Göksu Kunak: INNOCENCE – Sophiensæle | Independent Theater in Berlin
Göksu Kunak:
INNOCENCE
INNOCENCE is based on the Susurluk scandal, a notorious car crash in Turkey in the 1990s. The supposedly everyday accident led to the discovery of criminal links between state institutions, the drug mafia and deep state relations. In INNOCENCE, Göksu Kunak reflects on the policy of concealing and erasing and explores accident and scandal as phenomena; as a moment in which technology reveals its potentially grave consequences. But also as a moment in which falsities and truths of our constructed reality come to light. INNOCENCE portrays the crash as a moment frozen in time in which relationships are crystallized: a traffic accident as a neutral moment, neither good nor bad, but as dramatic as a soap opera.
The Susurluk scandal as a grey area reveals the inaccuracies of a rigid East-West dichotomy and defies simple conclusions. For Kunak, the car as a fetishized object and the accident are metaphors for both the corrupted patriarchal political system in Turkey and the crash of Turkish modernization. INNOCENCE is an attempt at a genealogy of corruption in the country, the suppression of minorities and also sheds light on the atrocities inflicted by western imperialism upon Turkey and the Middle East/South West Asia.
INNOCENCE is Göksu Kunak’s third co-production with Sophiensæle and opened its season in September 2024. In 2025, Göksu Kunak received the Akademie der Künste Kunstpreis (Berlin Prize for Art).
„Kunak, born in Ankara in 1985, is one of the most interesting performers of the present day; [Kunak] combines dance, theater, and political iconography, body control, and the absurd beauty of early Matthew Barney works with slapstick – and liberates the genre of performance from the […] expression and immersion kitsch in which it has long been stuck.“
Niklas Maak, Frankfurter Allgemeine Zeitung, 14.09.2024
The information on accessibility is still in progress and will be updated as soon as possible. If any questions remain unanswered until then, please feel free to contact the communication department at barrierefreiheit@sophiensaele.com or 030 27 89 00 35. Please note that details may change by the day of the event. Therefore, if you find out after you have purchased your ticket that the performance is no longer accessible to you, you can contact us for a ticket return at ticketing@sophiensaele.com or 030 27 89 00 45 until 5 business days after the event (Monday through Friday between 10am and 6pm).
Duration
- 90 minutes without a break
Language
- English spoken language
Space
- The ballroom will be vacated after 50 minutes. The last scene of the performance takes place in the inner courtyard.
Sound
- Loud music is used.
- In the yard a big wheather balloon will be blown. This ballon pops at one moment
Smell
- There will be Rosewater spent to the audience at one moment (voluntarily).
Light
- Spotlights are used from above.
- The lighting mood is rather dark.
- strobe effects are used (omly outdoors).
Other
- There are video projections.
- Some of the projections are videos from car crashes.
- Sunflower seeds will be spent to the audience at one moment
Audience area
- Seated grandstand
- 2 beanbag seats bookable according to availability
- 2 wheelchair seats bookable according to availability
- The last scene of the performance takes place in the inner courtyard without seats. Some stools will be provided. Beanbags will be provided after booking.
Early boarding
- Early boarding is possible. A loudspeaker announcement will be made a few minutes in advance.
Tickets
- Reservations can be made via the ticket telephone at 030 283 52 66, Monday to Friday from 4pm-6pm
- Via the online ticket shop
- At the box office
You can also find more information about accessibility at the house here.
Concept, text, installation, light, performance: Göksu Kunak
With: Bilgesu Akyürek, Felix Beer, Buğra Büyükşimşek, Chima Okerenkwo, Leo Luchini
Light advice: Annegret Schalke
Assistance stage, documentation: SynthTati
Consultation stunt: Sascha Girndt
Outside eye: Çağla Ilk
Production assistance: Ben Mohai
Production management: Florian Greß
Production management (revival): Wiebke Wesselmann
A production by Göksu Kunak in co-production with Sophiensæle and DE SINGEL Antwerpen. Funded by the Fonds Darstellende Künste with funds from the Federal Government commissioner for Culture and the Media and the Senate Department for Culture and Social Cohesion. Media partners: Missy Magazine, Siegessäule, taz.
Göksu Kunak (Ankara, 1985) is an artist, researcher, and writer based in Berlin. Their practice explores chronopolitics, hybrid and multilingual texts, and performative languages shaped by non-Western dramaturgies and Arabesk culture. Working across performance, installation, and writing, Kunmak addresses hetero-patriarchal structures, Orientalism, and self-Orientalization through speculative, score-based approaches to the body as simulacrum and sculpture.
In 2025, Kunak received the Akademie der Künste Kunstpreis (Berlin Prize for Art). They have performed and exhibited internationally at venues including Performa Biennial (New York), Neue Nationalgalerie (Berlin), Van Abbe Museum (Eindhoven), De Singel Arts Center (Antwerpen), Kaaitheater (Brussels) and KW Institute for Contemporary Art (Berlin) a.o.