Sophiensæle

An international Perspective – Sophiensæle | Independent Theater in Berlin

Program

Saison 25/26
20:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket Premiere
20:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
17:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
20:00
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
15:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
18:00
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
15:30
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
18:00
Hochzeitssaal, Hochzeitssaal Garderobe, Kantine
Dance, Performance Ticket
Dance, Musical theater, Concert Ticket Premiere
17:30
Start: Kasse/Box office
Dance, Musical theater, Concert Ticket
Dance, Musical theater, Concert Ticket
Dance, Musical theater, Concert Ticket
Dance, Music Ticket Premiere
Dance, Music Ticket
Performance Ticket
Dance, Music Ticket
Performance Ticket
Dance, Music Ticket
Performance Ticket
Performance Ticket
Performance Ticket
Performance Ticket
Dance Ticket Premiere
Dance Ticket
Showing Ticket
Dance Ticket
Dance Ticket
Performance Ticket Premiere
19:00
Hochzeitssaal
Dance, Installation Ticket Premiere
19:00
Hochzeitssaal
Dance, Installation Ticket
19:00
Hochzeitssaal
Dance, Installation Ticket
18:00
Start: Kasse/Box office
19:30
Festsaal-Foyer
Talk Free admission
Performance, Dance Ticket Premiere
Performance, Dance Ticket
Performance, Dance Ticket
Performance, Dance Ticket
Performance, Dance Ticket Premiere
Performance, Dance Ticket
Dance Ticket Premiere
Performance, Dance Ticket
Performance, Dance Ticket
Musical theater Ticket Premiere

An international Perspective

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An international Perspective
Discussion
Auf English

The political instrumentalization of art or theatre is rarely discussed internationally with the same intensity as in Germany. This is in part because here, financial support for artistic work without a social component is rare. As a result, artists develop creative strategies for dealing with these constraints. These range from the relatively faithful realization of a social mandate to subversive reversals of the intended societal duty. International artists will discuss in a plenary session and present their projects, concepts and strategies during table dialogues.

WITH Ananda Breed (Youth Theatre for Peace, Kirgistan), Lorena Méndez Barrios (Gefängnistheater in Mexico City), Bayan Shbib (Theater in Palästina), Ioanna Valsamidou (Theater in Athen), Jens Vilela Neumann (Theater in Angola, Mosambique und Simbabwe)

PANEL DISCUSSION with the guests IMPULS Julius Heinicke (FU Berlin) MODERATION Kristin Flade, Janina Möbius (beide FU Berlin)

Organized by the research project The Aesthetics of Applied Theatre  (European Research Coucnil), Institute for Theatre Studies, Freie Universität Berlin

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Festsaal