Astrit Ismaili – Sophiensæle | Freies Theater in Berlin
Program
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Place: KantineShowing Free admission
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Place: Hochzeitssaal
Melanie Jame Wolf: Finite Jest
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Place: Hochzeitssaal
Melanie Jame Wolf: Finite Jest
Performance Ticket -
Place: Festsaal
Eva Meyer-Keller: Turn The P/Age
Performance Ticket -
Place: Hochzeitssaal
Melanie Jame Wolf: Finite Jest
Performance Ticket -
Place: Festsaal
Eva Meyer-Keller: Turn The P/Age
Performance Ticket -
Place: Hochzeitssaal
Melanie Jame Wolf: Finite Jest
Performance Ticket -
Place: Kantine
Belle Santos & Emi Ogura: MORNING TIME
Performance Ticket -
Place: Kantine
Belle Santos & Emi Ogura: MORNING TIME
Performance Ticket -
Place: Festsaal
Olympia Bukkakis & Maria F. Scaroni: Unsex Me Here
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Place: Festsaal
Olympia Bukkakis & Maria F. Scaroni: Unsex Me Here
Performance Ticket -
Place: Festsaal
Olympia Bukkakis & Maria F. Scaroni: Unsex Me Here
Performance Ticket -
Place: Hochzeitssaal
Hana Umeda: RAPEFLOWER
Dance, Performance Ticket -
Place: Festsaal
Olympia Bukkakis & Maria F. Scaroni: Unsex Me Here
Performance Ticket -
Place: Hochzeitssaal
Hana Umeda: RAPEFLOWER
Dance, Performance Ticket -
Place: Hochzeitssaal
Azade Shahmiri: You and I have Seen the Garden from That Cold Sullen Crack
Performance, Film, Lecture Ticket -
Place: Hochzeitssaal
Azade Shahmiri: You and I have Seen the Garden from That Cold Sullen Crack
Performance, Film, Lecture Ticket -
Place: Start: Kasse/Box office
Historical house tour
Guided tour Ticket -
Place: Festsaal
Courtney May Robertson: HUNTER
Performance Ticket -
Place: Kantine
Olympia Bukkakis: Queer and Present Dangers/Family
Talk show, Performance Ticket -
Place: Festsaal
Courtney May Robertson: HUNTER
Performance Ticket -
Place: Kantine
Olympia Bukkakis: Queer and Present Dangers/Family
Talk show, Performance Ticket
Current
Astrit Ismaili
ASTRIT ISMAILI (* in Prishtina, Kosovo) lives and works in Amsterdam. Astrit Ismaili’s performance practice explores the transformational potential of bodies and spaces. Their work proposes bodies that consist of both imaginary and material realities—using alter egos, extensions and wearable music instruments to embody different possibilities for becoming. Through these elements, Ismaili thinks of, about and through the body: as it transforms and is transformed, as it moves, as it makes sound and makes contact, as it extends and exceeds, as it reaches out to and touches the other. Within this practice, the act of singing is used to explore the role of voice in pop culture and in relation to identity politics. Fictional, historical and personal references are used as a material to build worlds and incarnate new icons. Astrit Ismaili graduated with an MA in Performance from the DasArts in Amsterdam. They have recently opened Manifesta 14, Pristina (2022) and Athens Biennale (2021) with their work and shown further pieces at KW Institute for Contemporary Art, Berlin (2022); Neues Museum, Nuremberg (2022); Impulstanz, Vienna (2021); Salzburger Kunstverein 2020; Oude Kerk, Amsterdam (2019); Stedelijk Museum, Amsterdam (2018); SALTS, Basel (2018); Kunstverein Amsterdam, among others.