up enables the Tanzscout-Team to carry on, establishing connections between dance piece and viewers - hurray!

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Isabelle Schad celebrates the beauty of simple movement sequences in two powerful solos.

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Dance meets music, film, video and spoken word: A performative homage to Mark Fisher.

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A railroad movie meets a chamber play: Four train passengers keep themselves awake with problems on their way to Spitzbergen.

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Forward, backward, cut, all back, repeat: two figures move in front of a wall. Their bodies and their relationship to each other are constantly interrupted and so are the narratives that unfold and disappear again.

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Sheena McGrandles composes stylized body landscapes calling both to the erotic and absurd.

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As a musical-performative silent film theater, Johannes Müller/Philine Rinnert listen to historical sites on the outskirts of Berlin and their history, which still echo today.

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In Familiodrom, Interrobang gives birth to a child together with the audience. Immediately the freshly baked parents' collective is stuck in the ideological swamp of cloth diapers, ready-to-eat porridge, sleep training, shame and guilt.

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In Familiodrom, Interrobang gives birth to a child together with the audience. Immediately the freshly baked parents' collective is stuck in the ideological swamp of cloth diapers, ready-to-eat porridge, sleep training, shame and guilt.

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In her new work, choreographer Kareth Schaffer devotes herself to the demons of today's world: between actionism and laziness, distraction and apathy, the performers Madalina Dan and Manon Parent fight their way through the stage landscape.

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Why do we want things? In a stage design recycled from performances of the last decade, Clément Layes looks at materiality, agency, and into the things that unwillingly accompany a given action.

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