Courtney May Robertson – Sophiensæle | Freies Theater in Berlin
Program
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Performance Ticket
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Place: Kantine
Antonia Baehr: Schreien (SCREAMING) – A research series
Laboratory series Ticket -
Place: Start: Kasse
Historical house tour: Bloody May
Guided tour Ticket -
Place: Kantine
Friends of the Wolf Tone: The Berlin Meeting
Installation, Lecture Performance, Concert Ticket -
Place: Festsaal
SERAFINE1369: (my body / running wild / this animal) glorious
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Place: Festsaal
SERAFINE1369: (my body / running wild / this animal) glorious
Dance Ticket -
Place: Festsaal
Olivia Hyunsin Kim/ddanddarakim: Mr. Yellow
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Place: Hochzeitssaal
Oliver Zahn: Great Acceleration
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Place: Festsaal
Olivia Hyunsin Kim/ddanddarakim: Mr. Yellow
Dance performance Ticket -
Place: Hochzeitssaal
Oliver Zahn: Great Acceleration
Performance Ticket -
Place: Festsaal
LOUDsoft & Olivia Hyunsin Kim/ddanddarakim: Schrumpf! Mr.Yellow
Dance performance Ticket -
Place: Festsaal
Olivia Hyunsin Kim/ddanddarakim: Mr. Yellow
Dance performance Ticket -
Place: Hochzeitssaal
Oliver Zahn: Great Acceleration
Performance Ticket -
Place: Im Hof der Sophiensæle/In the courtyard of Sophiensæle
Open courtyard
Get together -
Place: Festsaal
Olivia Hyunsin Kim/ddanddarakim: Mr. Yellow
Dance performance Ticket -
Place: Hochzeitssaal
Oliver Zahn: Great Acceleration
Performance Ticket -
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Guided house tour, Performance Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Guided house tour, Performance Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Theater, Performance Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Musical theater Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Guided house tour, Performance Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Musical theater Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Installation, Work in Progress Ticket
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Performance, Musical theater Ticket
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Guided house tour, Performance Ticket
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Theater, Performance Ticket
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Guided house tour, Performance Ticket
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Dance, Performance Ticket
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Theater, Performance Ticket
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Talk show, Performance Ticket
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Guided tour Ticket
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Guided house tour, Performance Ticket
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Talk show, Performance Ticket
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Guided tour Ticket
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Talk Ticket
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Guided house tour, Performance Ticket
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Talk Ticket
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Guided house tour, Performance Ticket
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Guided house tour, Performance Ticket
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Dance Ticket
Courtney May Robertson
Courtney May Robertson is a performer and interdisciplinary maker based in Rotterdam, the Netherlands. Upon graduating from The Scottish School of Contemporary Dance in 2013 with a Bachelor of Arts, she began her professional career with Club Guy & Roni’s Poetic Disasters Club. In 2017 Robertson entered into an on-going collaboration with Flemish choreographer Jan Martens, performing in RULE OF THREE (2017), any attempt will end in crushed bodies and shattered bones (2021) and VOICE NOISE (2024). Meanwhile, she performed in Festzug (2021) and A Divine Comedy (2021) by Austrian performance artist Florentina Holzinger. Most recently, she worked as a performer with Maxime Dreesen in Peekaboo (2025) and soon with Benjamin Abel Meirhaeghe in A RITE OF SPRING (2026).
Robertson’s own choreographic voice began emerging in underground spaces in the Netherlands. Her work as a maker is driven by the raw, the rigorous, and the ruptured, often exploring sociopolitical questions through the lens of the personal, the grotesque, and the uncanny. She crafts work that insists on emotional intensity, layered contradiction and sharp conceptual edges, inviting audiences into sensorial universes where feeling precedes understanding.
Though rooted in her background in a range of dance styles, Robertson’s practice is in constant dialogue with various artistic disciplines cutting across performance art, video, computer coding, puppetry, and visual design. Whether battling light beams, surrendering to algorithmic systems, or navigating a monstrous double, she builds haunting and immersive encounters that blur the boundaries between control and collapse, rigor and rebellion, chaos and structure.