Zafraan Ensemble:
Hypermusic Prologue

chamber OPERA

When the extra-dimensional space is undetectable in front of our eyes, can we at least sense it acoustically? Inspired by the bestseller „Warped Passages“, Hèctor Parra wrote a chamber opera together with Harvard physicist Lisa Randall. The work deals with hidden universes, the existential urge to research as well as our boundaries of understanding and interdependencies in the so-called real world.

With the libretto of Hypermusic Prologue, Lisa Randall draws on her popular science books, in which she attempts to make the five-dimensional hyper space more accessible to the layperson. The central figure is a scientist, torn between her love for her partner and her passion for theoretical physics. In the course of the opera, she finds herself immersed in the fifth dimension, while her partner remains tied to normal space-time. Hèctor Parra found a sensual and energetic musical language for this material, enabling the listener to experience the complex hyper reality both emotionally and intellectually through the use of psycho-acoustic effects. Thus, the audience is taken on an oftentimes bizarre and absurd journey, which offers not only points of contact with parallel worlds, but also access to a unique inner experience.

Hypermusic Prologue was commissioned by the Ensemble Intercontemporain and IRCAM-Centre Pompidou. The one-hour piece was premiered by the Ensemble Intercontemporain and IRCAM at Centre Georges Pompidou in Paris in June 2009, with a large scale video projection by Matthew Ritchie and mise en espace by Paul Desveaux. Directed by Benjamin Schad (winner of the Götz-Friedrich-Regiepreis in 2011), Hypermusic Prologue will now receive its scenic premiere. For the performances at Sopiensaele Berlin (4, 5 and 6 October 2013) and at Gare du Nord Basel (16, 17, and 18 October 2013), a top-notch cast has been engaged including Johanna Greulich (soprano) and Robert Koller (baritone). The eight musicians of the Zafraan Ensemble will be conducted by Manuel Nawri, while the complex live electronics designed at IRCAM by Thomas Goepfer will be controlled by Wolfgang Heiniger.

www.hypermusicprologue.com

STAGE DIRECTION Benjamin Schad STAGE, COSTUMES Tobias Flemming LIGHT, VIDEO Aron Kitzig DRAMATURGy Joshua Wicke MUSICAL DIRECTION Manuel Nawri SOLOISTS Johanna Greulich, Robert Koller ELEKTRONICS Wolfgang Heiniger, Hadas Pe'ery ZAFRAAN ENSEMBLE Emmanuelle Bernard, Josa Gerhard, Martin Smith, Beltane Ruiz Molina, Marie Pinson, Miguel Pérez Iñesta, Martin Posegga, Daniel Eichholz COMPANY MANAGEMENT Clemens Hund-Göschel, Sebastian Solte

Produced by Zafraan Ensemble in coproduction with Gare du Nord Basel and SOPHIENSÆLE. Funded by Hauptstadtkulturfonds, Ernst von Siemens Musikstiftung and Spanish Embassy Berlin. Supported by Instituto Cervantes, Institut Ramon Llull, Einstein Forum and Klangzeitort Institut für Neue Musik. Special thanks to our media partners kulturradio vom rbb, Concerti, Opernwelt und taz.die tageszeitung.