Place: Festsaal–Foyer
House stories #2
Talk
Free admission
Caroline Creutzburg – Sophiensæle | Freies Theater in Berlin
Program
Saison 26/27
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Performance Ticket
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Performance Ticket
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Performance Ticket
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Place: Kantine
Antonia Baehr: Schreien (SCREAMING) – A research series
Laboratory series Ticket -
Place: Start: Kasse
Historical house tour: Bloody May
Guided tour Ticket -
Place: Kantine
Friends of the Wolf Tone: The Berlin Meeting
Installation, Lecture Performance, Concert Ticket -
Place: Festsaal
SERAFINE1369: (my body / running wild / this animal) glorious
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Place: Festsaal
SERAFINE1369: (my body / running wild / this animal) glorious
Dance Ticket -
Place: Festsaal
Olivia Hyunsin Kim/ddanddarakim: Mr. Yellow
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Place: Hochzeitssaal
Oliver Zahn: Great Acceleration
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Place: Festsaal
Olivia Hyunsin Kim/ddanddarakim: Mr. Yellow
Dance performance Ticket -
Place: Hochzeitssaal
Oliver Zahn: Great Acceleration
Performance Ticket -
Place: Festsaal
LOUDsoft & Olivia Hyunsin Kim/ddanddarakim: Schrumpf! Mr.Yellow
Dance performance Ticket -
Place: Festsaal
Olivia Hyunsin Kim/ddanddarakim: Mr. Yellow
Dance performance Ticket -
Place: Hochzeitssaal
Oliver Zahn: Great Acceleration
Performance Ticket -
Place: Im Hof der Sophiensæle/In the courtyard of Sophiensæle
Open courtyard
Get together -
Place: Festsaal
Olivia Hyunsin Kim/ddanddarakim: Mr. Yellow
Dance performance Ticket -
Place: Hochzeitssaal
Oliver Zahn: Great Acceleration
Performance Ticket
Current
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Ariel Efraim Ashbel & Rachel Libeskind for (Regina, Rosa, Ruth & Rachel) Ariel Efraim Ashbel & Rachel Libeskind Ariel Efraim Ashbel & Rachel Libeskind: for (Regina, Rosa, Ruth & Rachel)
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House stories #2
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Leitung Künstlerisches Betriebsbüro (d/w/m) in Vollzeit
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Ausbildung zur Fachkraft für Veranstaltungstechnik (d/w/m)
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Jubiläumssaison 2025/26
Caroline Creutzburg
CAROLINE CREUTZBURG, born in Berlin, studied at the Institute for Applied Theatre Studies in Giessen. Since 2009 she has been initiating her own stage projects, with which she pursues her interest in both strong and permeable frameworks. She is guided by the questions of implicit forms of addressing, self-determined subjectivity, the supposedly banal and the values of entertainment.