Sophiensæle

Melanie Jame Wolf: MIRA FUCHS (a reprise) – Sophiensæle | Independent Theater in Berlin

Program

Saison 25/26
Workshop Free admission
20:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket Premiere
20:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
17:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
20:00
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
15:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
18:00
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
15:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
18:00
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
Dance, Musical theater, Concert Ticket Premiere
17:30
Start: Kasse/Box office
Dance, Musical theater, Concert Ticket
Dance, Musical theater, Concert Ticket
Dance, Musical theater, Concert Ticket
Dance, Music Ticket Premiere
Dance, Music Ticket
Performance Ticket
Dance, Music Ticket
Performance Ticket
Dance, Music Ticket
Performance Ticket
Performance Ticket
Performance Ticket
Performance Ticket

Melanie Jame Wolf:
MIRA FUCHS (a reprise)

A close-up shows a hand gently touching a piece of translucent orange fabric. Backlighting reveals the fabric’s fine texture and casts the hand’s shadow clearly onto the surface.
Melanie Jame Wolf:
MIRA FUCHS (a reprise)
Performance
Duration: 1h 20 Min.
English
10€/15€/20€/25€

01.11., 13:00-16:00 Workshop The Right to Change Your Mind: Working with autobiography in performance

01.11., 17:00-19:00 Screening/Panel Is this a joke to you?: comedy as critique in feminist performances for the screen 

Mira Fuchs is an expert. An expert private dancer. She is the public face of choreographer and visual artist Melanie Jame Wolf’s 8-year private life working as a stripper in one of the largest clubs in Melbourne. Following its premiere at Tanztage Berlin 2015, the performance is celebrating its 10th anniversary this year – and wants to dance the audience through the myriad questions and contradictions of this work, that time and her world.

Offering Melanie Jame Wolf’s own experience as a looking glass through which audiences are invited to critically reflect on their own position in relation to stripping, she draws on the specific vocabularies of this extended bodily practice. The work seeks to explore ideas around gender, sexuality, pleasure, performative intimacy, the gaze and performance as labor. At the same time, ten years is a long time, especially for bodies that labor. And so, the reprise of the performance also incorporates questions about aging and desire, and nostalgia into the original material.

Structured as an essay of fragments and made for an intimate audience, MIRA FUCHS (a reprise) proposes itself as an abstracted memoir of the body as a political riddle.

The information on accessibility is still in progress and will be updated as soon as possible. If any questions remain unanswered until then, please feel free to contact the communication department at barrierefreiheit@sophiensaele.com or 030 27 89 00 35. Please note that details may change by the day of the event. Therefore, if you find out after you have purchased your ticket that the performance is no longer accessible to you, you can contact us for a ticket return at ticketing@sophiensaele.com or 030 27 89 00 45 until 5 business days after the event (Monday through Friday between 10am and 6pm).

Early boarding

If, for artistic reasons, the door to the auditorium does not open until very shortly before the performance begins, there is the option of early boarding.

Tickets

  • Reservations can be made via the ticket telephone at 030 283 52 66, Monday to Friday from 4pm-6pm
  • Via the online ticket shop
  • At the box office

You can also find more information about accessibility at the house here.

Concept, choreography, video, text, performance: Melanie Jame Wolf
Sound design: two4K / Carl Anderson
Costume styling: Evan Loxton
Light design, technical direction: Cathy Walsh
Dramaturgy: Louise Trueheart
Production (Reprise): Diana Paiva/High Expectations

A production by Melanie Jame Wolf in coproduction with Sophiensæle in the frame of Tanztage Berlin 2015 with the kind support of Arts House Melbourne and Creative Victoria. The reprise is supported by the Wiederaufnahmeförderung of the Berlin Senate Department for Culture and Social Cohesion. Media partners: Missy MagazineSiegessäuletaz.

Melanie Jame Wolf makes artworks, performances, and texts about power, persona and the phenomenon of “show business”: the liminal, the persuasive, the deceptive, the staged, and the performed in the political, theatrical and everyday. Her work explores the vulnerability of the live moment and the body as an unruly political riddle. These investigations are expressed through shape-shifting and play with language in surprising and humorous ways.

Spaces that have presented her work include Künstlerhaus Bethanien, Kunstmuseum Basel – Gegenwart, KW – Institute of Contemporary Art, HAU – Hebbel am Ufer, Kiasma Museum of Contemporary Art, nGbK, The National 2019: New Australian Art biennial, VAEFF – Film Festival NYC, Arts Santa Monica, Schwules Museum, Sophiensæle, Münchner Kammerspiele, Arts House Melbourne, Kasseler Dokfest, Bärenzwinger Berlin, SOPHIE TAPPEINER and Institute of Modern Art Brisbane. Wolf was one of 8 nominees for the 2022 Berlin Art Prize.

 

  • MelanieJameWolf018 © Alexander Coggin
    © Alexander Coggin
  • A person with bangs tilts their head downward, holding it with both hands placed on the sides. The pink-painted fingernails stand out against the soft light illuminating the scene.
    © Damian Stephens
  • A close-up shows a hand gently touching a piece of translucent orange fabric. Backlighting reveals the fabric’s fine texture and casts the hand’s shadow clearly onto the surface.
    © Damian Stephens
Kantine
Kantine
Kantine
Kantine
Kantine
Kantine